Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
In the late eighteenth century, the Swiss dealer Peter Birmann assembled a monumental album of 475 miniatures, which he had removed from illuminated manuscripts. Named after the man to whom he sold the album, Daniel Burckhardt-Wildt (1752–1819), it remained in private hands for nearly two hundred years.
Dante’s Dream (1871) has resided at the Walker Art Gallery, National Museums Liverpool, since 1881, when the institution purchased the painting directly from Dante Gabriel Rossetti for £1575. The museum was not the first owner of this massive, stunning example of Pre-Raphaelite work, however. A single item from the Morgan’s collection of Rossetti letters figures into its interesting (read: frustrating) exchange of hands and underlines the turbulent nature of the art business...
What do you do when an angry elephant is terrorizing your menagerie? That was the problem facing legendary circus manager P. T. Barnum in this 1883 inquiry in which he seeks advice from an unidentified Professor about a “ferocious” male elephant that he “must kill or castrate.” Although the letter calls to mind the world-famous Jumbo, he was unlikely to have been the unfortunate subject of castration. By this time, he was already quite tame, having carried children on his back for years at the London Zoo before coming to Barnum's circus in 1882.
On July 14, 1851, Charles Dickens expressed his interest in Tavistock House to his brother-in-Law Henry Austin. A mere 11 days later, he put down £1,542 for a 45-year lease of the grand 18-room mansion in the Bloomsbury section of London.
With Austin’s help, Dickens oversaw the remodeling of Tavistock, concerning himself with the most minute of details, down to the picture rods and pantry shelving. By early September he had "estimated every new thing in the way of furniture and fitting that will be wanted" and found that "the figures are rather stunning."
This playful image from a French 15th-century manuscript depicts a topsy-turvy world in which canine patients seek treatment from a rabbit physician wearing eyeglasses. Some years ago, The Morgan was approached by a firm that wished to use the image in an advertisement for imported burgundy. The red liquid in the beaker the rabbit physician is scrutinizing would, it was hoped, illustrate the wine’s superlative body and flavor.
Every summer since 2015, a paid undergraduate intern from the University of Pennsylvania’s RealArts@Penn program program has joined the Literary and Historical Manuscripts Department staff at the Morgan. Two summers ago, Delaney Keenan (who graduated this June with a B.A. in Art History from Penn) spent part of her internship working on a project to survey and study the department’s holdings of the letters of women artists.
Ever moved your sheeprack on Sunday morning?
Now, it might not be a big deal. But if you were caught doing this in the 1500s, you could end up in an English church court.
The Morgan’s collection of 16th-century penances records the sentences imposed by such a court. From these documents, we learn that Henrie Barker was
In 2010 the Morgan presented an exhibition on the cultural history of gardens in Europe and America, Romantic Gardens: Nature, Art, and Landscape Design, curated by Elizabeth Barlow Rogers and others. The catalogue touches briefly on a question still debated by garden historians: what are the origins of the English style of landscape design?
While searching the Morgan collections for Asian Americans and Pacific Islanders (AAPI)-related materials, I came across PML 185005. I was initially puzzled that a publication credited to American writer William Faulkner appeared in my “Philippines” keyword catalog search.
Leonhard Euler was perhaps the foremost mathematician of the 18th century. He made major contributions to the fields of calculus, mechanics, fluid dynamics, optics, and astronomy. Born in Switzerland, he spent much of his life in Berlin and St. Petersburg. The Morgan holds a series of 99 letters he wrote to his colleague, the French mathematician Pierre Maupertuis, while they were both part of the Berlin Academy under Frederick the Great. In this letter, dated July 4, 1744, Euler is working on a problem in spherical geometry.
