Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Past Exhibitions
Plein Air Sketching in the North
December 11, 2018 through August 25, 2019
During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.
Composed chiefly of works in the Morgan’s collection, this exhibition explores how photographers have represented the bonds uniting people, whether in group portraits or in serial imagery.
Modern and Contemporary Drawings: Recent Acquisitions
February 26 through June 30, 2019
Nearly fifteen years ago, while the construction of its Renzo Piano-designed expansion was under way, the Morgan embarked on a new program of acquisitions of modern and contemporary drawings.
Invention and Design: Early Italian Drawings at the Morgan
February 15 through May 19, 2019
The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.
By Any Means: Contemporary Drawings from the Morgan
January 18 through May 12, 2019
By Any Means brings together about twenty innovative works from the Morgan’s collection, including many recent acquisitions, by artists such as John Cage, Sol LeWitt, Vera Molnar, Robert Rauschenberg, Betye Saar, Gavin Turk, and Jack Whitten.
Beautiful Youths: Dandies from the Read Persian Album
October 30, 2018 through February 17, 2019
The leaves of a magnificent album compiled for Husain Khan Shamlu, governor of Herat (r. 1598–1618) and one of the most powerful rulers in Persia in the early seventeenth century, are now on view on the Lower Level.
Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.
Jacopo Tintoretto (1518–1594) was among the most distinctive artists of the Italian Renaissance, but his drawings have never received the attention they deserve and remain unfamiliar even to many scholars.
