Van Eyck to Mondrian: 300 Years of Collecting in Dresden

October 23, 2020 through January 31, 2021

Building on the Morgan’s tradition of presenting to the American public distinguished works from outstanding institutions abroad, Masterworks from Dresden: Van Eyck to Mondrian will focus on the exceptional drawing collection of Kupferstich-Kabinett, Dresden. Established by Augustus II the Strong, Elector of Saxony, in 1720, the Kupferstich-Kabinett is one of the oldest and finest depositories of works on paper in the world. The Morgan will be the sole American venue for this exhibition, which is timed to celebrate the 300th anniversary of the founding of the collection.

Both chronologically and geographically wide-ranging, the exhibition will celebrate pivotal moments and key traditions in the history of European draftsmanship. Most remarkably, it will feature Jan van Eyck’s Portrait of an Elderly Man—an exceptionally rare drawing by the great Netherlandish Renaissance painter, which has never before traveled to the United States. The Kupferstich-Kabinett’s strength in Northern Renaissance and Baroque drawings will be further showcased through works by Lucas Cranach the Elder, Hans Holbein the Younger, Rembrandt, and Rubens, while the museum’s rich holdings of Southern European works will be represented by Correggio, Bronzino, Sofonisba Anguissola, and others. Among works produced in the nineteenth and twentieth centuries, highlights include studies by Caspar David Friedrich, Goya, Käthe Kollwitz, Gustav Klimt, Otto Dix, and Piet Mondrian.

This exhibition was organized by the Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden and the Morgan Library & Museum, New York.

Van Eyck to Mondrian: 300 Years of Collecting in Dresden is made possible by an anonymous donor, in memory of Melvin R. Seiden. Generous support is provided by the Wolfgang Ratjen Foundation, Liechtenstein; The Christian Humann Foundation; Mr. and Mrs. Clement C. Moore II;  Elizabeth and Jean-Marie Eveillard; Jo Carole and Ronald S. Lauder; and the Samuel H. Kress Foundation; with assistance from the Arnhold Family, in memory of Henry H. Arnhold.

6. Piet Mondrian (1872–1944)
Color Scheme for Ida Bienert's Study
1926
Opaque watercolor over graphite
29 1/2 × 29 1/2 in. (75 × 75 cm)