Invention and Design: Early Italian Drawings at the Morgan
February 15 through May 19, 2019
The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.
By Any Means: Contemporary Drawings from the Morgan
January 18 through May 12, 2019
By Any Means brings together about twenty innovative works from the Morgan’s collection, including many recent acquisitions, by artists such as John Cage, Sol LeWitt, Vera Molnar, Robert Rauschenberg, Betye Saar, Gavin Turk, and Jack Whitten.
Beautiful Youths: Dandies from the Read Persian Album
October 30, 2018 through February 17, 2019
The leaves of a magnificent album compiled for Husain Khan Shamlu, governor of Herat (r. 1598–1618) and one of the most powerful rulers in Persia in the early seventeenth century, are now on view on the Lower Level.
Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.
Jacopo Tintoretto (1518–1594) was among the most distinctive artists of the Italian Renaissance, but his drawings have never received the attention they deserve and remain unfamiliar even to many scholars.
At the end of the 1520s, at the time of the siege that brought to an end the last Florentine Republic (1529–1530), the painter Jacopo da Pontormo, (1494–1557) created one of his most moving and groundbreaking paintings, the altarpiece of the Visitation.
Rivers and Torrents: Oil Sketches from the Thaw Collection
March 27 through December 9, 2018
Rivers and Torrents highlights works from the collection of oil sketches given jointly to the Morgan and to the Metropolitan Museum of Art in 2009 and 2016 by Eugene V. Thaw and his wife, Clare.
A Merchant Ivory Production: Highlights from the James Ivory Collection
June 26 through October 28, 2018
This exhibition explores an extraordinary partnership, as documented in director James Ivory’s annotated film scripts, editing notebooks, and correspondence
Drawing on the Morgan's superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages.
