Francisco Goya
1746-1828
Pesadilla
ca. 1816-1820
10 3/8 x 6 3/4 inches (264 x 171 mm)
Black wash on laid paper.
1959.13
Gift of Mr. and Mrs. Richard J. Bernhard.
Notes
Dreams and nightmares are a leitmotif of Goya's art. Toward the end of his life, he drew increasingly for his own pleasure, executing eight albums lettered A through H and variously named. Album E, the Black Border Album, is the largest in format and the most easily recognizable. This drawing depicts a disheveled woman astride a flying bull. Still entangled in her bedding, she screams in terror, her eyes bulging. While the image of a woman and bull traditionally personified the European continent, Goya's pair seems to personify the turmoil in Spain following the Peninsular War. --Exhibition Label, from "Visions and Nightmares: Four Centuries of Spanish Drawings"
Inscriptions/Markings
Inscribed by the artist at bottom in black chalk, "Pesadilla"; numbered by him at top in brown ink, "20". Numbered by another hand in black ink, "41".
Watermark: countermark: J HO[NIG], fragment.
Watermark: countermark: J HO[NIG], fragment.
Associated names
Calando, Eugene, former owner.
Bernhard, Richard J., former owner.
Bernhard, Richard J., Mrs., former owner.
Bernhard, Richard J., former owner.
Bernhard, Richard J., Mrs., former owner.
Bibliography
Pierpont Morgan Library. Review of Acquisitions, 1949-1968. New York : Pierpont Morgan Library, 1969, p. 148.
Adams, Frederick B., Jr., comp. Ninth Report to the Fellows of the Pierpont Morgan Library, 1958 & 1959. New York : Pierpont Morgan Library, 1959, p. 112-114.
Adams, Frederick B., Jr., comp. Ninth Report to the Fellows of the Pierpont Morgan Library, 1958 & 1959. New York : Pierpont Morgan Library, 1959, p. 112-114.
Artist
Classification
Century Drawings
School
Catalog link
Department