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As part of the Bicentenary celebrations of the Royal Philharmonic Society, the Morgan will display two historic copyist scores of Beethoven's Ninth Symphony, marking the first time they have been brought together since their creation in 1824.

This exhibition celebrates the two-hundredth anniversary of Brontë’s birth in 1816, and marks an historic collaboration between the Morgan and the Brontë Parsonage Museum, in Haworth, England.

This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000).

Fragonard and the French Tradition celebrated the artist's brilliant accomplishments as a draftsman in the context of the prevailing currents of eighteenth-century French art.

This exhibition will recognize the sheer scale of Sargent’s achievement as a portrait draftsman.

The subversive works and personality of the French writer Alfred Jarry (1873–1907) played a crucial role in the transition from the nineteenth-century avant-garde to the emergent modernist movements of the early twentieth century.

The temporary installation of three sculptures by Mark di Suvero in the Gilbert Court was prompted by the friendship and mutual admiration between di Suvero and Renzo Piano, the architect who designed the court.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.

Drawing upon the Morgan's collection of Poyer manuscripts, the exhibition also included choice loans of drawings and manuscripts from this country and abroad.

The brilliant and celebrated writer, dramatist, aesthete, wit, and self-proclaimed "lord of language" was the focus of Oscar Wilde: A Life in Six Acts, originally organized by the British Library. Wilde's (1854–1900) rise to success as a literary and social figure was meteoric. His decline to notoriety and disgrace was equally dramatic. Twelve years after publishing his first work of fiction, in 1888, he was dead at the age of forty-six, buried in a pauper's grave on the outskirts of Paris.