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Andrea Bayer, “Cesare da Sesto,” in The Dictionary of Art, edited by Jane Turner, vol. 6, New York, 1996, 355–56.

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Jacob Bean, review of Correggio’s Drawings, by A. E. Popham, The Burlington Magazine 102 (1960): 168–69.

Bean 1965
Jacob Bean, “Italian Drawings from the Collection of Janos Scholz,” Bulletin of the Metropolitan Museum of Art 23 (1965): 337–44.

Begni Redona 1988
Pier Virgilio Begni Redona, Alessandro Bonvicino: Il Moretto da Brescia, Brescia, 1988.

Begni Redona and Vezzoli 1978
Pier Virgilio Begni Redona and Giovanni Vezzoli, Lattanzio Gambara, Pittore, Brescia, 1978.

Béguin 1956
Sylvie Béguin, “A Further Note on Niccolò dell’Abbate’s ‘Geroglifico’ at Bologna in Honour of Julius III,” Journal of the Warburg and Courtauld Institutes 19 (1956): 302–3.

Béguin 1991
Sylvie Béguin, “Les dessins de l’Ecole de Fontainebleau à la Biblioteca Reale de Turin,” in Nuove ricerche in margine alla mostra: Da Leonardo a Rembrandt: Disegni della Biblioteca Reale di Torino. Atti del Convegno Internazionale di Studi, Torino, 24–25 ottobre 1990, edited by Gianni Carlo Sciolla, Turin, 1991, 83–93.

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Sylvie Béguin, Mario Di Giampaolo, and Philippe Malgouyres, Disegni della donazione Marcel Puech al Museo Calvet di Avignone, Naples, 1998.

Béguin, Di Giampaolo, and Vaccaro 2000
Sylvie Béguin, Mario Di Giampaolo, and Mary Vaccaro, Parmigianino: The Drawings, Turin, 2000.

Bellosi 1985
Luciano Bellosi, “Su alcuni disegni italiani tra la fine del Due e la metà del Quattrocento,” Bollettino d’arte 70 (1985): 1–42.

Belluno and Pieve di Cadore 2007–8
Palazzo Crepadona, Belluno, and Palazzo della Magnifica Comunità, Pieve di Cadore, Tiziano: L’ultimo atto, catalogue by Lionello Puppi, 2007–8.

Belluzzi 1998
Amedeo Belluzzi, Palazzo Te a Mantova, 2 vols., Modena, 1998.

Beltrame Quattrocchi 1979
Enrichetta Beltrame Quattrocchi, Disegni toscani e umbri del primo Rinascimento dalle collezioni del Gabinetto Nazionale delle Stampe, Rome, 1979.

Benesch 1952
Otto Benesch, “Eine Bildniszeichnung des Baccio Bandinelli von Melchior Lorch,” in Studi Vasariani: Atti dal convegno internazionale per il IV centenario della prima edizione delle “Vite” del Vasari, Florence, 1952, 244–48.

Bentini 1989
Jadranka Bentini, Disegni della Galleria Estense di Modena, Modena, 1989.

Bentley 2002–3
G. E. Bentley, Jr., “Richard C. Jackson, Collector of Treasures and Wishes: Walter Pater, Charles Lamb, William Blake,” Blake/An Illustrated Quarterly 36 (2002–3): 92–105.

Bentsik et al. 1988
Ettore Bentsik et al., Gli affreschi della Scoletta del Carmine, Padua, 1988.

Berenson 1903
Bernard Berenson, The Drawings of the Florentine Painters, 2 vols., London, 1903.

Berenson 1932
Bernard Berenson, “Les dessins de Signorelli,” Gazette des Beaux-Arts 7 (1932): 173–210.

Berenson 1938
Bernard Berenson, The Drawings of the Florentine Painters, 3 vols., Chicago, 1938.

Berenson 1955
Bernard Berenson, Lotto, Milan, 1955.

Berenson 1961
Bernard Berenson, I disegni dei pittori fiorentini, 3 vols., Milan, 1961.

Bergamini 1986
Wanda Bergamini, “Nicolò dell’Abate,” in Pittura bolognese del ’500, edited by Vera Fortunati Pietrantonio, Bologna, 1986, 1:269–95.

Bergamo 2017
Accademia Carrara di Belle Arti, Bergamo, Un Lotto riscoperto, catalogue by Pablo Plebani, 2017.

Berlin 1969
Staatliche Museen, Kupferstichkabinett, Berlin, Römische Barockzeichnungen aus dem Berliner Kupferstichkabinett, catalogue by Peter Dreyer, 1969.

Berlin 2000
Staatliche Museen, Kupferstichkabinett, Berlin, Sandro Botticelli: Der Bilderzyklus zu Dantes Göttlicher Komödie, catalogue by Hein-Th. Schulze Altcappenberg, 2000.

Bernardini 1990
Carla Bernardini, Il Bagnacavallo senior, Rimini, 1990.

Bernick 2019
Elizabeth H. Bernick, "Drawing Connections: New Discoveries Regarding Cesare da Sesto's Sketchbook," Master Drawings 57 (2019): 147-96.

Bertini 1953
Aldo Bertini, Botticelli, I grandi maestri del disegno, Milan, 1953.

Bertini 1958
Aldo Bertini, I disegni italiani della Biblioteca Reale di Torino, Rome, 1958.

Bibliothèque Cavalieri 1908
Catalogue des livres composant la Bibliothèque de M. Giuseppe Cavalieri à Ferrara, Florence, 1908.

Bickendorf 1998
Gabriele Bickendorf, “‘Disegni coloriti’: Die Pastelle Jacopo Bassanos,” Bruckmanns Pantheon: Internationale Jahreszeitschrift für Kunst 56 (1998): 85–94.

Bigi Iotti and Zavatta 2008
Alessandra Bigi Iotti and Giulio Zavatta, Raffaellino da Reggio (1550–1578): Tracce di una biografia artistica, Milan, 2008.

Bigi Iotti and Zavatta 2012
Alessandra Bigi Iotti and Giulio Zavatta, eds., Orsi a Novellara: Un grande manierista in una piccola corte; atti della giornata di studi, Novellara, Teatro della Rocca, 19–20 novembre 2011, Rimini, 2012.

Birke and Kertész 1992–97
Veronika Birke and Janine Kertész, Die Italienischen Zeichnungen der Albertina, Generalverzeichnis, 4 vols., Vienna, Cologne, and Weimar, 1992–97.

Bloomington and elsewhere 1958
Indiana University Art Center, Bloomington, Columbus Gallery of Fine Arts, and Smith College Museum of Art, Norfolk, Drawings of the Italian Renaissance from the Scholz Collection, catalogue by Creighton Gilbert, 1958.

Bloomington and elsewhere 1983–84
Indiana University Art Museum, Bloomington, University of Pittsburgh, and Allen Memorial Art Museum, Oberlin, Italian Portrait Drawings, 1400–1800, from North American Collections, catalogue by Adelheid M. Gealt, 1983–84.

Boase 1979
Thomas Sherrer Ross Boase, Giorgio Vasari: The Man and the Book, Princeton, 1979.

Bober and Rubinstein 1986
Phyllis Pray Bober and Ruth Rubinstein, Renaissance Artists & Antique Sculpture: A Handbook of Sources, New York, 1986.

Bober and Rubinstein 2010
Phyllis Pray Bober and Ruth Rubinstein, Renaissance Artists & Antique Sculpture, London, 2010.

Bock et al. 1998
Henning Bock et al., Gemäldegalerie Berlin: 200 Meisterwerke, Berlin, 1998.

Bologna 1969
Palazzo dell’Archiginnasio, Bologna, Mostra di Nicolò dell’Abate. Catalogo critico, catalogue by Sylvie M. Béguin, 1969.

Bologna 1988
Pinacoteca Nazionale di Bologna, Bologna e l’umanesimo 1490–1510, edited by Marzia Faietti and Konrad Oberhuber, 1988.

Bologna 2002
Pinacoteca Nazionale di Bologna, Il cinquecento a Bologna: Disegni dal Louvre e dipinti a confronto, catalogue by Marzia Faietti, 2002.

Bologna 2004
Museo di Palazzo Poggi, Bologna, Rappresentare il corpo: Arte e anatomia da Leonardo all’Illuminismo, edited by Fulvio Simoni and Giuseppe Olmi, 2004.

Bologna 2018
Pinacoteca Nazionale di Bologna, Il genio di Francesco Francia: Un orafo pittore nella Bologna del Rinascimento, edited by Mario Scalini and Elena Rossoni, 2018.

Bolzoni 2014
Marco Simone Bolzoni, “Qualche aggiunta a Nicolò Trometta disegnatore,” Horti Hesperidum 4 (2014): 76–98.

Bolzoni 2016
Marco Simone Bolzoni, “The Drawings of Raffaellino Motta da Reggio,” Master Drawings 54 (2016): 147–204.

Bona Castellotti and Lucchesi Ragni 2014
Marco Bona Castellotti and Elena Lucchesi Ragni, with Roberta D’Adda, Pinacoteca Tosio Martinengo: Catalogo delle opere, secoli XII–XVI, Venice, 2014.

Bora 1971
Giulio Bora, Disegni di manieristi lombardi, Fontes Ambrosiani, vol. 46, Vicenza, 1971.

Bora 1976
Giulio Bora, I disegni del Codice Resta, Milan, 1976.

Bora 1977
Giulio Bora, “Note cremonesi, II: L’eredità di Camillo e i Campi,” Paragone Arte 28 (1977): 54–88.

Bora 1979
Giulio Bora, “Un ciclo di affreschi, due artisti e una bottega a S. Maria di Campagna a Pallanza,” Arte Lombarda 52 (1979): 90–106.

Bora 1980
Giulio Bora, I disegni lombardi e genovesi del cinquecento, Serie Sodalizio del libro, Disegno Italiano, Treviso, 1980.

Bora 1980a
Giulio Bora, “La prospettiva della figura umana gli ‘scurti’—nella teoria e nella pratica pittorica lombarda del cinquecento,” in Atti del Convegno internazionale di studi tenutosi al Castello Sforzesco, Civiche Raccolte d’Arte di Milano, dall’11 al 15 ottobre del 1977, Florence, 1980, 295–317.

Bora 1998
Giulio Bora, “I leonardeschi e il disegno,” in I leonardeschi: L’eredita di Leonardo in Lombardia, edited by Giulio Bora, David Alan Brown, and Marco Carminati, Milan, 1998, 93–120.

Bora 2000
Giulio Bora, “Prima e dopo Leonardo: Nota sul disegno lombardo,” in Hostinato rigore: Leonardiana in memoria di Augusto Marinoni, edited by Augusto Marinoni and Pietro C. Marani, Milan, 2000, 71–76.

Bora et al. 1998
Giulio Bora et al., The Legacy of Leonardo: Painters in Lombardy 1490–1530, Milan, 1998.

Borean 2009
Linda Borean, “Dalla galleria al ‘museo’: Un viaggio attraverso pitture, disegni e stampe nel collezionismo veneziano del settecento,” in Il collezionismo d’arte a Venezia: Il Settecento, edited by Linda Borean and Stefania Mason, Venice, 2009, 3–48.

Borenius 1909
Tancred Borenius, The Painters of Vicenza: 1480–1550, London, 1909.

Borenius 1921
Tancred Borenius, “A Group of Drawings by Paul Veronese,” The Burlington Magazine 38 (1921): 54–59.

Borenius and Wittkower 1937
Tancred Borenius and Rudolf Wittkower, Catalogue of the Collection of Drawings by the Old Masters Formed by Sir Robert Mond, London, 1937.

Borghini 1967
Raffaello Borghini, Il riposo: Saggio biobibliografico e indice analitico, edited by Mario Rossi, 2 vols., Milan, 1967.

Borsook 1960
Eve Borsook, The Mural Painters of Tuscany: From Cimabue to Andrea del Sarto, London, 1960.

Borsook 1980
Eve Borsook, The Mural Painters of Tuscany: From Cimabue to Andrea del Sarto, second ed., Oxford, 1980.

Boschini 1966
Marco Boschini, La carta del navegar pitoresco: Edizione critica con la “Breve instruzione” premessa alle “Ricche minere della pittura veneziana,” edited by Anna Palluchini, Venice, 1966.

Boschloo and van der Sman 1993 
Anton W. A. Boschloo and Gert Jan J. van der Sman, eds., Italian Paintings from the Sixteenth Century in Dutch Public Collections, translated by Mandy Sikkens, Florence, 1993.

Boskovits 1968
Miklos Boskovits, “Ein Vorläufer der spätgotischen Malerei in Florenz: Cenni di Francesco di Ser Cenni,” Zeitschrift für Kunstgeschichte 31 (1968): 273–92.

Boskovits 1975
Miklos Boskovits, Pittura fiorentina alla vigilia del Rinascimento: 1370–1400, Florence, 1975.

Boston 2014
Isabella Stewart Gardner Museum, Boston, Donatello, Michelangelo, Cellini: Sculptors’ Drawings from Renaissance Italy, edited by Michael Cole, 2014.

Boston and Tübingen 1997
Museum of Science, Boston, and Institut für Kulturaustausch, Tübingen, Leonardo da Vinci: Scientist, Inventor, Artist, catalogue by Otto Letze and Thomas Buchsteiner, 1997.

Bottari 1961
Stefano Bottari, Correggio, Milan, 1961.

Braham 1979
Allan Braham, “The Bed of Pierfrancesco Borgherini,” The Burlington Magazine 121 (1979): 754–65.

Brandi et al. 1983
Cesare Brandi et al., Palazzo Pubblico di Siena: Vicende costruttive e decorazione, Milan, 1983.

Brescia 1988
Monastero di Santa Giulia, Brescia, Alessandro Bonvicino “Il Moretto,” catalogue by Gian Alberto dell’Acqua, 1988.

Brescia and Frankfurt 1990
Monastero di Santa Giulia, Brescia, and Schirn Kunsthalle Frankfurt, Giovanni Gerolamo Savoldo, tra Foppa, Giorgione e Caravaggio, catalogue by Bruno Passamani, 1990.

Bresciani 2008
Aristide Bresciani, “Le commissioni albertiane e la ritrovata lunetta affrescata da Spinello Aretino proveniente dall’Oratorio di Santa Caterina all’Antella,” Arte Cristiana 96 (2008): 203–10.

Briganti 1945
Giuliano Briganti, Il Manierismo e Pellegrino Tibaldi, Rome, 1945.

Brno 1969
Moravská Galerie, Brno, Italská Renesanční a Barokní Kresba ze Sbírek Moravské Galerie, catalogue by Helena Kusáková-Knozová, 1969.

Brouard 2005
Christophe Brouard, “Les fabriques dans l’élaboration du paysage champêtre: L’exemple des dessins de la première moitié du XVIe siècle à Venise,” Bulletin de l’Association des Historiens de l’Art Italien 10 (2005): 102–10.

Brown 1966
Clifford Malcolm Brown, “Lorenzo Costa,” PhD diss., Columbia University, 1966.

Brown 1977
David Alan Brown, “A New Book on Correggio,” The Burlington Magazine 119 (1977): 860–61.

Brown 1988
Howard Mayer Brown, “Catalogus: A Corpus of Trecento Pictures with Musical Subject Matter, Part II/1, Instalment 4,” Imago Musicae 5 (1988): 167–241.

Brown 1989
Beverly Louise Brown, “Replication and the Art of Veronese,” in Studies in the History of Art, Vol. 20: Symposium Papers VII: Retaining the Original: Multiple Originals, Copies, and Reproduction, Washington, 1989, 111–24.

Brown 2000
Katherine T. Brown, The Painter’s Reflection: Self-Portraiture in Renaissance Venice, 1458–1625, Florence, 2000.

Brown 2017
Katherine T. Brown, Mary of Mercy in Medieval and Renaissance Italian Art: Devotional Image and Civic Emblem, London and New York, 2017.

Brunner 1999
Michael Brunner, Die Illustrierung von Dantes Divina Commedia in der Zeit der Dante-Debatte (1570–1600), Munich and Berlin, 1999.

Buck 2010
Stephanie Buck, “The Dream Goes On: Copies after the Sogno,” in Courtauld Gallery, London, Michelangelo’s Dream, edited by Stephanie Buck, with the assistance of Tatiana Bissolati, 2010, 49–65.

Budapest and Luxembourg 2006
Szépművészeti Múzeum, Budapest, and Musée national d’histoire et d’art, Luxembourg, Sigismundus Rex et Imperator. Kunst und Kultur zur Zeit Sigismunds von Luxemburg 1387–1437, catalogue by Imre Takács, 2006.

Buffalo 1935
Albright Art Gallery, Buffalo, Master Drawings: Selected from the Museums and Private Collections of America, catalogue by Gordon Bailey Washburn and Agnes Mongan, 1935.

Buganza 2008
Stefania Buganza, Palazzo Borromeo, Milan, 2008.

Bury 2001
Michael Bury, The Print in Italy: 1550– 1620, London, 2001.

Bussmann 1969
Hildegard Bussman, “Vorzeichnungen Francesco Salviatis (Studien zum zeichnerischen Werk des Künstlers),” PhD diss., Freie Universität Berlin, 1969.

Byam Shaw 1934
James Byam Shaw, “A Lost Portrait of Mantegna, and a Group of Paduan Drawings,” Old Master Drawings 9 (1934): 1–7.

Byam Shaw 1956
James Byam Shaw, “The Prototype of a Subject by Giacomo Ligozzi,” Art Quarterly 19 (1956): 282–84.

Byam Shaw 1968
James Byam Shaw, J. B. S. Selected Writings, London, 1968.

Byam Shaw 1976
James Byam Shaw, Drawings by Old Masters at Christ Church, Oxford, 2 vols., Oxford, 1976.

Byam Shaw 1979
James Byam Shaw, Mantegna, Florence, 1979.

Byam Shaw 1980
James Byam Shaw, “Titian’s Drawings: A Summing-Up,” Apollo 112 (1980): 386–91.

Byam Shaw 1983
James Byam Shaw, The Italian Drawings of the Frits Lugt Collection, 3 vols., Paris, 1983.

Caliari 1888
Pietro Caliari, Paolo Veronese, sua vita e sue opere: Studi storico-estetici di Pietro Caliari, Rome, 1888.

Cambridge 1948–49
Fogg Art Museum, Harvard University, Cambridge, MA, Seventy Master Drawings: A Loan Exhibition Arranged in Honor of Professor Paul J. Sachs on the Occasion of His Seventieth Birthday, 1948–49.

Cambridge 1960
Fitzwilliam Museum, Cambridge, Fifteenth and Sixteenth Century Drawings, Fitzwilliam Museum, catalogue by Carlos van Hasselt, 1960.

Cambridge 1962
Fogg Art Museum, Harvard University, Cambridge, MA, The Human Figure in Italian Art 1520–1580: Anxiety and Elegance, 1962.

Cambridge 1988
Fitzwilliam Museum, Cambridge, Baccio Bandinelli, 1493–1560: Drawings from British Collections, catalogue by Roger Ward, 1988.

Cancogni and Perocco 1967
Manlio Cancogni and Guido Perocco, L’opera completa del Carpaccio, Milan, 1967.   

Canova 1964
Giordana Mariani Canova, Paris Bordon, Venice, 1964.

Capelli 2002
Simona Capelli, “Marcello Venusti: Un Valtellinese pittore a Roma,” Studi di Storia dell’arte 12 (2002): 17–48.

Carl 1983
Doris Carl, “Documenti inediti su Maso Finiguerra e la sua famiglia,” Annali della Scuola Normale Superiore di Pisa 13 (1983): 507–44.

Carli 1960
Enzo Carli, Il Pintoricchio, Milan, 1960.

Carminati 1994
Marco Carminati, Cesare da Sesto 1477–1523, Milan and Rome, 1994.

Caro 1957–61
Annibale Caro, Lettere familiari, edited by Aulo Greco, Florence, 1957–61.

Carpi 1976
Museo Civico Giulio Ferrari, Carpi, Mostra opere d’arte restaurate del Museo Civico di Carpi, catalogue by Alfonso Garuti, 1976.

Cartwright Ady 1881
Julia Mary Cartwright Ady, Mantegna and Francia, London, 1881.

Casadio and Cozzi 2012
Paolo Casadio and Enrica Cozzi, “Gli affreschi gotici della saletta del pinterreno,” in Gli affreschi del castello di Valvasone, edited by Claudio Visintini, Udine, 2012, 21–29.

Cauman 1938
Samuel Cauman, “Two Drawings of Bohemian Alphabet Figures,” Bulletin of the Fogg Art Museum 8 (1938): 4–10.

Cavazzini 1989   
Patrizia Cavazzini, “The Porta Virtutis and Federico Zuccari’s Expulsion from the Papal State: An Unjust Conviction?” Römisches Jahrbuch der Biblioteca Hertziana 25 (1989): 167–77.

Cecchi 2005
Alessandro Cecchi, Sandro Botticelli, Milan, 2005.

Cennini 1932–33
Cennino Cennini, Il libro dell’arte, translated and edited by Daniel V. Thompson, New Haven and London, 1932–33.

Chapman 2000
Hugo Chapman, “A Drawing by Butteri for Alessandro Acciaiuoli’s Pietrafitta Cycle,” The Burlington Magazine 142 (2000): 175.

Chapman 2005
Hugo Chapman, Michelangelo Drawings: Closer to the Master, London, 2005.

Chappell 2010
Miles Chappell, “Theories of Relativity for Some Florentine Drawings,” Artibus et Historiae 31 (2010): 43–68.

Châtelet 1958
Albert Châtelet, “Venetian Drawings from the Janos Scholz Collection at the Cini Foundation,” Art Quarterly 21 (1958): 187–99.

Cheney 1963
Iris H. Cheney, “Francesco Salviati (1510– 1563),” 3 vols., PhD diss., New York University, 1963.

Cheney 1981
Iris H. Cheney, “Catalogue of Preparatory Drawings Related to the Mid-Sixteenth Century Decorations in Palazzo Farnese,” Mélanges de l’école francaise de Rome 93 (1981): 791–820.

Chiari Moretto Wiel 1982
Maria Agnese Chiari Moretto Wiel, Incisioni da Tiziano: Catalogo del fondo grafico a stampa del Museo Correr, Venice, 1982.

Chiari Moretto Wiel 1988
Maria Agnese Chiari Moretto Wiel, “Per un catalogo ragionato dei disegni di Tiziano,” Saggi e memorie di storia dell’arte 16 (1988): 21–99.
   
Chiari Moretto Wiel 1989
Maria Agnese Chiari Moretto Wiel, Tiziano: Corpus dei disegni autografi, Milan, 1989.

Chiusa 2001
Maria Cristina Chiusa, Parmigianino, Milan, 2001.

Churchill 1912
Sidney J. A. Churchill, “Appunti d’archivio: A proposito della Chiesa di Sant’Eligio e degli Orefici di Roma,” Rivista d’arte 8 (1912): 124–29.

Ciardi and Moreschini 2004
Roberto Paolo Ciardi and Benedetta Moreschini, Daniele Ricciarelli: Da Volterra a Roma, Milan, 2004.

Cipriani 1957
Renata Cipriani, “Giovanni da Vaprio,” Paragone 8 (1957): 47–53.
       
Cirillo 2005
Giuseppe Cirillo, Carlo Urbino da Crema: Disegni e dipinti, Parma, 2005.

Clayton 2004
Martin Clayton, "Drawings by Domenico Campagnola after Giusto de' Menabuoi's Apocalypse Frescoes," Master Drawings 42 (2004): 315-32
   
Cleri 2001
Bonita Cleri, Antonio Alberti da Ferrara: Gli affreschi di Talamello, San Leo, 2001.

Cleveland 1981
Cleveland Museum of Art, The Draftsman’s Eye: Late Italian Renaissance Schools and Styles, catalogue by Edward J. Olszewski, 1981.

Cleveland and Lille 2002
Cleveland Museum of Art and Musée des Beaux-Arts, Lille, Raphael and His Age: Drawings from the Palais des Beaux-Arts, catalogue by Paul Joannides, 2002.

Cleveland and New Haven 1978
Cleveland Museum of Art and Yale University Art Gallery, New Haven, The Graphic Art of Federico Barocci: Selected Drawings and Prints, edited by Edmund P. Pillsbury and Louise S. Richards, 1978.

Cocke 1984
Richard Cocke, Veronese’s Drawings: A Catalogue Raisonné, London, 1984.

Cocke 2001
Richard Cocke, Paolo Veronese: Piety and Display in an Age of Religious Reform, London, 2001.

Coerver 1997
Chad Coerver, “Donna/Dono: Chivalry and Adulterous Exchange in the Quattrocento,” in Picturing Women in Renaissance and Baroque Italy, edited by Geraldine A. Johnson and Sara F. Matthews Grieco, Cambridge, 1997, 196–221.

Coffin 1960
David R. Coffin, The Villa d’Este at Tivoli, Princeton, 1960.

Coffin 2004
David R. Coffin, Pirro Ligorio: The Renaissance Artist, Architect, and Antiquarian; with a Checklist of Drawings, University Park, PA, 2004.

Cogliati Arano 1980
Luisa Cogliati Arano, Disegni di Leonardo e della sua cerchia alle Gallerie dell’Accademia, Venice, 1980.

Cohen 1972
Charles E. Cohen, “Two Studies for Pordenone’s Destroyed Jason Scene on the Palazzo Doria, Genoa,” Master Drawings 10 (1972): 126–33.

Cohen 1973
Charles E. Cohen, “Drawings by Pomponio Amalteo,” Master Drawings 11 (1973): 239–67.

Cohen 1975
Charles E. Cohen, I disegni di Pomponio Amalteo, Pordenone, 1975.

Cohen 1975a
Charles E. Cohen, “Pordenone’s Cremona Passion Scenes and German Art,” Arte Lombarda 42–43 (1975): 74–96.

Cohen 1980
Charles E. Cohen, The Drawings of Giovanni Antonio da Pordenone, Florence, 1980.

Cohen 1996
Charles E. Cohen, The Art of Giovanni Antonio da Pordenone: Between Dialect and Language, Cambridge and New York, 1996.

Colasanti 1905
Arduino Colasanti, “Il memoriale di Baccio Bandinelli,” Repertorium für Kunstwissenschaft 28 (1905): 406–43.

Colbert 1978
Charles Colbert, “Bacchiacca in the Context of Florentine Art,” PhD diss., Harvard University, 1978.

Cole and Pardo 2005
Michael Cole and Mary Pardo, eds., Inventions of the Studio: Renaissance to Romanticism, Chapel Hill, 2005.

Coleman 1988
Robert Randolf Coleman, “Bernardino Lanino and the Laninian Current in Sixteenth-Century Piedmontese-Lombard Painting,” 5 vols., PhD diss., University of Chicago, 1988.

Coleman 1996
Robert Randolf Coleman, “The ‘Flagellation of St. Catherine’ by Bernardino Lanino in Chicago,” Arte Lombarda 117 (1996): 102–8.

Collobi 1939
Licia Collobi, “Disegni di Raffaellino da Reggio,” Critica d’Arte 4 (1939): 13–14.

Cologne 1963–64
Wallraf-Richartz-Museum, Cologne, Italienische Meisterzeichnungen vom 14. bis zum 18. Jahrhundert aus amerikanischem Besitz: Die Sammlung Janos Scholz, New York, edited by Wolf Stubbe, 1963–64.

Colorado Springs 1967
Charles L. Tutt Library, Colorado College, Colorado Springs, Italian Master Drawings from the Collection of Janos Scholz, 1967.

Consavari 2011
Elizabeth Carroll Consavari, “Rediscovering an Altarpiece by Bartolomeo Montagna for the Parish Church of Sandrigo, Vicenza,” The Burlington Magazine 153 (2011): 379–82.

Copertini 1932
Giovanni Copertini, Il Parmigianino, 2 vols., Parma, 1932.

Copertini 1953
Giovanni Copertini, “Il Parmigianino nelle monografie di due studiosi stranieri,” Parma per l’Arte 3 (1953): 117–23.

Copertini 1968
Giovanni Copertini, review of Italian Drawings in the Department of Prints and Drawings in the British Museum: Artists Working in Parma in the Sixteenth Century, by A. E. Popham, Aurea Parma: Rivista di storia, letteratura e arte 52 (1968): 138–39.

Costamagna 1994
Philippe Costamagna, Pontormo, Milan, 1994.

Costamagna 2005
Philippe Costamagna, ed., Disegno, giudizio, e bella maniera: Studi sul disegno italiano in onore di Catherine Monbeig Goguel, Milan, 2005.

Cottrell 2005
Philip Cottrell, “Vice, Vagrancy and Villa Culture: Bonifacio de’ Pitati’s Dives and Lazarus in Its Venetian Context,” Artibus et Historiae 26 (2005): 131–50.

Courcelle and Courcelle 1969
Jeanne and Pierre Courcelle, Iconographie de Saint Augustin: Les cycles du XVe siècle, Paris, 1969.

Coutts 1982
Howard Coutts, “A Ricci Pastiche or a Copy of a Lost Veronese?” Arte Veneta 36 (1982): 230–32.

Coutts 1985–86
Howard Coutts, review of Veronese’s Drawings, by Richard Cocke, Master Drawings 23/24 (1985–86): 398–404.

Cox-Rearick 1964
Janet Cox-Rearick, The Drawings of Pontormo, 2 vols., Cambridge, MA, 1964.

Cox-Rearick 1981
Janet Cox-Rearick, The Drawings of Pontormo: A Catalogue Raisonné with Notes on the Paintings, 2 vols., New York, 1981.

Cozzi 2006
Enrica Cozzi, ed., Tristano e Isotta in Palazzo Ricchieri a Pordenone: Gli affreschi gotici di soggetto caballeresco e allegorico, Pordenone, 2006.

Cozzi 2016
Enrica Cozzi, Affreschi medievali in Istria, Treviso, 2016.

Cremante 1999
Simona Cremante, “Le ‘regole del disegno’ di Carlo Urbino: Il Leonardesco Codice Huygens come documento per lo studio del rapporto fra arte e scienza nel cinquecento,” PhD diss., Università degli Studi di Firenze, Facoltà di Lettere e Filosofia, Florence, 1999.

Cremona 1985
Santa Maria della Pietà, Cremona, I campi e la cultura artistica cremonese del cinquecento, catalogue by Mina Gregori, 1985.

Cremona 1997–98
Museo Civico Ala Ponzone, Cremona, I segni dell’arte: Il cinquecento da Praga a Cremona, edited by Giulio Bora and Martin Zlatohlávek, 1997–98.

Cropper 1994
Elizabeth Cropper, ed., Florentine Drawing at the Time of Lorenzo the Magnificent: Papers from a Colloquium Held at Villa Spelman, Florence, 1994.

Crowe and Cavalcaselle 1877
Joseph Archer Crowe and Giovanni Battista Cavalcaselle, Titian: His Life and Times, 2 vols., London, 1877.

Crowe and Cavalcaselle 1903–14
Joseph Archer Crowe and Giovanni Battista Cavalcaselle, A History of Painting in Italy: Umbria, Florence and Siena from the 2nd to the 16th Century, 6 vols., London, 1903–14.

Dalli Regoli 1966
Gigetta Dalli Regoli, Lorenzo di Credi, Milan, 1966.

Daniel 1964
Howard Daniel, Devils, Monsters and Nightmares: An Introduction to the Grotesque and Fantastic in Art, London, New York, and Toronto, 1964.

Danti 1682
Ignazio Danti, Le due regole della prospettiva pratica di M. Iacomo Barozzi da Vignola, Rome, 1682.

Davidson 1966
Bernice F. Davidson, “Some Early Works by Girolamo Siciolante da Sermoneta,” The Art Bulletin 48 (1966): 55–64.

Dayton and elsewhere 1962–63
Dayton Art Institute, John and Mable Ringling Museum of Art, Sarasota, and Wadsworth Atheneum, Hartford, Genoese Masters: Cambiaso to Magnasco, 1550– 1750, edited by Robert and Bertina Suida Manning, 1962–63.

DBI 1960–
Dizionario biografico degli italiani, Istituto della Enciclopedia Italiana, Rome, vols. 1–, 1960–.

de Dominici 1742–45
Bernardo de Dominici, Vite de’ pittori, scultori ed architetti napoletani: Non mai date alla luce da autore alcuno, 3 vols., Naples, 1742–45.

de Dominici 1786
Bernardo de Domenici, “Notizie di Marco da Pino pittore e architetto,” in Lettere senesi sopra le belle arti, edited by Guglielmo della Valle, Venice, 1786, 3:280–94.

De Fuccia 2005
Laura De Fuccia, “La satira ‘À Vignon’ di Jacques Dulorens (1580–1655) e il ‘Mosè salvato dalle acque’ di Paolo Veronese,” Bulletin de l’Association des historiens de l’art italien 10 (2005): 44–56.

Degenhart 1949
Bernhard Degenhart, Italienische Zeichnungen des frühen 15. Jahrhunderts, Basel, 1949.

Degenhart and Schmitt 1968–2010
Bernhard Degenhart and Annegrit Schmitt, Corpus der italienischen Zeichnungen, 1300–1450, Berlin, 1968–2010.

DeGrazia Bohlin 1995
Diane DeGrazia Bohlin, review of Sixteenth-Century Italian Drawings in New York Collections, by William M. Griswold and Linda Wolk-Simon, Master Drawings 33 (1995): 175–77.

De Grummond 1972
Nancy Thomson De Grummond, “Giorgione’s Tempest: The Legend of St. Theodore,” L’Arte 5 (1972): 4–53.

De Leiris 1969
Alain de Leiris, The Drawings of Edouard Manet, Berkeley, 1969.

De Marchi 1986
Andrea De Marchi, “Sugli esordi Veneti di Dosso Dossi,” Arte Veneta 40 (1986): 20–28.

De Marchi 1988–89
Andrea De Marchi, “Arcangelo di Cola a Firenze,” Prospettiva 53/56 (1988–89): 190–99.

De Marchi 1999
Andrea De Marchi, “Tavole veneziane, frescanti emiliani e miniatori bolognesi: Rapporti figurativi tra Veneto ed Emilia in età gotica,”
in La pittura emiliana nel Veneto, edited by Sergio Marinelli and Angelo Mazza, Modena, 1999, 1–44.

De Marchi 2002
Andrea De Marchi, ed., Pittori a Camerino nel quattrocento, Milan, 2002.

De Marchi et al. 1994
Andrea De Marchi et al., Un testamento pittorico di fine ’400: Gli affreschi restaurati di Antonio da Fabriano in San Domenico, Fabriano, 1994.

Demonts 1938
Luigi Demonts, “Trenta disegni del ‘Maestro dell’altare di Ortenberg’ eseguiti durante un suo soggiorno in Italia,” Rivista d’arte 20 (1938): 332–54.

De Nicolò Salmazo 1989
Alberta De Nicolò Salmazo, Bernardino da Parenzo: Un pittore “antiquario” di fine quattrocento, Padua, 1989.

De Nicolò Salmazo 2004
Alberta De Nicolò Salmazo, Andrea Mantegna, Milan, 2004.

Denison 1990
Cara D. Denison, “An Apollo by Niccolò dell’Abate,” Master Drawings 28 (1990): 265–67.

De Ruggieri 2016
Maria Beatrice De Ruggieri, “Versioni dai ‘cartonetti’ michelangioleschi in Galleria Corsini: Alcune proposte per Marcello Venusti attraverso le indagini tecniche,” in Intorno a Marcello Venusti, edited by Barbara Agosti and Giorgio Leone, Rome, 2016, 91–102.

De Toni 1975
Nando De Toni, Frammenti Vinciani XXXIII: Trascrizioni inedite del Manoscritto E 2176 dell’Instituto di Francia di Leonardo da Vinci, Florence, 1975.

Detroit 1960
Detroit Institute of Arts, Master Drawings of the Italian Renaissance: A Detroit Adventure in the Arts, catalogue by Nicholas Snow, 1960.

De Vecchi 2002
Pierluigi De Vecchi, Raphael, London and New York, 2002.

Dibbits 1998
Taco Dibbits, “Pellegrino Tibaldi in Ancona: Two New Drawings in Red Chalk,” Apollo 148 (1998): 30–32.

Diefenthaler 2006
Sandra-Kristin Diefenthaler, “Zwischen Naturstudium und Atmosphäre: Die Landschaftszeichnungen Domenico Campagnolas,” MA thesis, University of Augsburg, 2006.

Di Giampaolo 1997
Mario Di Giampaolo, Girolamo Bedoli 1500–1569, Florence, 1997.

Di Giampaolo 2001
Mario Di Giampaolo, Correggio as Draughtsman, Milan, 2001.

Di Giampaolo and Muzzi 1989
Mario Di Giampaolo and Andrea Muzzi, Correggio: I disegni, second ed., Turin, 1989.

Di Giampaolo and Muzzi 1993
Mario Di Giampaolo and Andrea Muzzi, Correggio: Catalogo completo dei dipinti, Florence, 1993.

Di Giampaolo and Turner 1978
Mario Di Giampaolo and Nicholas Turner, “James Byam Shaw: Drawings by Old Masters at Christ Church, Oxford. Oxford at the Clarendon Press. 1976,” Prospettiva 14 (1978): 73–77.

Di Giampaolo et al. 1979
Mario Di Giampaolo et al., Maestri emiliani del secondo cinquecento, Biblioteca di disegni, vol. 12, Florence, 1979.

Dijon 2004
Musée des Beaux-Arts, Dijon, Catalogue des dessins italiens: Collection du Musée des Beaux-Arts de Dijon, catalogue by Marguerite Guillaume, 2004.

Di Pietro 1910
Filippo Di Pietro, I disegni di Andrea del Sarto negli Uffizi, Siena, 1910.

Dixon 1988
Annette Dixon, “The Italian Model Book at the Morgan Library Reconsidered: A Study in Secular Imagery of the Late Middle Ages and Early Renaissance,” PhD diss., Yale University, 1988, Ann Arbor, 1988.

Dixon 1990
Annette Dixon, “The Morgan Model Drawings and the Genesis of the ‘Tacuinum Sanitatis’ Illustrations,” Arte Lombarda 92/93 (1990): 9–20.

Dobroklonsky 1936
Mikhail Dobroklonsky, “Drawings from the Circle of Mantegna at the Hermitage,” Annuaire du Musée de L’Ermitage: Art occidental 1 (1936): 29–30.

Donati 2014
Andrea Donati, Paris Bordone: Catalogo ragionato, Soncino, 2014.

Donesmondi 1612–16
Ippolito Donesmondi, Dell’historia ecclesiastica di Mantova, 8 vols., Mantua, 1612–16.

D’Otrange-Mastai 1955
Marie-Louise D’Otrange-Mastai, “Drawings of the Morgan Collection at the Pierpont Morgan Library, New York,” The Connoisseur 135 (1955): 136–42.

Dreyer 1972
Peter Dreyer, Tizian und sein Kreis: 50 venezianische Holzschnitte aus dem Berliner Kupferstichkabinett, Staatliche Museen Preussischer Kulturbesitz, Berlin, 1972.

Dreyer 1979
Peter Dreyer, Disegni italiani del Kupferstichkabinett di Berlino, Milan, 1979.

Dreyer 1988
Peter Dreyer, Sandro Botticelli: Illustrationen zu Dantes Göttlicher Komödie, Berlin, 1988.

Dunlop 2009
Anne Dunlop, Painted Palaces: The Rise of Secular Art in Early Renaissance Italy, University Park, PA, 2009.

Dunlop 2008
Anne Dunlop, “Allegory, Painting and Petrarch,” Word & Image 24 (2008): 77–91.

Dunn and Marciari 2019
Joanna Dunn and John Marciari, “Paolo Veronese’s Finding of Moses: New Findings and a Reassessment,” Facture 4 (2019).

Durham 1965
The Gallery, Department of Art, Duke University, Durham, Italian Landscape Drawings from the Collection of Janos Scholz, 1965.

Dussler 1959
Luitpold Dussler, Die Zeichnungen des Michelangelo, Kritischer Katalog, Berlin, 1959.

Dussler 1971
Luitpold Dussler, Raphael: A Critical Catalogue of His Pictures, Wall-Paintings, and Tapestries, New York and London, 1971.

Edinburgh 1999
National Gallery of Scotland, Edinburgh, The Draughtsman’s Art: Master Drawings from the National Gallery of Scotland, catalogue by Michael Clarke et al., 1999.

Edinburgh 2004
National Galleries of Scotland, Edinburgh, The Age of Titian: Venetian Renaissance Art from Scottish Collections, catalogue by Peter Humfrey et al., 2004.

Edinburgh and London 2002–3
The Queen’s Gallery, Holyroodhouse, Edinburgh, and The Queen’s Gallery, Buckingham Palace, London, Leonardo da Vinci: The Divine and the Grotesque, catalogue by Martin Clayton, 2002–3.

Ehresmann 1972
Donald L. Ehresmann, “Dürer in the Nuremberg Exhibition,” Art Quarterly 35 (1972): 305–10.

Eisenmann 1924
Oscar Eisenmann, Ausgewählte Handzeichnungen älterer Meister aus der Sammlung Edward Habich zu Cassel, second ed., Leipzig, 1924.

Eisler 1975
Colin Eisler, The Seeing Hand: A Treasury of Great Master Drawings, New York, 1975.

Eitel-Porter 1997
Rhoda Eitel-Porter, “Der Zeichner und Maler Cesare Nebbia (ca. 1536–ca. 1614): Mit einem Katalog der Zeichnungen,” 2 vols., PhD diss., University of Vienna, 1997.

Eitel-Porter 2004
Rhoda Eitel-Porter, Disegni per Orvieto: Dell’ “ . . . illustre concittadino Cesare Nebbia,” Orvieto, 2004.

Eitel-Porter 2009
Rhoda Eitel-Porter, Der Zeichner und Maler Cesare Nebbia, 1536–1614, Munich, 2009.

Eitel-Porter 2015
Rhoda Eitel-Porter, “Two Sixteenth-Century Eucharistic Drawings from Northern Italy,” in Linien—Musik des Sichtbaren. Festschrift für Michael Semff, edited by Kurt Zeitler, Berlin, 2015, 200–203.

Eitel-Porter 2019
Rhoda Eitel-Porter, "Drawings for the Woodcut Illustrations to Alessandro Vellutello's 1544 Commentary on Dante's Commedia," Print Quarterly36 (2019): 3-16.

Eitel-Porter and Marciari 2019 
Rhoda Eitel-Porter and and John Marciari, Italian Renaissance Drawings at the Morgan Library & Museum, New York, 2019.

Ekserdjian 1993
David Ekserdjian, “Parmigianino and Michelangelo,” Master Drawings 31 (1993): 390–94.

Ekserdjian 1997
David Ekserdjian, Correggio, New Haven and London, 1997.

Ekserdjian 1999
David Ekserdjian, “Unpublished Drawings by Parmigianino: Towards a Supplement to Popham’s Catalogue Raisonné,” Apollo 150 (1999): 3–41.

Ekserdjian 2003
David Ekserdjian, “Parmigianino and Michelangelo,” in Reactions to the Master: Michelangelo’s Effect on Art and Artists in the Sixteenth Century, edited by Francis Ames-Lewis and Paul Joannides, Aldershot and Burlington, VT, 2003, 53–67.

Ekserdjian 2006
David Ekserdjian, Parmigianino, New Haven, 2006.

Elen 1995
Albert Jan Elen, Italian Late-Medieval and Renaissance Drawing-Books from Giovannino de’ Grassi to Palma Giovane: A Codicological Approach, Leiden, 1995.

Ellesmere 1898
Catalogue of the Ellesmere Collection of Drawings at Bridgewater House, London, 1898.

Ellis and Spaulding 2008
Margaret Holben Ellis and Eliza Spaulding, “The Application of Imaging Techniques to a Drawing Attributed to Titian, ‘Landscape with Saint Theodore Overcoming the Dragon,’” Mitteilungen des Kunsthistorischen Institutes in Florenz 52 (2008): 226–39.

Emiliani 2008
Andrea Emiliani, Federico Barocci: Urbino, 1535–1612, 2 vols., Ancona, 2008.

Emison 1985
Patricia Emison, “The Triumph of the Moon by Master PP,” Zeitschrift für Kunstgeschichte 48 (1985): 538–40.

Esche 1992
Christiane Esche, Die Libreria Piccolomini in Siena—Studien zu Bau und Ausstattung, Frankfurt, 1992.

Ettlinger 1978
Leopold D. Ettlinger, Antonio and Piero Pollaiuolo: Complete Edition with a Critical Catalogue, Oxford, 1978.

Evans 1969
M. W. Evans, Medieval Drawings, Feltham and New York, 1969.

Facchinetti 2004
Simone Facchinetti, Giovanni Battista Moroni: Lo sguardo sulla realtà, 1560– 1579, Milan, 2004.

Fagiolo dell’Arco 1970
Maurizio Fagiolo dell’Arco, Il Parmigianino, Rome, 1970.

Faietti 1993
Marzia Faietti, “Protoclassicismo e cultura umanistica nei disegni di Francesco Francia,” in Il Classicismo: Medioevo, rinascimento, barocco: Atti del Colloquio Cesare Gnudi, edited by Elena De Luca, Bologna, 1993, 171–92.

Fairbairn 1998
Lynda Fairbairn, Italian Renaissance Drawings from the Collection of Sir John Soane’s Museum, 2 vols., London, 1998.

Fairfax Murray 1905–12
Charles Fairfax Murray, Collection of Drawings by the Old Masters Formed by C. Fairfax Murray (J. Pierpont Morgan Collection), 4 vols., London, 1905–12.

Fairfax Murray 1910
Charles Fairfax Murray, Two Lombard Sketch Books in the Collection of Charles Fairfax Murray, London, 1910.

Faldi 1951
Italo Faldi, “Contributi a Raffaellino da Reggio,” Bollettino d’arte 4 (1951): 324–33.

Falletti and Nelson 2004
Franca Falletti and Jonathan Katz Nelson, Filippino Lippi e Pietro Perugino: La Deposizione della Santissima Annunziata e il suo restauro, Livorno, 2004.

Farago 2009
Claire J. Farago, Re-Reading Leonardo: The “Treatise on Painting” Across Europe, 1550–1900, Burlington, VT, 2009.

Farinella 1999
Vincenzo Farinella, “Disegni all’antica fra Padova e Mantova: Un riesame del ‘Codice del Mantegna’ du Berlino (con alcune osservazione sulla cultura antiquaria di Bernardino da Parenzo),” in Francesco Squarcione: “Pictorum gymnasiarcha singularis.” Atti delle giornate di studio, Padova, 10–11 Febbraio 1998, edited by Alberta De Nicolò Salmazo, Padua, 1999, 245–72.

Fellows Report 1–21 1950–89
Report to the Fellows of the Pierpont Morgan Library, New York, edited by Frederick B Adams, Jr., 1950–68; edited by Charles Ryskamp, 1969–89.

Fenyö 1963
Iván Fenyö, “Dessins italiens inconnus du XV au XVIII siècle,” Bulletin du Musée Hongrois des Beaux-Arts 22 (1963): 89–123.

Ferino 1979
Sylvia Ferino, “Timoteo Vitis Zeichnungen zum verlorenen Martinszyklus in der Kapelle des Erzbischofs Arrivabene im Dom von Urbino,” Mitteilungen des Kunsthistorischen Institutes in Florenz 23 (1979): 127–44.

Ferrari 1961
Maria Luisa Ferrari, Il Romanino, Milan, 1961.

Filangieri di Candida 1898
Antonio Filangieri di Candida, Le pitture di Marco del Pino nella Pinacoteca Nazionale ed in altri luoghi di Napoli, Trani, 1898.

Filangieri di Candida 1902
Antonio Filangieri di Candida, “La Galleria Nazionale di Napoli: Documenti e ricerche,” Le Gallerie nazionali italiane: Notizie e documenti 5 (1902): 208–354.

Filippini 1992
Cecilia Filippini, “Riquadrature e ‘restauri’ di polittici trecenteschi o pale d’altare nella seconda metà del quattrocento,” in Palazzo Strozzi, Florence, Maestri e botteghe: Pittura a Firenze alla fine del quattrocento, edited by Mina Gregori, Antonio Paolucci, and Cristina Acidini Luchinat, 1992, 199–209.

Fiocco 1928
Giuseppe Fiocco, Paolo Veronese, Bologna, 1928.

Fiocco 1930
Giuseppe Fiocco, Carpaccio, Rome, 1930.

Fiocco 1943
Giuseppe Fiocco, Giovanni Antonio Pordenone, second ed., Padua, 1943.

Fiocco 1958
Giuseppe Fiocco, Carpaccio, Novara, 1958.

Fiocco 1969
Giuseppe Fiocco, Giovanni Antonio Pordenone, Pordenone, 1969.

Fischel 1917
Oskar Fischel, Die Zeichnungen der Umbrer, Berlin, 1917.

Fischel and Oberhuber 1913–72
Oskar Fischel and Konrad Oberhuber, eds., Raphaels Zeichnungen, 9 vols., Berlin, 1913–72.

Fischer 1989
Chris Fischer, “Fra Bartolommeo’s Landscape Drawings,” Mitteilungen des Kunsthistorischen Institutes in Florenz 32 (1989): 301–42.

Fischer 1990
Chris Fischer, “The Young Fra Bartolommeo and the Temptation of St. Antony,” in Festschrift to Erik Fischer: European Drawings from Six Centuries, edited by Chris Fischer, Copenhagen, 1990, 315–40.

Fischer Pace 2008
Ursula Verena Fischer Pace, Die italienischen Zeichnungen. Band 1: Ehemalige Großherzog­liche und Staatliche Sammlungen, Cologne, Weimar, and Vienna, 2008.

Fischer Pace 2014
Ursula Verena Fischer Pace, Roman Drawings Before 1800, Statens Museum for Kunst, edited by Chris Fischer, Copenhagen, 2014.

Fleming 1958
John Fleming, “Mr. Kent, Art Dealer, and the Fra Bartolommeo Drawings,” The Connoisseur 141 (1958): 227.

Florence 1963
Gabinetto Disegni e Stampe degli Uffizi, Florence, Mostra di disegni dei fondatori dell’Accademia delle Arti del disegno nel IV centenario della fondazione, catalogue by Paola Barocchi, 1963.

Florence 1966
Gabinetto Disegni e Stampe degli Uffizi, Florence, Mostra di disegni di Perino del Vaga e la sua cerchia, catalogue by Bernice F. Davidson, 1966.

Florence 1976
Gabinetto Disegni e Stampe degli Uffizi, Florence, Tiziano e il disegno veneziano del suo tempo, catalogue by William R. Rearick, 1976.

Florence 1978
Gabinetto Disegni e Stampe degli Uffizi, Florence, I disegni antichi degli Uffizi: I tempi del Ghiberti, catalogue by Fiora Bellini and Giulia Brunetti, 1978.

Florence 1982
Gabinetto Disegni e Stampe degli Uffizi, Florence, Disegni umbri del Rinascimento da Perugino a Raffaello, catalogue by Sylvia Ferino Pagden, 1982.

Florence 1984
Palazzo Pitti, Florence, Raffaello a Firenze: Dipinti e disegni delle collezioni fiorentine, catalogue by Günter Passavant, 1984.

Florence 1986
Gabinetto Disegni e Stampe degli Uffizi, Florence, Disegni italiani del tempo di Donatello, catalogue by Alessandro Angelini, 1986.

Florence 1986a
Gabinetto Disegni e Stampe degli Uffizi, Florence, Disegni di Fra Bartolommeo e della sua scuola, catalogue by Chris Fischer, 1986.

Florence 1986–87
Palazzo Pitti, Florence, Andrea del Sarto 1486–1530: Dipinti e disegni a Firenze, catalogue by Marco Chiarini, 1986–87.

Florence 1986–87a
Palazzo Strozzi, Florence, Il seicento fiorentino: Arte a Firenze da Ferdinando I a Cosimo III, edited by Giuliana Guidi and Daniela Marcucci, 1986–87.

Florence 1989
Gabinetto Disegni e Stampe degli Uffizi, Florence, Disegni genovesi dal XVI al XVIII secolo, catalogue by Mary Newcome Schleier, 1989.

Florence 1992
Gabinetto Disegni e Stampe degli Uffizi, Florence, Il disegno fiorentino del tempo di Lorenzo il Magnifico, catalogue by Annamaria Petrioli Tofani, 1992.

Florence 1996
Palazzo Pitti and Museo di San Marco, Florence, L’età di Savonarola: Frà Bartolomeo e la scuola di S. Marco, catalogue by Serena Padovani, 1996.

Florence 1999
Gabinetto Disegni e Stampe degli Uffizi, Florence, Disegni cremonesi del cinquecento, catalogue by Marco Tanzi, 1999.

Florence 2001
Gabinetto Disegni e Stampe degli Uffizi, Florence, Disegni del Rinascimento in Valpadana, catalogue by Giovanni Agosti, 2001.

Florence 2002
Biblioteca Nazionale Centrale, Florence, Vincenzio Borghini: Fililogia e invenzione nella Firenze di Cosimo I, edited by Gino Belloni and Riccardo Drusi, 2002.

Florence 2003
Gabinetto Disegni e Stampe degli Uffizi, Florence, Il Parmigianino e il fascino di Parma, edited by Mario Di Giampaolo and Andrea Muzzi, 2003.

Florence 2003–4
Casa Buonarotti, Florence, Daniele da Volterra, amico di Michelangelo, catalogue by Vittoria Romani, 2003–4.

Florence 2008
Galleria degli Uffizi, Florence, L’eredità di Giotto: Arte a Firenze, 1340–1375, edited by Antonio Natali and Angelo Tartuferi, 2008.

Florence 2009
Casa Buonarroti, Florence, Il Rinascimento italiano nella collezione Rothschild del Louvre, edited by Catherine Loisel, 2009.

Florence 2014
Palazzo Pitti, Florence, Jacopo Ligozzi: “Pittore universalissimo,” catalogue by Alessandro Cecchi et al., 2014.

Florence 2014a
Museo Nazionale del Bargello, Florence, Baccio Bandinelli: Scultore e maestro, edited by Detlef Heikamp and Beatrice Paolozzi Strozzi, 2014.

Florence 2015
Gallerie degli Uffizi, Florence, Piero di Cosimo 1462–1522: Pittore eccentrico fra Rinascimento e maniera, catalogue by Elena Capretti et al., 2015.

Florio 1998
Maria Teresa Florio, “The Many Faces of Leonardismo,” in Giulio Bora et al., The Legacy of Leonardo: Painters in Lombardy 1490–1530, Milan, 1998, 39–63.

Foote 1927
Helen S. Foote, “Comment on the Exhibition of Drawings,” Bulletin of the Cleveland Museum of Art 14 (1927): 162–63.

Forlani 1962
Anna Forlani, I disegni italiani del cinquecento: Scuole fiorentina, senese, romana, umbro marchigiana e dell’italia meridionale, Venice, 1962.

Forlani Tempesti 1990
Anna Forlani Tempesti, “Disegni di ‘Apostoli’ di Giovanni Bandini,” Prospettiva 57/60 (1990): 66–73.

Forlani Tempesti 1991
Anna Forlani Tempesti, The Robert Lehman Collection. Vol. 5: Italian Fifteenthto Seventeenth-Century Drawings, New York, 1991.

Forlani Tempesti 1994
Anna Forlani Tempesti, “Studiare dal naturale nella Firenze di fine ’400,” in Florentine Drawing at the Time of Lorenzo the Magnificent: Papers from a Colloquium Held at Villa Spelman, edited by Elizabeth Cropper, Florence, 1994, 1–15.

Forlani Tempesti 1998
Anna Forlani Tempesti, “Disegni di Timoteo Viti alla Biblioteca Oliveriana,” in Per Luigi Grassi: Disegno e disegni, edited by Anna Forlani Tempesti and Simonetta Prosperi Valenti Rodinò, Rimini, 1998, 64–81.

Forlani Tempesti 2001
Anna Forlani Tempesti, “Studi di teste fra verità e maniera e aggiunte salviatesche,” in Francesco Salviati et la Bella Maniera: Actes des colloques de Rome et de Paris (1998), edited by Catherine Monbeig Goguel, Philippe Costamagna, and Michel Hochmann, Rome, 2001, 519–46.

Forlani Tempesti 2007
Anna Forlani Tempesti, “Viti disegnatore,” in Timoteo Viti: Atti del convegno, edited by Bonita Cleri, Urbino, 2007, 167–98.

Fornari Schianchi 1990
Lucia Fornari Schianchi, “Correggio, Parmigianino e la decorazione parmense del ’500,” in Lelio Orsi e la cultura del suo tempo, edited by Jadranka Bentini, Bologna, 1990, 13–21.

Fornari Schianchi 2002
Lucia Fornari Schianchi, ed., Parmigianino e il manierismo europeo: Atti del convegno internazionale di studi, Parma, 13–15 giugno 2002, Milan, 2002.

Fortunati 1994
Vera Fortunati, ed., La pittura in Emilia e in Romagna: Il cinquecento, un’avventura artistica tra natura e idea, Milan, 1994.

Fortunati 1995
Vera Fortunati, ed., La pittura in Emilia e in Romagna: Il cinquecento, un romanzo polifonico tra riforma e controriforma, Milan, 1995.

Fortunati Pietrantonio 1986
Vera Fortunati Pietrantonio, Pittura bolognese del ’500, 2 vols., Bologna, 1986.

Fossaluzza 1984
Giorgio Fossaluzza, “Codice diplomatico bordoniano,” in Palazzo dei Trecento, Milan, Paris Bordon, catalogue by Giordana Mariani Canova et al., 1984, 115–40.

Fossaluzza and Manzato 1987
Giorgio Fossaluzza and Eugenio Manzato, eds., Paris Bordon e il suo tempo: Atti del Convegno internazionale di studi, Treviso, 1987.

Fossi Todorow 1966
Maria Fossi Todorow, I disegni del Pisanello e della sua cerchia, Florence, 1966.

Fossi Todorow 1970
Maria Fossi Todorow, L’Italia dalle origine a Pisanello, I disegni dei maestri, Milan, 1970.

Fraenckel 1935
Ingeborg Fraenckel, Andrea del Sarto: Gemälde und Zeichnungen, Strasbourg, 1935.

Frankfurt 1990
Schirn Kunsthalle Frankfurt, Giovanni Gerolamo Savoldo und die Renaissance zwischen Lombardei und Venetien: Von Foppa und Giorgione bis Caravaggio, catalogue by Sybille Ebert-Schifferer, 1990.

Frankfurt 2016
Städel Museum, Frankfurt, Maniera: Pontormo, Bronzino and Medici Florence, edited by Bastian Eclercy, 2016.

Frankfurt and Paris 2014–15
Städel Museum, Frankfurt, and Fondation Custodia, Paris, Raffael bis Tizian: Italienische Zeichnungen aus dem Städel Museum, catalogue by Joachim Jacoby, 2014–15.

Frattarelli 1981
Marcello Frattarelli, “Gli affreschi della volta del coro della Chiesa di S. Maria in Aracoeli di Roma di Niccolò Trometta,” Notizie da Palazzo Albani: Rivista semestrale di storia dell’arte. Università degli studi di Urbino 10 (1981): 49–53.

Freedberg 1950
Sydney J. Freedberg, Parmigianino: His Works in Painting, Cambridge, 1950.

Freedberg 1963
Sydney J. Freedberg, Andrea del Sarto: Catalogue Raisonné, 2 vols., Cambridge, 1963.

Frey 1911
Karl Frey, Die Handzeichnungen Michelangiolos Buonaroti, Berlin, 1911.

Frizzoni 1905
Gustavo Frizzoni, “Disegni de antichi maestri a proposito della terza parte dell’opera intorno alle collezioni di Oxford,” L’arte 8 (1905): 241–53.

Frizzoni 1915
Gustavo Frizzoni, “Certain Studies by Cesare da Sesto in Relation to His Pictures,” The Burlington Magazine 26 (1915): 187–94.

Frizzoni 1915a
Gustavo Frizzoni, “La pittura italiana dal Mantegna al Correggio,” Bollettino d’arte 9 (1915): 1–12.

Fröhlich-Bum 1925
Lili Fröhlich-Bum, “Beiträge zum Werke des Giovanni Antonio Pordenone,” Münchner Jahrbuch der Bildenden Kunst 2 (1925): 68–90.

Fröhlich-Bum 1935
Lili Fröhlich-Bum, “Unpublished Drawings by Parmigianino,” Old Master Drawings 9 (1935): 56–57.

Frommel 1967–68
Christoph Luitpold Frommel, Baldassare Peruzzi als Maler und Zeichner, Römischen Jahrbuch für Kunstgeschichte, vol. 11, supplement, Vienna, 1967–68.

Frommel 2005
Christoph Luitpold Frommel, ed., Baldassarre Peruzzi, 1481–1536, Venice, 2005.

Furlan 1988
Caterina Furlan, Il Pordenone, Milan, 1988.

Gainesville and elsewhere 1991–93
Samuel P. Harn Museum of Art, Gainesville; Spencer Museum of Art, University of Kansas, Lawrence; Minneapolis Institute of Arts; Fogg Art Museum, Harvard University, Cambridge, MA; Taft Museum, Cincinnati; and Montreal Museum of Fine Arts, Italian Old Master Drawings: From the Collection of Jeffrey E. Horvitz, catalogue by Linda Wolk-Simon, 1991–93.

Galassi 1999
Maria Clelia Galassi, “Indagini sul disegno sottostante di Bartolomeo Montagna: Precisazioni sulla prima attività,” Arte Veneta 55 (1999): 103–12.

Gamba 1956
Carol Gamba, Contributo alla conoscenza del Pontormo, Florence, 1956.

Garton 2011
John Garton, “The Siege Ladders of Leonardo da Vinci,” in New Studies on Old Masters: Essays in Renaissance Art in Honour of Colin Eisler, edited by John Garton and Diane Wolfthal, Toronto, 2011, 159–72.

Garuti 1990
Alfonso Garuti, Carpi: Museo civico “Giulio Ferrari”: I dipinti, Bologna, 1990.

Gaudio 2008
Michael Gaudio, Engraving the Savage: The New World and Techniques of Civilization, Minneapolis, 2008.

Gavazza 1974
Ezia Gavazza, La grande decorazione a Genova, Genoa, 1974.

Gaye 1839–40
Johann Wilhelm Gaye, Carteggio inedito d’artisti dei secoli XIV, XV, XVI, 3 vols., Florence, 1839–40.

Geddo 1994–95
Cristina Geddo, “La Madonna di Castel Vitoni del Giampietrino,” Achademia Leonardi Vinci 7 (1994–95): 57–66.

Genoa 1985–86
Galleria Nazionale di Palazzo Spinola, Genoa, Luca Cambiaso e la sua cerchia: Disegni inediti da un album palermitano del ’700, catalogue by Dante Bernini, 1985–86.

Genoa 1990
Galleria di Palazzo Rosso, Genoa, Maestri del disegno nelle civiche collezioni genovesi, catalogue by Piero Boccardo, 1990.

Gere 1960
John A. Gere, “Two Late Fresco Cycles by Perino del Vaga: The Massimi Chapel and the Sala Paolina,” The Burlington Magazine 102 (1960): 9–19.

Gere 1963
John A. Gere, “Drawings by Niccolò Martinelli, Il Trometta,” Master Drawings 1 (1963): 3–18.

Gere 1969
John A. Gere, Taddeo Zuccaro: His Development Studied in His Drawings, London, 1969.

Gere 1970
John A. Gere, “The Lawrence-PhillippsRosenbach ‘Zuccaro Album,’” Master Drawings 8 (1970): 123–40.

Gere 1971
John A. Gere, Il manierismo a Roma, Milan, 1971.

Gere and Pouncey 1983
John A. Gere and Philip Pouncey, Italian Drawings in the Department of Prints and Drawings in the British Museum: Artists Working in Rome c. 1550 to c. 1640, 2 vols., London, 1983.

Geronimus 2006
Dennis Geronimus, Piero di Cosimo: Visions Beautiful and Strange, New Haven, 2006.

Ghirardi 1990
Angela Ghirardi, Bartolomeo Passerotti pittore (1529–1592), Rimini, 1990.

Giannattasio 1999
Paolo Giannattasio, “Sulla difficile relazione fra disegni e dipinti: Intorno a Cesare da Sesto, Pedro Fernández e Vincenzo da Pavia,” Dialoghi di storia dell’arte 8/9 (1999): 30–49.

Gibbons 1968
Felton Gibbons, Dosso and Battista Dossi, Court Painters at Ferrara, Princeton, 1968.

Gibbons 1977
Felton Gibbons, Catalogue of Italian Drawings in the Art Museum, Princeton University, 2 vols., Princeton, 1977.

Gibbs 1989
Robert Gibbs, Tomaso da Modena: Painting in Emilia and the March of Treviso, 1340–80, New York, 1989.

Gilbert 1956
Creighton Gilbert, “A Drawing by Catena,” The Burlington Magazine 98 (1956): 373.

Gilbert 1967
Creighton Gilbert, review of Bartolomeo Montagna, by Lionello Puppi, The Art Bulletin 49 (1967): 184–88.

Gilbert 1968
Creighton Gilbert, “Two Composition Drawings by Bergognone,” Master Drawings 6 (1968): 3–20.

Giusti and De Castris 1985
Paola Giusti and Leone De Castris, “Forastieri e regnicoli”: La pittura moderna a Napoli nel primo cinquecento, Naples, 1985.

Gnann 1997
Achim Gnann, Polidoro da Caravaggio (um 1499–1543): Die römischen Innendekorationen, Munich, 1997.

Gnann 2000
Achim Gnann, “Per una cronologia dei disegni romani di Parmigianino,” Quaderni di Palazzo Te 7 (2000): 49–73.

Gnann 2007
Achim Gnann, Parmigianino: Die Zeichnungen, 2 vols., Petersberg, 2007.

Goebel 2002
Ruth Goebel, Ein Musterbuch in Trient des Malers Cecchino da Verona, Weimar, 2002.

Goldner 1988
George R. Goldner, European Drawings 1: Catalogue of the Collections, Malibu, 1988.

Goldner 1993
George R. Goldner, review of Andrea Mantegna, by Suzanne Boorsch, Master Drawings 31 (1993): 172–76.

Goldstein 1973
Nathan Goldstein, The Art of Responsive Drawing, Englewood Cliffs, NJ, 1973.

Gordley 1988
Barbara Pike Gordley, “The Drawings of Beccafumi,” PhD diss., Princeton University, 1988.

Gould 1976
Cecil Gould, The Paintings of Correggio, London, 1976.

Gould 1994
Cecil Gould, Parmigianino, New York, London, and Paris, 1994.

Gramberg 1964
Werner Gramberg, Die Düsseldorfer Skizzenbücher des Guglielmo della Porta, Berlin, 1964.

Gramberg 1968
Werner Gramberg, “Vier Zeichnungen des Guglielmo della Porta zu seiner Serie mythologischer Reliefs,” Jahrbuch der Hamburger Kunstsammlungen 13 (1968): 69–94.

Grassi 1956
Luigi Grassi, Il disegno italiano dal trecento al seicento, Rome, 1956.

Grasso 2008
Monica Grasso, “Mazzolino, Ludovico,” in Dizionario biografico degli italiani, vol. 72, 2008, online ed., www.treccani.it.

Graul 2008
Jana Graul, “‘Il principio e la porta del colorire.’ Zur Rolle farbiger Fonds in der Florentiner Zeichnung des 14. und 15. Jahrhunderts,” Mitteilungen des Kunsthistorischen Institutes in Florenz 52 (2008): 6–22.

Graul 2009
Jana Graul, “‘ . . . Fece per suo capriccio, e quasi per sua defensione’: I due bassorilievi in stucco di Daniele da Volterra per la cappella Orsini,” Prospettiva 134/135 (2009): 141–56.

Graul 2010
Jana Graul, “An der Schwelle zur Malerei: Farbige Träger in der Florentiner Zeichenpraxis bis 1500,” Marburger Jahrbuch für Kunstwissenschaft 37 (2010): 73–119.

Greig 1954
T. P. Greig, “In the Auction Rooms,” The Connoisseur 116 (1954): 132–33.

Griswold 1994
William M. Griswold, “Some Newly-Discovered Drawings in The Metropolitan Museum of Art: Beccafumi, Savoldo and Tibaldi,” Apollo 140 (1994): 24–28.

Griswold 2000
William M. Griswold, “The Morgan Library Since Pierpont Morgan,” Master Drawings 38 (2000): 261–77.

Guastalla 2011
Comune di Guastalla, Da Parmigianino a Piazzetta: Teste, animali e pensieri bizzarri nei disegni della Galleria Estense, catalogue by Alessandra Bigi Iotti and Giulio Zavatta, 2011.

Guerrini 1921
P. Guerrini, “Scuole e maestri bresciani nel cinquecento,” Commentari dell’Ateneo di Brescia (1921): 73–127.

Guillaume 2004
Marguerite Guillaume, Catalogue des dessins italiens: Collections du Musée des Beaux-Arts de Dijon, Dijon, 2004.

Hackenbroch 1979
Yvonne Hackenbroch, Renaissance Jewellery, London, 1979.

Hadeln 1925
Detlev Freiherr von Hadeln, Venezianische Zeichnungen des Quattrocento, Berlin, 1925.

Hadeln 1926
Detlev Freiherr von Hadeln, Venezianische Zeichnungen der Spätrenaissance, Berlin, 1926.

Hagerstown 1960–61
Washington County Museum of Fine Arts, Hagerstown, MD, Four Centuries of Italian Drawings from the Scholz Collection, 1960–61.

Hamburg 1987
Thomas Le Claire, Hamburg, Handzeichnungen und Aquarelle 1500–1800, sale catalogue, 1987.

Hamburg 1997
Hamburger Kunsthalle, Hamburg, Italienische Zeichnungen der Renaissance aus dem Kupferstichkabinett der Hamburger Kunsthalle, catalogue by Eckhard Schaar, 1997.

Härb 1994
Florian Härb, “Giorgio Vasari (1511–1574): Die Zeichnungen,” PhD diss., University of Vienna, 1994.

Härb 2005
Florian Härb, “59. Jacopo Zucchi. The Foundation of Cosmopoli?” in Disegno, giudizio, e bella maniera: Studi sul disegno italiano in onore di Catherine Monbeig Goguel, edited by Philippe Costamagna, Milan, 2005, 110.

Härb 2015
Florian Härb, The Drawings of Giorgio Vasari (1511–1574), Rome, 2015.

Harprath 1971
Richard Harprath, “Zwei unbekannte Zeichnungen Parmigianinos zur Planung der ‘Madonna dal Collo lungo,’” Zeitschrift für Kunstgeschichte 24 (1971): 59–71.

Hartford 1960
Wadsworth Atheneum, Hartford, The Pierpont Morgan Treasures, 1960.

Hartt 1958
Frederick Hartt, Giulio Romano, New Haven, 1958.

Hartt 1970
Frederick Hartt, Michelangelo Drawings, New York, 1970.

Heideman 2001
Johanna Heideman, “The Unravelling of a Woman’s Patronage of Franciscan Propaganda in Rome,” Renaissance Studies 15 (2001): 500–513.

Heikamp 1957
Detlef Heikamp, “Vicende di Federico Zuccari,” Rivista d’arte 32 (1957): 175–232.

Heikamp 1958
Detlef Heikamp, “Ancora su Federico Zuccari,” Rivista d’arte 33 (1958): 45–50.

Heikamp 1964
Detlef Heikamp, “Baccio Bandinelli nel Duomo di Firenze,” Paragone 175 (1964): 32–42.

Heinecken 1778–90
Karl Heinrich von Heinecken, Dictionnaire des artistes, dont nous avons des estampes, 4 vols., Leipzig, 1778–90.

Heinemann 1962
Fritz Heinemann, Giovanni Bellini e i Belliniani, 3 vols., Venice, 1962.

Held 1981
Julius S. Held, review of European Drawings, 1375–1825, at the Morgan Library by Cara D. Denison and Helen B. Mules, Master Drawings 19 (1981): 172–77.

Henneberg 1996
Josephine von Henneberg, Architectural Drawings of the Late Italian Renaissance: The Collection of Pier Leone Ghezzi in the Vatican Library, Vatican City, 1996.

Henry 2000
Tom Henry, “Cesare da Sesto and Baldino Baldini in the Vatican Apartments of Julius ii,” The Burlington Magazine 142 (2000): 29–35.

Henry 2012
Tom Henry, The Life and Art of Luca Signorelli, New Haven and London, 2012.

Hind 1938–48
Arthur M. Hind, Early Italian Engraving: A Critical Catalogue with Complete Reproduction of All the Prints Described, 7 vols., London, 1938–48.

Hirst 1988
Michael Hirst, Michelangelo and His Drawings, New Haven and London, 1988.

Holman 2000
Beth Holman, “A ‘Subtle Artifice’: Giulio Romano’s Salt Cellar with Satyrs for Federico II Gonzaga,” Quaderni di Palazzo Te 8 (2000): 57–67.

Höper 1987
Corinna Höper, Bartolomeo Passarotti (1529–1592), Manuskripte zur Kunstwissenschaft in der Wernerschen Verlagsgesellschaft, vol. 12, Worms, 1987.

Horne 1903
Herbert P. Horne, “A Lost ‘Adoration of the Magi’ by Sandro Botticelli,” The Burlington Magazine 1 (1903): 63–74.

Horne 1908
Herbert P. Horne, Alessandro Filipepi, Commonly Called Sandro Botticelli, Painter of Florence, London, 1908.

Horne 1909
Herbert P. Horne, “A Lost ‘Adoration of the Magi’ by Sandro Botticelli,” The Burlington Magazine 16 (1909): 40.

Horne 1980
Herbert P. Horne, Botticelli: Painter of Florence, Princeton, 1980.

Houston 1966
University of St. Thomas Art Department, Houston, Builders and Humanists: The Renaissance Popes as Patrons of the Arts, catalogue by Alpheus Hyatt Mayor et al., 1966.

Humfrey 1997
Peter Humfrey, Lorenzo Lotto, New Haven, 1997.

Humfrey 1998
Peter Humfrey, “Two Moments in Dosso’s Career as a Landscape Painter,” in Dosso’s Fate: Painting and Court Culture in Renaissance Italy, edited by Luisa Ciammitti, Steven F. Ostrow, and Salvatore Settis, Los Angeles, 1998, 201–18.

Hunter 1983
John Hunter, “The Life and Work of Girolamo Siciolante da Sermoneta,” PhD diss., University of Michigan, 1983.

Hunter 1988
John Hunter, “The Drawings and Draughtsmanship of Girolamo Siciolante da Sermoneta,” Master Drawings 26 (1988): 3–40.

Huse 1972
Norbert Huse, Studien zu Giovanni Bellini, Beiträge zur Kunstgeschichte, vol. 7, Berlin and New York, 1972.

Huys 1999
Jean-Philippe Huys, “Raffaellino da Reggio (1550–1578): La personnalité d’un jeune artiste maniériste,” Annales d’histoire de l’art et d’archéologie 21 (1999): 41–58.

In August Company 1993
In August Company: The Collections of The Pierpont Morgan Library, New York, 1993.

Indianapolis 1954
John Herron Art Museum, Indianapolis, Pontormo to Greco, the Age of Mannerism: A Loan Exhibition of Paintings and Drawings of the Century 1520–1620, catalogue by Robert O. Parks, 1954.

Jacobs 1984
Fredrika H. Jacobs, “Vasari’s Vision of the History of Painting: Frescoes in the Casa Vasari, Florence,” The Art Bulletin 66 (1984): 400–416.

Jacobs 2005
Fredrika H. Jacobs, The Living Image in Renaissance Art, Cambridge, 2005.

Jaffé 1994
Michael Jaffé, The Devonshire Collection of Italian Drawings: Tuscan and Umbrian Schools, London, 1994.

Jenni 1976
Ulrike Jenni, Das Skizzenbuch der internationalen Gotik in den Uffizien: Der Übergang vom Musterbuch zum Skizzenbuch, Wiener Kunstgeschichtliche Forschungen 4, 2 vols., Vienna, 1976.

Jenni 1978
Ulrike Jenni, “Vom mittelalterlichen Musterbuch zum Skizzenbuch der Neuzeit,” in Die Parler und der schöne Stil 1350–1400, Europäische Kunst unter den Luxemburgern, edited by Anton Legner, Cologne, 1978, 139–50.

Jeudwine 1957
Wynne R. H. Jeudwine, “Fine Works on the Market: An Album of Landscape Drawings by Fra Bartolomeo,” Apollo 66 (1957): 132–35.

Joannides 1975
Paul Joannides, “Michelangelo Drawings at the British Museum,” The Burlington Magazine (1975): 257–62.

Joannides 1983
Paul Joannides, The Drawings of Raphael: With a Complete Catalogue, Oxford, 1983.

Joannides 1992
Paul Joannides, “‘Primitivism’ in the Late Drawings of Michelangelo: The Master’s Construction of an Old-Age Style,” in Studies in the History of Art, Vol. 33: Michelangelo Drawings, edited by Craig Hugh Smyth, Washington, 1992, 245–61.

Joannides 2003
Paul Joannides, Michel-Ange: Élèves et copistes, Paris, 2003.

Joannides 2011
Paul Joannides, “I disegni tardi di Michelangelo,” in L’ultimo Michelangelo: Disegni e rime attorno alla Pietà Rondanini, edited by Alessandro Rovetta, Milan, 2011, 20–35.

Joost-Gaugier 1987
Christiane L. Joost-Gaugier, “Lorenzo the Magnificent and the Giraffe as a Symbol of Power,” Artibus et Historiae 16 (1987): 91–99.

Judey 1932
Jacob Judey, “Domenico Beccafumi,” PhD diss., Freiburg im Breisgau University, Berlin, 1932.

Kanter 2004
Laurence Kanter, “Rossello di Jacopo Franchi,” in Dizionario biografico dei miniatori italiani: Secoli IX–XVI, edited by Milvia Bollati, Milan, 2004, 918–19.

Kappler 2014
Federica Kappler, “Una nota di cronologia sui disegni di Michelangelo per la pala Cesi di Santa Maria della Pace,” Mitteilungen des Kunsthistorischen Institutes in Florenz 56 (2014): 355–60.

Karet 2014
Evelyn Karet, The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy, Farnham, 2014.

Karet 2018
Evelyn Karet, “The Tradition of Collecting Drawings in Northern Renaissance Italy Before Vasari,” in A Demand for Drawings: Five Centuries of Collectors and Collecting Drawings, edited by John Marciari, New York, 2018, 5–30.

Karet and Windows 2005
Evelyn Karet and Peter Windows, “The ‘Antonio II Badile Album’ of Drawings: A Reconstruction of an Early Sixteenth Century Collection,” Arte Lombarda 145 (2005): 23–56.

Kauffmann 1964
Georg Kauffmann, “Zu Raffaels Teppich Paulus im Gefängnis,” Münchner Jahrbuch der Bildenden Kunst 15 (1964): 123–30.

Kaufmann 1975
Thomas DaCosta Kaufmann, “The Perspective of Shadows: The History of the Theory of Shadow Projection,” Journal of the Warburg and Courtauld Institutes 38 (1975): 258–87.

Keith and Roy 1996
Larry Keith and Ashok Roy, “Giampetrino, Boltraffio, and the Influence of Leonardo,” National Gallery Technical Bulletin 17 (1996): 4–19.

Kemp 1990
Martin Kemp, The Science of Art: Optical Theories in Western Art from Brunelleschi to Seurat, New Haven, 1990.

Kempter 1980
Gerda Kempter, Ganymed: Studien zur Typologie, Ikonographie und Ikonologie, Würzburg, 1980.

Kenseth 1975
Joy Kenseth, “Jacopo Ligozzi: Pittore-Miniatore,” PhD diss., Harvard University, 1975.

Kiefer 2000
Marcus Kiefer, “Michelangelo riformato”: Pellegrino Tibaldi in Bologna: Die Johanneskapelle in San Giacomo Maggiore und die Odysseus-Säle im Palazzo Poggi, Hildesheim, 2000.

Kieslinger 1934–36
Franz Kieslinger, “Tizian-Zeichnungen,” Belvedere 12 (1934–36): 170–74.

Kliemann and Rohlmann 2004
Julian Kliemann and Michael Rohlmann, Wandmalerei in Italien: Hochrenaissance und Manierismus 1510–1600, Munich, 2004.

Knab, Mitsch, and Oberhuber 1983
Eckhart Knab, Erwin Mitsch, and Konrad Oberhuber, Raphael: Die Zeichnungen, Stuttgart, 1983.

Knapp 1907
Fritz Knapp, Andrea del Sarto, Bielefeld, 1907.

Knorn-Ezernieks 2013
Nicola Knorn-Ezernieks, Giovanni de’ Vecchi: Seine Stellung in der Römischen Malerei um 1600, Hildesheim, Zurich, and New York, 2013.

KoneČný 2006
Lubomír Konečný, “Jacopo Ligozzi, Dante, and Petrarch,” Mitteilungen des Kunsthistorischen Institutes in Florenz 50 (2006): 401–7.

Kossoff 1963
Florence Kossoff, “A New Book on Romanino,” The Burlington Magazine 105 (1963): 72–75, 77.

Kramer 1972
Jack Kramer, Human Anatomy & Figure Drawing: The Integration of Structure and Form, New York, 1972.

Krause 1969
Joseph H. Krause, The Nature of Art, Englewood Cliffs, NJ, 1969.

Kris 1928–29
Ernst Kris, “Di alcune opere ignote di Giovanni dei Bernardi nel Tesoro di San Pietro,” Dedalo 9 (1928–29): 97–111.

Kubiak 1974
Richard Kubiak, “Maso Finiguerra,” PhD diss., University of Virginia, 1974.

Kultzen 1961
Rolf Kultzen, “Der Freskenzyklus in der ehemaligen Kapelle der Schweizer Garde in Rom,” Zeitschrift für Schweizerische Archäologie und Kunstgeschichte 20 (1961): 19–30.

Labbé and Bicart-Sée 1996
Jacqueline Labbé and Lise Bicart-Sée, La collection de dessins d’Antoine-Joseph Dezallier d’Argenville, Paris, 1996.

Laclotte 1956
Michel Laclotte, “Peintures italiennes des XIVe et XVe siècles à l’Orangerie,” Arte Veneta 10 (1956): 225–32.

La France 2002
Robert G. La France, “Francesco d’Ubertino Verdi, il Bachiacca (1494– 1557): ‘Diligente dipintore,’” PhD diss., New York University, 2002.

La France 2008
Robert G. La France, Bachiacca: Artist of the Medici Court, Florence, 2008.

La France 2015
Robert G. La France, “Exorcising the Borgia from Urbino: Timoteo Viti’s Arrivabene Chapel,” Renaissance Quarterly 68 (2015): 1192–1226.

Lafranconi 1998
Matteo Lafranconi, “Antonio Tronsarelli: A Roman Collector of the Late Sixteenth Century,” The Burlington Magazine 140 (1998): 537–50.

Lamo 1584
Alessandro Lamo, Discorso intorno alla scoltura e pittura . . . fatte dall’eccellentissimo e nobile M. Bernardino Campo, Cremona, 1584. Reprinted in Giambattista Zaist, Notizie istoriche de’ pittori, scultori, ed architetti cremonese, Cremona, 1774.

Langdon 1989
Gabrielle Langdon, “A Reattribution: Alessandro Allori’s Lady With a Cameo,” Zeitschrift für Kunstgeschichte 52 (1989): 24, 34–35.

Lanzi 1809
Luigi Antonio Lanzi, Storia pittorica dell’Italia dal risorgimento delle belli arti fin presso al fine del XVIII secolo, 6 vols., Bassano, 1809.

Lauder 2004
Anne Varick Lauder, “Battista Franco (c. 1510–1561): His Life and Work with Catalogue Raisonné,” PhD diss., University of Cambridge, 2004.

Laurenza 2005
Domenico Laurenza, “Possibili tracce di Leonardo nella cultura artistico-scientifica Bolognese all’epoca di Passerotti e dei Carracci (una incisione di soggetto animalistico, il Codice Huygens),” Raccolta Vinciana 31 (2005): 331–51.

Laurenza 2006
Domenico Laurenza, “Figino and the Lost Drawings of Leonardo’s Comparative Anatomy,” The Burlington Magazine 148 (2006): 173–80.

Lauts 1962
Jan Lauts, Carpaccio: Paintings and Drawings, Complete Edition, London, 1962.

Lawrence 1986
Spencer Museum of Art, University of Kansas, Lawrence, In Leonardo’s Shadow: Drawings by His Followers, catalogue by Laura M. Giles, 1986.

Lawrence Gallery 1853
Lawrence Gallery. A Series of Facsimiles of Original Drawings by M. Angelo Buonarotti, Selected from the Matchless Collection Formed by Sir Thomas Lawrence, London, 1853.

Lecchini Giovannoni 1984
Simona Lecchini Giovannoni, “Studi e disegni preparatori di Santi di Tito,” Paragone 35 (1984): 20–36.

Lecchini Giovannoni 1991
Simona Lecchini Giovannoni, Alessandro Allori, Turin, 1991.

Lecchini Giovannoni and Collareta 1985
Simona Lecchini Giovannoni and Marco Collareta, Disegni di Santi di Tito (1536– 1603), Florence, 1985.

Lefevre 1998
Renato Lefevre, Pirro Ligorio e la sua “Vita di Virbio,” dio minore del “Nemus aricinum,” Rome, 1998.

Leone de Castris 1993
Pierluigi Leone de Castris, “La pittura del cinquecento,” in Storia e civiltà della Campania: Il Rinascimento e l’età Barocca, edited by Giovanni Pugliese Carratelli, Naples, 1993.

Leone de Castris 1996
Pierluigi Leone de Castris, Pittura del Cinquecento a Napoli, 1540–1573: Fasto e devozione, Naples, 1996.

Leone de Castris 2001
Pierluigi Leone de Castris, Polidoro da Caravaggio: L’opera completa, Naples, 2001.

Levenson, Oberhuber, and Sheehan 1973
Jay A. Levenson, Konrad Oberhuber, and Jacquelyn L. Sheehan, Early Italian Engravings from the National Gallery of Art, Washington, 1973.

Levi D’Ancona 1962
Mirella Levi D’Ancona, Miniatura e miniatori a Firenze dal XIV al XVI secolo: Documenti per la storia della miniatura, Florence, 1962.

Leymarie, Monnier, and Rose 1979
Jean Leymarie, Geneviève Monnier, and Bernice Rose, Drawing: History of an Art, Geneva and New York, 1979.

Lightbown 1978
Ronald W. Lightbown, Sandro Botticelli: Life and Work, first ed., Los Angeles, 1978.

Lightbown 1986
Ronald W. Lightbown, Mantegna, Oxford, Berkeley, and Los Angeles, 1986.

Lightbown 1989
Ronald W. Lightbown, Sandro Botticelli: Life and Work, second ed., New York, 1989.

Lillie 2005
Amanda Lillie, Florentine Villas in the Fifteenth Century: An Architectural and Social History, Cambridge, 2005.

Lincoln 2000
Evelyn Lincoln, The Invention of the Italian Renaissance Printmaker, New Haven, 2000.

Lloyd 1993
Christopher Lloyd, Italian Paintings Before 1600 in the Art Institute of Chicago, Princeton, 1993.

Lomazzo 1584
Giovanni Paolo Lomazzo, Trattato dell’arte della pittura, scoltura, et architettura, Milan, 1584.

Lomazzo 1973–75
Giovanni Paolo Lomazzo, Scritti sulle arti, edited by Paolo Ciardi, 2 vols., Florence, 1973–75.

London 1893
Burlington Fine Arts Club, London, Exhibition of the Work of Luca Signorelli and His School, 1893.

London 1894
Burlington Fine Arts Club, London, Exhibition of Pictures, Drawings and Photographs of Works of the School of Ferrara-Bologna, 1440–1540, Also of Medals of Members of the Houses of Este and Bentivoglio, edited by Adolfo Venturi and Robert Benson, 1894.

London 1904
Burlington Fine Arts Club, London, Exhibition of Pictures of the School of Siena and Examples of the Minor Arts of That City, 1904.

London 1930
Royal Academy of Arts, London, A Commemorative Catalogue of the Exhibition of Italian Art Held in the Galleries of the Royal Academy, Burlington House, London, January–March 1930, edited by Lord Balniel and Kenneth Clark, 1930.

London 1953
Royal Academy of Arts, London, Drawings by Old Masters, edited by K. T. Parker and James Byam Shaw, 1953.

London 1960
The Matthiesen Gallery, London, Paintings and Drawings from Christ Church, 1960.

London 1978
Sotheby Parke Bernet & Co., London, The Robert Von Hirsch Collection, Volume One: Old Master Drawings, Paintings and Medieval Miniatures, sale catalogue, 20–21 June 1978.

London 1983
British Museum, London, Drawings by Raphael from the Royal Library, the Ashmolean, the British Museum, Chatsworth, and Other English Collections, edited by John A. Gere and Nicholas Turner, 1983.

London 1983–84
Royal Academy of Arts, London, The Genius of Venice, 1500–1600, edited by Jane Martineau and Charles Hope, 1983–84.

London 1989
Christie’s, London, Old Master Drawings, April 18, 1989, sale catalogue, 1989.

London 1994
British Museum, London, The Study of Italian Drawings: The Contribution of Philip Pouncey, catalogue by Nicholas Turner, 1994.

London 1996
Yvonne Tan Bunzl, London, Master Drawings, sale catalogue, 1996.

London 1996–97
Royal Academy of Arts, London, From Mantegna to Picasso: Drawings from the Thaw Collection at the Pierpont Morgan Library, New York, catalogue by Cara Dufour Denison et al., 1996–97.

London 1998
British Museum, London, Padua in the 1450s: Marco Zoppo and His Contemporaries, catalogue by Hugo Chapman, 1998.

London 1998a
Thomas Williams Fine Art Ltd., London, Old Master Drawings, sale catalogue, 1998.

London 1999
Flavia Ormond Fine Arts Ltd., London, Italian Old Master Drawings 1500–1850, sale catalogue, 1999.

London 2002–3
National Gallery, London, Art in the Making: Underdrawings in Renaissance Paintings, edited by David Bomford, 2002–3.

London 2004–5
National Gallery, London, Raphael: From Urbino to Rome, catalogue by Hugo Chapman et al., 2004–5.

London 2007–8
National Gallery, London, Renaissance Siena: Art for a City, catalogue by Luke Syson et al., 2007–8.

London 2010
Victoria and Albert Museum, London, Raphael: Cartoons and Tapestries for the Sistine Chapel, edited by Mark Evans and Clare Browne, 2010.

London 2014–15
Royal Academy of Arts, London, Giovanni Battista Moroni, catalogue by Simone Facchinetti and Arturo Galansino, 2014–15.

London and elsewhere 1968
Arts Council Gallery, London, National Gallery of Scotland, Edinburgh, and Walker Art Gallery, Liverpool, Italian Drawings from the Collection of Janos Scholz, catalogue by Christopher White, 1968.

London and Florence 2010–11
British Museum, London, and Gallerie degli Uffizi, Florence, Fra Angelico to Leonardo: Italian Renaissance Drawings, catalogue by Hugo Chapman and Marzia Faietti, 2010–11.

London and New York 1992
Royal Academy of Arts, London, and Metropolitan Museum of Art, New York, Andrea Mantegna, edited by Jane Martineau, 1992.

London and New York 2000–2001
British Museum, London, and Metropolitan Museum of Art, New York, Correggio and Parmigianino: Master Draughtsmen of the Renaissance, catalogue by Hugo Chapman et al., 2000–2001.

Longhi 1962
Roberto Longhi, “Crivelli e Mantegna,” Paragone 145 (1962): 7–21.

Loomis 1965
Roger Sherman Loomis, A Mirror of Chaucer’s World, Princeton, 1965.

Lorenzoni 2015
Martina Lorenzoni, “‘ . . . E procurò alcuna memoria delle sue mani’: Federico Zuccari e le copie di Paolo Veronese nei taccuini di viaggio,” Arte veneta 72 (2015): 107–17.

Lorenzoni 2016
Martina Lorenzoni, Federico Zuccari nella Serenissima: I taccuini di disegni, Udine, 2016.

Los Angeles 1949
Los Angeles County Museum of Art, Leonardo da Vinci, catalogue by Wilhelm Reinhold Valentiner, 1949.

Los Angeles 1976
Los Angeles County Museum of Art, Old Master Drawings from American Collections, catalogue by Ebria Feinblatt, 1976.

Los Angeles 2007
J. Paul Getty Museum, Los Angeles, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome, catalogue by Julian Brooks, 2007.

Los Angeles and New York 2015–16
J. Paul Getty Museum, Los Angeles, and Frick Collection, New York, Andrea del Sarto: The Renaissance Workshop in Action, catalogue by Julian Brooks, 2015–16.

Los Angeles and Seattle 1967
Los Angeles County Museum of Art and Seattle Art Museum, Tuscan and Venetian Drawings of the Quattrocento from the Collection of Janos Scholz, 1967.

Lucchesi Ragni and Stradiotti 2004
Elena Lucchesi Ragni and Renata Stradiotti, Da Raffaello a Ceruti: Capolavori della pittura dalla Pinacoteca Tosio Martinengo, Conegliano, 2004.

Lucco 2006
Mauro Lucco, Mantegna a Mantova 1460– 1506, Milan, 2006.

Lucco 2013
Mauro Lucco, Mantegna, Milan, 2013.

Lucco 2014
Mauro Lucco, ed., Bartolomeo Cincani detto Montagna: Dipinti, Treviso, 2014.

Lugli 1979
Adalgisa Lugli, “Le ‘Symbolicae Quaestiones’ di Achille Bocchi e la cultura dell’emblema in Emilia,” in Comité international d’histoire de l’art, 4: Le arti a Bologna e in Emilia dal XVI al XVII secolo, edited by Andrea Emiliani, Bologna, 1979, 87–111.

Macandrew 1980
Hugh Macandrew, Catalogue of the Collection of Drawings in the Ashmolean Museum, Vol. III, Italian Schools: Supplement, Oxford, 1980.

Maccari 1876
Enrico Maccari, ed., Secolo XV. XVI. Saggi di architettura e decorazione Italiana, illustrati da M. Giovanni Iannoni. Vol. 3: Graffiti e chiaroscuri esistenti nell’ esterno delle case riprodotti in rame, Rome, 1876.

Maginnis 1995
Hayden B. J. Maginnis, “The Craftsman’s Genius: Painters, Patrons, and Drawings in Trecento Siena,” in The Craft of Originality and Industry in the Italian Renaissance and Baroque Workshop, edited by Andrew Ladis, Carolyn Wood, and William U. Eiland, Athens, GA, and London, 1995.

Maiskaja 1980
Marina Maiskaja, “Risunki Staryh Masterov V. Soobranii GMII,” Muzei 1 (1980): 54–77.

Malaguzzi Valeri 1913
Francesco Malaguzzi Valeri, La corte di Lodovico il Moro, 4 vols., Milan, 1913.

Malvasia 1969
Carlo Cesare Malvasia, Le pitture di Bologna, edited by Andrea Emiliani, Bologna, 1969.

Malvasia et al. 1841
Carlo Cesare Malvasia, Giampietro Zanotti, Luigi Crespi, and Vicente Victoria, Felsina pittrice vite de’ pittori bolognesi, del conte Carlo Cesare Malvasia, con aggiunte, correzioni e note inedite del medesimo autore, di Giampietro Zanotti e di altri scrittori viventi, Bologna, 1841.

Mancini 2017
Federica Mancini, Dessins génois XVIe– XVIIIe siècle, Paris, 2017.

Mandel 1985
Gabriele Mandel, The Complete Paintings of Botticelli, London, 1985.

Manson 2006–8
Michel Manson, “Les jouets du Pavement de la cathédrale de Sienne (1475–1545), et l’orginalité de Domenico Beccafumi,” in Sacro e profano nel duomo di Siena: Religiosità, tradizione classica e arte dalle origini all’epoca moderna, edited by Mario Lorenzoni, Siena, 2006–8, 225–52.

Mantua 1961
Gallerie e Museo di Palazzo Ducale, Mantua, Andrea Mantegna: Catalogo della mostra, catalogue by Giovanni Paccagnini et al., 1961.

Mantua 1989
Palazzo del Te, Palazzo Ducale, Mantua, Giulio Romano, catalogue by Ernst Gombrich, 1989.

Mantua 2001
Palazzo del Te, Palazzo Ducale, Mantua, Perino del Vaga: Tra Raffaello e Michelangelo, catalogue by Elena Parma, 2001.

Mantua and Vienna 1999
Palazzo del Te, Palazzo Ducale, Mantua, and Albertina, Vienna, Raphael und der Klassische Stil in Rom: 1515–1527, edited by Konrad Oberhuber and Achim Gnann, 1999.

Marabottini 1956
Alessandro Marabottini, “Il Sogno di Michelangelo in una copia sconosciuta,” in Scritti di storia dell’arte in onore di Lionello Venturi, 2 vols., Rome, 1956, 349–58.

Marabottini 1969
Alessandro Marabottini, Polidoro da Caravaggio, 2 vols., Rome, 1969.

Marani 1987
Pietro C. Marani, Leonardo e i Leonardeschi a Brera, Florence, 1987.

Marani 1996
Pietro C. Marani, “Giovan Pietro Rizzoli,” in The Dictionary of Art, edited by Jane Turner, vol. 26, New York, 1996.

Marchini 1975
Giuseppe Marchini, Filippo Lippi, Milan, 1975.

Marciari 2000
John Marciari, “Girolamo Muziano and Art in Rome, circa 1550–1600,” PhD diss., Yale University, 2000.

Marciari 2002
John Marciari, “Girolamo Muziano and the Dialogue of Drawings in Cinquecento Rome,” Master Drawings 40 (2002):
113–34.

Marciari 2006
John Marciari, “Raffaellino da Reggio in the Vatican,” The Burlington Magazine 148 (2006): 187–91.

Marciari 2009
John Marciari, “Artistic Practice in Later Cinquecento Rome and Girolamo Muziano’s Accademia di San Luca,” in The Accademia Seminars: The Accademia di San Luca in Rome, c. 1590–1635, edited by Peter Lukehart, CASVA Seminar Papers, 2, Washington, 2009, 197–224.

Marciari 2012
John Marciari, “A New Drawing by Lomazzo for the Foppa Chapel in S. Marco, Milan,” Master Drawings 50 (2012): 71–78.

Marciari 2012a
John Marciari, “The Drawings of Veronese,” in John and Mable Ringling Museum of Art, Sarasota, Paolo Veronese: A Master and His Workshop in Renaissance Venice, edited by Virginia Brilliant and Frederick Ilchman, 2012, 194–206.

Marciari 2015
John Marciari, Italian, Spanish and French Paintings Before 1850 in the San Diego Museum of Art, San Diego, 2015.

Marciari 2017
John Marciari, Art of Renaissance Rome: Artists and Patrons in the Eternal City, London, 2017.

Marciari 2018
John Marciari, ed., A Demand for Drawings: Five Centuries of Collectors and Collecting Drawings, New York, 2018.

Marciari 2018a
John Marciari, “Janos Scholz and His Era: Forming a Study Collection in the Twentieth Century,” in A Demand for Drawings: Five Centuries of Collectors and Collecting Drawings, edited by John Marciari, New York, 2018, 118–33.

Marciari and Verstegen 2008
John Marciari and Ian Verstegen, “Grande quanto l’opera: Size and Scale in Barocci’s Drawings,” Master Drawings 46 (2008): 291–321.

Marconi 1998
Stefano Marconi, “La proiezione della figura umana nelle Regole del disegno del codice Huygens,” in La prospettiva: Fondamenti teorici ed esperienze figurative dall’antichità al mondo moderno, edited by Rocco Sinisgalli, Fiesole, 1998.

Mariette 1851–60
Pierre-Jean Mariette, Abecedario de P. J. Mariette: Et autres notes inédites de cet amateur sur les arts et les artistes, edited by Philippe de Chennevières and Anatole de Montaiglon, 6 vols., Paris, 1851–60.

Marinelli 1981
Sergio Marinelli, “The Author of the Codex Huygens,” Journal of the Warburg and Courtauld Institutes 44 (1981): 214–20.

Marinelli 2000
Sergio Marinelli, “Il disegno nelle collezioni pubbliche a Verona,” in I grandi disegni italiani del Museo di Castelvecchio a Verona, edited by Giorgio Marini, Milan, 2000, 55–101.

Marinelli and Mazza 1999
Sergio Marinelli and Angelo Mazza, eds., La pittura emiliana nel Veneto, Modena, 1999.

Martindale 1961
Andrew Martindale, “Luca Signorelli and the Drawings Connected with the Orvieto Frescoes,” The Burlington Magazine 103 (1961): 216–20.

Mason Rinaldi 1973
Stefania Mason Rinaldi, “Il libro dei disegni di Palma il Giovane del British Museum,” Arte Veneta 27 (1973): 125–43.

Matuschek 2005
Oliver Matuschek, ed., Ich kenne den Zauber der Schrift: Katalog und Geschichte der Autographensammlung Stefan Zweig, mit kommientiertem Abdruck von Stefan Zweigs Aufsätzen über das Sammeln von Handschriften, Vienna, 2005.

McCullagh 1991
Suzanne Folds McCullagh, “Serendipity in a Solander Box: A Recently Discovered Pastel Chalk Drawing by Federico Barocci,” The Art Institute of Chicago Museum Studies 17 (1991): 52–65, 93–94.

McCullagh 2012
Suzanne Folds McCullagh, with the assistance of Kate Tierney Powell, Capturing the Sublime: Italian Drawings of the Renaissance and Baroque, New Haven and London, 2012.

McCullagh and Giles 1997
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings Before 1600 in the Art Institute of Chicago, Chicago, 1997.

McGrath 1967
Robert L. McGrath, “Some Drawings by Jacopo Ligozzi Illustrating ‘The Divine Comedy,’” Master Drawings 5 (1967): 31–35.

McGrath 1997
Thomas Howard McGrath, “Colour in Italian Renaissance Drawings: Reconciling Theory and Practice in Central Italy and Venice,” Apollo 146 (1997): 22–30.

McGrath 1998
Thomas Howard McGrath, “Federico Barocci and the History of ‘Pastelli’ in Central Italy,” Apollo 148 (1998): 3–9.

McTavish 1981
David McTavish, Giuseppe Porta Called Giuseppe Salviati, New York, 1981.

Meder 1923
Joseph Meder, Die Handzeichnung: Ihre Technik und Entwicklung, second ed., Vienna, 1923.

Meder 1978
Joseph Meder, The Mastery of Drawing, translated by Winslow Ames, 2 vols., New York, 1978.

Meller 1960
Peter Meller, “Nachhall eines MantegnaStiches bei Leonardo,” Mitteilungen des Kunsthistorischen Institutes in Florenz 9 (1960): 121–24.

Melli 1995
Lorenza Melli, Maso Finiguerra: I disegni, Florence, 1995.

Melli 2008
Lorenza Melli, “I disegni a due punte metalliche di Filippino Lippi: Una scelta funzionale,” in Le tecniche del disegno rinascimentale: Dai materiali allo stile. Atti del convegno internazionale, edited by Marzia Faietti, Lorenza Melli, and Alessandro Nova, Florence, 2008, 88–108.

Mellini 1566
Domenico Mellini, Descrizione dell’entrata della serenissima Reina Giovanna d’Austria, Florence, 1566.

Mensing 1915
A. W. M. Mensing, “De Leonardo’s van Constantijn Huygens den Zoon,” in FeestBundel Dr. Abraham Bredius aangeboden den achttienden April 1915, edited by Cornelis Hofstede de Groot and Wilhelm Martin, Amsterdam, 1915, 186–90.

Meyer zur Capellen 2001
Jürg Meyer zur Capellen, Raphael: A Critical Catalogue of His Paintings, 3 vols., Landshut, 2001.

Middletown 1969
Davison Art Center, Wesleyan University, Middletown, CT, Italian Master Drawings from the Collection of Janos Scholz, 1969.

Milan 1987–88
Palazzo Reale, Milan, Disegni e dipinti Leonardeschi dalle collezioni milanesi, catalogue by Giulio Bora, 1987–88.

Milan 1989
Pinacoteca di Brera, Milan, Ambrogio Bergognone: Acquisizioni, scoperte e restauri, edited by Pietro C. Marani and Janice Shell, 1989.

Milan 1997
Biblioteca Nazionale Braidense, Milan, Miniature a Brera 1100–1422: Manoscritti dalla Biblioteca Nazionale Braidense e da collezioni private, catalogue by Miklós Boskovits et al., 1997.

Milan 2000–2001
Palazzo Reale, Milan, Il cinquecento lombardo, da Leonardo a Caravaggio, catalogue by Flavio Caroli, 2000–2001.

Milan 2015
Palazzo Reale, Milan, Leonardo da Vinci, 1452–1519: Il disegno del mondo, edited by Pietro C. Marani and Maria Teresa Fiorio, 2015.

Milan 2016
Castello Sforzesco, Milan, D’après Michelangelo, catalogue by Alessia Alberti et al., 2016.

Miller 1993
Michael Miller, “Alcune cose in Siena, non degne di memoria—Baldassare Peruzzi’s Beginnings,” Allen Memorial Art Museum Bulletin 46 (1993): 3–16.

Milwaukee 1964
Department of Art History Gallery, University of Wisconsin, Milwaukee, Italian Drawings: A Loan Exhibition in Connection with a Symposium to Commemorate the 400th Anniversary of the Death of Michelangelo, 1564–1964, 1964.

Milwaukee and New York 1989–90
Milwaukee Art Museum and National Academy of Design, New York, Renaissance into Baroque: Italian Master Drawings by the Zuccari, 1550–1600, catalogue by James Mundy, 1989–90.

Miotti 1962
Tito Miotti, Il collezionista di disegni, Venice, 1962.

Modena 2000–2001
Galleria Estense, Modena, Gli esordi del Correggio: Il tema della Madonna con il Bambino, 2000–2001.

Modena 2005
Museo Civico d’Arte, Modena, Storie dipinte: Nicolò dell’Abate e la pittura del cinquecento tra Modena e Parigi, edited by Sylvie Béguin and Francesca Piccinini, 2005.

Modena and Rennes 1990
Galleria Estense, Modena, and Musée des Beaux-Arts, Rennes, Disegno: Les dessins italiens du Musée de Rennes: Catalogue de l’exposition suivi d’un inventaire de la collection, edited by Patrick Ramade, 1990.

Molino 1963
Giuseppina Jaderosa Molino, “Riconoscibili decorazioni ad affresco di Giuseppe Porta detto Salviati,” Arte Veneta 17 (1963): 164–68.

Monbeig Goguel 1972
Catherine Monbeig Goguel, Vasari et son temps, Inventaire général des dessins italiens, vol. 1, Paris, 1972.

Monducci 2004
Elio Monducci, Il Correggio: La vita e le opere nelle fonti documentarie, Milan, 2004.

Mongan 1942
Agnes Mongan, “Review: Italian Drawings 1330–1780: An Exhibition at the Smith College Museum of Art,” The Art Bulletin 24 (1942): 92–94.

Mongan 1949
Agnes Mongan, ed., One Hundred Master Drawings, Cambridge, MA, 1949.

Mongan and Sachs 1940
Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Art Museum, 3 vols., Cambridge, MA, 1940.

Montgomery 1976
Montgomery Museum of Fine Arts, Venetian Drawings from the Collection of Janos Scholz, 1976.

Monti 1965
Raffaele Monti, Andrea del Sarto, Milan, 1965.

Montreal 1953
Montreal Museum of Fine Arts, Five Centuries of Drawings, edited by Regina Shoolman and Charles E. Slatkin, 1953.

Montreal 1992
Montreal Museum of Fine Arts, The Genius of the Sculptor in Michelangelo’s Work, edited by Pietro C. Marani, 1992.

Morassi 1937
Antonio Morassi, Disegni antichi dalla Collezione Rasini in Milano, Milan, 1937.

Morris and Hopkinson 1977
Edward Morris and Martin Hopkinson, Foreign Catalogue, 2 vols., Liverpool, 1977.

Morrison 1892
Alfred Morrison, Catalogue of the Collection of Autograph Letters and Historical Documents Formed by Alfred Morrison, 6 vols., London, 1892.

Morrogh 2018
Andrew Morrogh, “Vasari’s Libro and the Drawings Collection of Niccolò Gaddi: The Frames,” in A Demand for Drawings: Five Centuries of Collectors and Collecting Drawings, edited by John Marciari, New York, 2018, 30–43.

Mortari 1984
Luisa Mortari, “Francesco Salviati nella Chiesa di Santa Maria dell’Anima,” in Scritti di storia dell’arte in onore di Federico Zeri, edited by Mauro Natale, Milan, 1984.

Mortari 1992
Luisa Mortari, Francesco Salviati, Rome, 1992.

Moscow 1995–96
Pushkin State Museum of Fine Arts, Moscow, Five Centuries of European Drawings: The Former Collection of Franz Koenigs, catalogue by Irina Danilova, 1995–96.

Munich 1958
Staatliche Graphische Sammlung, Munich, Hundert Meisterzeichnungen aus der Staatlichen Graphischen Sammlung München, catalogue by Peter Halm et al., 1958.

Munich 1977
Staatliche Graphische Sammlung, Munich, Italienische Zeichnungen des 16. Jahrhunderts aus eigenem Besitz, catalogue by Richard Harprath, 1977.

Munich 1983–84
Staatliche Graphische Sammlung, Munich, Zeichnungen aus der Sammlung des Kurfürsten Carl Theodor. Ausstellung zum 225jährigen Bestehen der Staatlichen Graphischen Sammlung München, edited by Holm Bevers and Richard Harprath, 1983–84.

Munich 2008–9
Staatliche Graphische Sammlung and Pinakothek der Moderne, Munich, 100 Master Drawings from the Morgan Library & Museum, 2008–9.

Muraro 1966
Michelangelo Muraro, Vittorio Carpaccio, Florence, 1966.

Muraro 1977
Michelangelo Muraro, I disegni di Vittore Carpaccio, Florence, 1977.

Muraro 1978
Michelangelo Muraro, “Grafica tizianesca,” in Tiziano e il Manierismo europeo, edited by Rodolfo Pallucchini, Florence, 1978, 127–49.

Naples 1988–89
Museo e Gallerie Nazionali di Capodimonte, Naples, Polidoro da Caravaggio fra Napoli e Messina, catalogue by Pierluigi Leone de Castris, 1988–89.

Negro and Roio 1998
Emilio Negro and Nicosetta Roio, Francesco Francia e la sua scuola, Modena, 1998.

Negro and Roio 2001
Emilio Negro and Nicosetta Roio, Lorenzo Costa, 1460–1535, Modena, 2001.

Nelson 1991
Jonathan K. Nelson, “Aggiunte alla cronologia di Filippino Lippi,” Rivista d’arte 43 (1991): 33–57.

Nelson 2011
Jonathan K. Nelson, “An Inventory of Drawings by Filippino Lippi and His Circle (with Two Additions),” in New Studies on Old Masters: Essays in Renaissance Art in Honour of Colin Eisler, edited by John Garton and Diane Wolfthal, Toronto, 2011, 193–220.

Newark 1960
Newark Museum, Old Master Drawings, edited by Elaine Evans Gerdts and William H. Gerdts, 1960.

Newcastle-upon-Tyne 1982
Hatton Gallery, Newcastle-upon-Tyne, Italian Drawings, 1525–1750, from the Collection of Ralph Holland, catalogue by Ralph Holland, 1982.

New Haven 1964
Yale University Art Gallery, New Haven, Italian Drawings from the Collection of Janos Scholz, 1964.

New Haven 1994
Yale University Art Gallery, New Haven, Vasari’s Florence: Artists and Literati at the Medicean Court, catalogue by Maia W. Gahtan and Philip J. Jacks, 1994.

New Haven 2013
Yale University Art Gallery, New Haven, Francesco Vanni: Art in Late Renaissance Siena, catalogue by John Marciari and Suzanne Boorsch, 2013.

New Haven 2018
Yale Center for British Art, New Haven, The Paston Treasure: Microcosm of the Known World, edited by Andrew Moore, Nathan Flis, and Francesca Vanke, 2018.

New Haven and elsewhere 1986–87
Yale University Art Gallery, New Haven; Santa Barbara Museum of Art; Springfield Museum of Fine Arts; and Muscarelle Museum of Art, Williamsburg, VA, Old Master Drawings from the Collection of John and Alice Steiner, catalogue by Alfred Moir, 1986–87.

New Haven and elsewhere 2006–8
John & Mabel Ringling Museum, Sarasota, Blanton Museum of Art, Austin, and Yale University Art Gallery, New Haven, Master Drawings from the Yale University Art Gallery, catalogue by Suzanne Boorsch and John Marciari, 2006–8.

New London 1936
Lyman Allyn Museum, New London, Drawings: Fourth Anniversary Exhibition, 1936.

New York 1939
Pierpont Morgan Library, New York, New York World’s Fair: Illustrated Catalogue of an Exhibition Held on the Occasion of the New York World’s Fair, 1939.

New York 1953
Pierpont Morgan Library, New York, Landscape Drawings & Water-Colors: Bruegel to Cézanne, catalogue by Felice Stampfle, 1953.

New York 1959
M. Knoedler and Company, New York, Great Master Drawings of Seven Centu.ries: A Benefit Exhibition of Columbia Uni.versity for the Scholarship Fund of the Department of Fine Arts and Archaeology, 1959.

New York 1961
Wildenstein & Co., New York, Masterpieces: A Loan Exhibition of Paintings and Drawings: A Memorial Exhibition for Adele R. Levy, 1961.

New York 1964–65
Finch College Museum of Art, New York, Genoese Painters, Cambiaso to Magnasco, 1550–1750, catalogue by Robert Manning, 1964–65.

New York 1965–66
Metropolitan Museum of Art, New York, Drawings from New York Collections, I, The Italian Renaissance, catalogue by Jacob Bean and Felice Stampfle, 1965–66.

New York 1967–68
Finch College Museum of Art, New York, Drawings of Luca Cambiaso, Moneglia, Italy, 1527–1585, El Escorial, Spain, catalogue by Robert Manning, 1967–68.

New York 1968–69
The Cloisters, Metropolitan Museum of Art, New York, Medieval Art from Private Collections, catalogue by Carmen Gómez-Moreno, 1968–69.

New York 1969
Metropolitan Museum of Art, New York, Florentine Baroque Art from American Collections, catalogue by Joan Lee Nissman, 1969.

New York 1971
The New School Art Center, New York, One Hundred Italian Drawings from the 14th to the 18th Centuries from the Janos Scholz Collection, 1971.

New York 1973
Pierpont Morgan Library, New York, Drawings from the Collection of Lore and Rudolf Heinemann, catalogue by Felice Stampfle and Cara D. Denison, 1973.

New York 1974
Pierpont Morgan Library, New York, The Pierpont Morgan Library: Gifts in Honor of The Fiftieth Anniversary, An Exhibition, 1974.

New York 1981
Pierpont Morgan Library, New York, European Drawings 1375–1825, edited by Cara D. Denison and Helen B. Mules, 1981.

New York 1985
Pierpont Morgan Library, New York, Drawings from the Collection of Mr. and Mrs. Eugene Victor Thaw, Part II, catalogue by Cara D. Denison et al., 1985.

New York 1987
Pierpont Morgan Library, New York, Drawings by Raphael and His Circle from British and North American Collections, catalogue by John A. Gere, 1987.

New York 1990
Metropolitan Museum of Art, New York, Woodner Collection: Master Drawings, catalogue by Ann Dumas et al., 1990.

New York 1994–95
Pierpont Morgan Library, New York, The Thaw Collection: Master Drawings and New Acquisitions, catalogue by Cara D. Denison et al., 1994–95.

New York 1996
Metropolitan Museum of Art, New York, Genoa: Drawings and Prints 1530–1800, catalogue by Carmen Bambach and Nadine Orenstein, 1996.

New York 1997
Cooper-Hewitt, National Design Museum, Smithsonian Insitution, New York, Disegno: Italian Renaissance Designs for the Decorative Arts, catalogue by Beth L. Holman, 1997.

New York 1997–98
Metropolitan Museum of Art, New York, The Drawings of Filippino Lippi and His Circle, catalogue by George R. Goldner et al., 1997–98.

New York 1999
The Bertha and Karl Leubsdorf Art Gallery, Hunter College of the City University of New York, Giulio Romano: Master Designer, catalogue by Janet Cox-Rearick, 1999.

New York 1999a
Flavia Ormond Fine Arts Ltd. at Adelson Galleries, New York, Old Master Drawings 1500–1890, sale catalogue, 1999.

New York 2002
Metropolitan Museum of Art, New York, Tapestry in the Renaissance: Art and Magnificence, catalogue by Thomas P. Camp.bell et al., 2002.

New York 2002–3
Pierpont Morgan Library, New York, The Thaw Collection: Master Drawings and Oil Sketches: Acquisitions Since 1994, cata.logue by Cara Dufour Denison et al.,
2002–3.

New York 2003
Metropolitan Museum of Art, New York, Leonardo da Vinci: Master Draftsman, cat.alogue by Carmen C. Bambach, 2003.

New York 2004
Metropolitan Museum of Art, New York, Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombard Painting, catalogue by Andrea Bayer, 2004.

New York 2006
The Morgan Library & Museum, New York, From Leonardo to Pollock: Master Drawings From the Morgan Library, catalogue by Rhoda Eitel-Porter et al., 2006.

New York 2006a
Metropolitan Museum of Art, New York, Raphael at the Metropolitan Museum: The Colonna Altarpiece, catalogue by Linda Wolk-Simon, 2006.

New York 2007
The Morgan Library & Museum, New York, Drawing Connections: Baselitz, Kelly, Penone, Rockburne, and the Old Masters, catalogue by Isabelle Dervaux, 2007.

New York 2008
The Morgan Library & Museum, New York, Michelangelo, Vasari, and Their Contemporaries: Drawings from the Uffizi, catalogue by Annamaria Petrioli Tofani, 2008.

New York 2009
The Morgan Library & Museum, New York, The Thaw Collection of Master Drawings: Acquisitions Since 2002, catalogue by Rhoda Eitel-Porter et al., 2009.

New York 2010
Metropolitan Museum of Art, New York, An Italian Journey: Drawings from the Tobey Collection: Correggio to Tiepolo, catalogue by Linda Wolk-Simon and Carmen C. Bambach, 2010.

New York 2010a
Metropolitan Museum of Art, New York, The Drawings of Bronzino, catalogue by Carmen C. Bambach et al., 2010.

New York 2011
The Morgan Library & Museum, New York, Mannerism and Modernism: The Kasper Collection of Drawings and Photographs, catalogue by Jordan Bear et al., 2011.

New York 2013–14
The Morgan Library & Museum, New York, Leonardo da Vinci: Treasures from the Biblioteca Reale, Turin, edited by Paola Salvi, 2013–14.

New York 2016–17
The Morgan Library & Museum, New York, Hans Memling: Portraiture, Piety, and a Reunited Altarpiece, catalogue by John Marciari et al., 2016–17.

New York 2017
The Morgan Library & Museum, New York, Treasures from the Nationalmuseum of Sweden: The Collections of Count Tessin, catalogue by Colin B. Bailey et al., 2017.

New York 2017–18
Metropolitan Museum of Art, New York, Michelangelo: Divine Draftsman & Designer, catalogue by Carmen C. Bambach, 2017–18.

New York and Chicago 1994
Metropolitan Museum of Art, New York, and Art Institute of Chicago, Sixteenth-Century Italian Drawings in New York Collections, catalogue by William M. Griswold and Linda Wolk-Simon, 1994.

New York and Edinburgh 2009
Metropolitan Museum of Art, New York, and National Gallery of Scotland, Edinburgh, Raphael to Renoir: Drawings from the Collection of Jean Bonna, catalogue by Stijn Alsteens et al., 2009.

New York and elsewhere 1957
Pierpont Morgan Library, New York, Cleveland Museum of Art, and Art Institute of Chicago, Treasures from the Pierpont Morgan Library: Fiftieth Anniversary Exhibition, 1957.

New York and elsewhere 1969
Pierpont Morgan Library, New York, Museum of Fine Arts, Boston, and Art Institute of Chicago, Drawings from Stockholm: A Loan Exhibition from the Nationalmuseum, catalogue by Per Bjurström, 1969.

New York and elsewhere 1990–91
Pierpont Morgan Library, New York, Kimbell Art Museum, Fort Worth, and Cleveland Museum of Art, From Pisanello to Cézanne: Master Drawings from the Museum Boymans-van Beuningen, edited by Ger Luijten and A. W. F. M. Meij, 1990–91.

New York and London 1995
W. M. Brady & Co., New York, and Thomas Williamson Fine Art, London, Old Master Drawings, sale catalogue, Autumn 1995.

New York and London 2004
Jack Kilgore & Co., Inc., New York, and Colnaghi, London, Master Drawings 2004, sale catalogue, 2004.

New York and Washington 2007
Pierpont Morgan Library, New York, and National Gallery of Art, Washington, Private Treasures: Four Centuries of European Master Drawings, catalogue by Margaret Morgan Grasselli et al., 2007.

New York and Washington 2018–19
The Morgan Library & Museum, New York, and National Gallery of Art, Washington, Drawing in Tintoretto’s Venice, catalogue by John Marciari, 2018–19.

New York and Williamstown 2017–18
The Morgan Library & Museum, New York, and the Clark Art Institute, Williamstown, MA, Drawn to Greatness: Master Drawings from the Thaw Collection, edited by Jennifer Tonkovich, 2017–18.

Nichols 1999
Tom Nichols, Tintoretto: Tradition and Identity, London, 1999.

Nickel 2017
Tobias Benjamin Nickel, “Die Landschaftszeichnungen von Domenico Campagnola (1500–1564),” 3 vols., PhD diss., University of Vienna, 2017, othes.univie.ac.at.

Nielsen 1995
Kai-Uwe Nielsen, “Bartolomeo Montagna und die venezianische Malerei des späten Quattrocento,” PhD diss., Ludwig-Maximilians-Universität, Munich, 1995.

Nissen 1950
Claus Nissen, Die naturwissenschaftliche Illustration, Bad Münster am Stein, 1950.

Norman 1975
Geraldine Norman, “‘Allegories of Love’ Study by Veronese Fetches £24,784,” Times [London, England], 23 May 1975, 3.

Northampton 1941
Smith College Museum, Northampton, MA, Italian Drawings, 1330–1780, 1941.

Northampton 1978
Smith College Museum, Northampton, MA, Antiquity in the Renaissance, 1978.

Norton 1971
Watson Gallery, Wheaton College, Norton, MA, Italian Drawings from the Janos Scholz Collection, 1971.

Notre Dame 1967
Snite Museum of Art, University of Notre Dame, The Life of the Virgin Mary: Drawings from the Janos Scholz Collection, 1967.

Notre Dame 1980
Snite Museum of Art, University of Notre Dame, Janos Scholz, Musician and Collector, catalogue by Janos Scholz and Dean A. Porter, 1980.

Notre Dame 1983
Snite Museum of Art, University of Notre Dame, Religious Narrative in Sixteenth Century Rome, catalogue by Richard-Raymond Alasko, 1983.

Notre Dame and Binghamton 1970 University of Notre Dame Art Gallery and State University of New York, Binghamton, The Age of Vasari, 1970.

Nova 1990
Alessandro Nova, “Savoldo. Brescia and Frankfurt,” The Burlington Magazine 132 (1990): 431–34.

Nova 1994
Alessandro Nova, Girolamo Romanino, Torino, 1994.

Nova 1997
Alessandro Nova, review of Cesare da Sesto 1477–1523, by Marco Carminati, The Burlington Magazine 139 (1997):
483–84.

Nucciarelli 1998
Franco Ivan Nucciarelli, Studi sul Pinturicchio: Dalle prime prove alla Cappella Sistina, Perugia, 1998.

Nucciarelli 2004
Franco Ivan Nucciarelli, “Raffaello e un suo disegno da Perugia a New York,” in Il secolo Americano: Saggi in onore di Stefania Piccinato, edited by Clara Bartocci, Naples, 2004, 229–51.

Nuremberg 1971
Germanisches Nationalmuseum, Nuremberg, Albrecht Dürer: 1471–1971, catalogue by Rüdiger an der Heiden et al., 1971.

Oakland and Berkeley 1961
Mills College Art Gallery, Oakland, and University of California Art Gallery, Berkeley, Drawings from Tuscany and Umbria, 1350–1700, 1961.

Oakland and elsewhere 1956
Mills College Art Gallery, Oakland; Los Angeles County Museum of Art; H. M. DeYoung Museum, San Francisco; Santa Barbara Museum of Art; and Seattle Museum of Art, Drawings from Lombardy and Adjacent Areas, 1480–1620, 1956.

Oakland and elsewhere 1957
Mills College Art Gallery, Oakland; Los Angeles County Museum of Art; Portland Museum of Art; H. M. DeYoung Museum, San Francisco; Santa Barbara Museum of Art; and Seattle Museum of Art, Drawings from Bologna, 1520–1800, 1957.

Oakland and San Francisco 1959
Mills College Art Gallery, Oakland, and H.M. DeYoung Museum, San Francisco, Venetian Drawings, 1400–1630, 1959.

Oberhuber 1977
Konrad Oberhuber, with appendix by John M. Brealey, “The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael,” Metropolitan Museum Journal 12 (1977): 55–91.

Oberhuber 1986
Konrad Oberhuber, “Raphael and Pintoricchio,” in Studies in the History of Art, Vol. 17: Raphael Before Rome, edited by James Beck, Washington, 1986, 155–72.

Oberlin and elsewhere 1991–92
Allen Memorial Art Museum, Oberlin College, Bowdoin College Museum of Art, and Hood Museum of Art, Dartmouth College, Hanover, From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes, catalogue by Larry J. Feinberg, 1991–92.

Oehler 1953
Lisa Oehler, “Eine Gruppe von VeroneseZeichnungen in Berlin und Kassel,” Jahrbuch der Berliner Museen 3 (1953): 27–36.

Oertel 1940
Robert Oertel, “Wandmalerei und Zeichnung in Italien,” Mitteilungen des Kunsthistorischen Institutes in Florenz 5 (1940): 217–314.

Oertel 1966
Robert Oertel, Die Frühzeit der italienischen Malerei, second ed., Stuttgart, Berlin, Cologne, and Mainz, 1966.

Oldfield 1996
David Oldfield, “Lorenzo Lotto,” in The Dictionary of Art, edited by Jane Turner, vol. 19, New York, 1996, 714–15.

Orgelflügel 2001
Stichting Organa Historica, Die bemalten Orgelflügel in Europa, Rotterdam, 2001.

Ortolani 1941
Sergio Ortolani, Cosmè Tura, Francesco del Cossa, Ercole de’ Roberti, Milan, 1941.

Ortolani 1948
Sergio Ortolani, Il Pollaiuolo, Milan, 1948.

Osmond 1927
P. H. Osmond, Paolo Veronese, London, 1927.

Ottawa 1982
National Gallery of Canada, Ottawa, Bolognese Drawings in North American Collections, 1500–1800, catalogue by Mimi Cazort and Catherine Johnston, 1982.

Ottawa 2003
National Gallery of Canada, Ottawa, Italian Drawings from the National Gallery of Canada, catalogue by David Franklin, 2003.

Ottawa 2009
National Gallery of Canada, Ottawa, From Raphael to Carracci: The Art of Papal Rome, catalogue by David Franklin, 2009.

Ottawa and New York 2003–4
National Gallery of Canada, Ottawa, and Frick Collection, New York, The Art of Parmigianino, edited by David Franklin et al., 2003–4.

Ottino della Chiesa 1956
Angela Ottino della Chiesa, Bernardino Luini, Milan, 1956.

Oxford 2015–16
Ashmolean Museum, Oxford, Drawing in Venice: Titian to Canaletto, catalogue by Catherine Whistler et al., 2015–16.

Oxford 2017
Ashmolean Museum, Oxford, Raphael: The Drawings, catalogue by Catherine Whistler and Ben Thomas et al., 2017.

Pächt 1950
Otto Pächt, “Early Italian Nature Studies and the Early Calendar Landscape,” Journal of the Warburg and Courtauld Institutes 13 (1950): 11–47.

Palazzi 2010
Mariella Palazzi, “Un disegno inedito di Raffaellino da Reggio,” Bollettino d’arte 7 (2010): 45–52.

Panofsky 1915
Erwin Panofsky, “Raffael und die Fresken in der Dombibliothek von Siena,” Repertorium für Kunstwissenschaft 37 (1915): 267–91.

Panofsky 1939
Erwin Panofsky, “The Neoplatonic Movement and Michelangelo,” in Studies in Iconology: Humanistic Themes in the Art of the Renaissance, New York, 1939, 171–230.

Panofsky 1940
Erwin Panofsky, The Codex Huygens and Leonardo da Vinci’s Art Theory: The Pierpont Morgan Library Codex M.A. 1139, London, 1940.

Paoletti 1929
Pietro Paoletti, La scuola grande di San Marco, Venice, 1929.

Paoletti 1992
John T. Paoletti, “Michelangelo’s Masks,” The Art Bulletin 74 (1992): 423–40.

Paolucci 1966
Antonio Paolucci, “Benedetto Diana,” Paragone 199 (1966): 3–20.

Paris 1967
Musée du Louvre, Paris, Le cabinet d’un grand amateur, P.-J. Mariette 1694–1774, catalogue by Roseline Bacou et al., 1967.

Paris 1967a
Musée du Louvre, Paris, Le dessin à Naples: Du XVIe siècle au XVIIIe siècle, edited by Catherine Monbeig Goguel and Walter Vitzthum, 1967.

Paris 1983–84
Musée du Louvre, Paris, Autour du Raphael: Dessins et peintures du Musée du Louvre, edited by Roseline Bacou and Sylvie Béguin, 1983–84.

Paris 1986–87
Musée du Louvre, Paris, Hommage à Andrea del Sarto, catalogue by Dominique Cordellier, 1986–87.

Paris 1992
Musée du Louvre, Paris, L’œil du connoisseur: Dessins italiens du Louvre: Hommage à Philip Pouncey, catalogue by Roseline Bacou et al., 1992.

Paris 1993
Grand Palais, Paris, Le siècle de Titien: L’âge d’or de la peinture à Venise, catalogue by Michel Laclotte and Giovanna Nepi Scirè, 1993.

Paris 1994–95
Musée du Louvre, Paris, Fra Bartolommeo et son atelier: Dessins et peintures des collections françaises, catalogue by Chris Fischer, 1994–95.

Paris 2001
Musée du Louvre, Paris, Un siècle de dessin à Bologne: 1480–1580, edited by Marzia Faietti and Dominique Cordellier, 2001.

Paris 2003
Musée du Louvre, Paris, Verrocchio, Lorenzo di Credi, Francesco di Simone Ferrucci, edited by Gigetta Dalli Regoli, 2003.

Paris 2004
Centre national de la danse, Paris, La construction de la féminité dans la danse, XVe–XVIIIe siècle, edited by Marina Nordera and Claire Rousier, 2004.

Paris 2005
Musée du Louvre, Paris, Ligozzi, catalogue by Lucilla Conigliello, 2005.

Paris 2008
Musée du Louvre, Paris, Mantegna, 1431– 1506, edited by Giovanni Agosti and Dominique Thiébaut, 2008.

Paris 2008a
Musée du Louvre, Paris, Baccio Bandinelli, catalogue by Carel van Tuyll van Serooskerken, 2008.

Paris 2009
Musée du Louvre, Paris, Domenico Beccafumi, catalogue by Dominique Cordellier, 2009.

Paris 2015–16
Musée du Louvre, Paris, Parmigianino: Dessins du Louvre, catalogue by Dominique Cordellier, 2015–16.

Parker 1927
Karl T. Parker, North Italian Drawings of the Quattrocento, London, 1927.

Parma and Vienna 2003
Galleria Nazionale, Parma, and Kunsthistorisches Museum, Vienna, Parmigianino e il manierismo europeo, catalogue by Lucia Fornari Schianchi, 2003.

Parma Armani 1986
Elena Parma Armani, Perin del Vaga, L’anello mancante: Studi sul manierismo, Genoa, 1986.

Parrilla 2011
Francesca Parrilla, “Nuovi contributi su Marcello Venusti copista di Michelangelo,” in Dal Razionalismo al Rinascimento: Per i quaranti anni di studi di Silvia Danesi Squarzina, edited by M. Giulia Aurigemma, Rome, 2011, 94–100.

Pavia 1998
Castello Visconteo and Certosa, Pavia, Ambrogio da Fossano detto il Bergognone: Un pittore per la certosa, catalogue by Gianni Carlo Sciolla, 1998.

Pedretti 1965
Carlo Pedretti, “Excerpts from the Codex Huygens Published in London in 1720,” Journal of the Warburg and Courtauld Institutes 28 (1965): 336–38.

Pedretti 1977
Carlo Pedretti, The Literary Works of Leonardo da Vinci, Compiled and Edited from the Original Manuscripts by Jean Paul Richter: Commentary, 2 vols., Berkeley and Los Angeles, 1977.

Pedretti 1982–87
Carlo Pedretti, ed., The Drawings and Miscellaneous Papers of Leonardo da Vinci in the Collection of Her Majesty the Queen at Windsor Castle, London and New York, 1982–87.

Pedretti 1988
Carlo Pedretti, “Leonardo at the Morgan Library,” Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1 (1988), 142–45.

Pedretti and Trutty-Coohill 1993
Carlo Pedretti and Patricia Trutty-Coohill, The Drawings of Leonardo da Vinci and His Circle in America, Florence, 1993.

Pelati 1974
Pietro Pelati, Il Correggio e il Cenobio di Polirone in un contratto inedito del 1514: Contributo all’opera mantovana di Antonio Allegri, San Benedetto Po, 1974.

Pelc 1998
Milan Pelc, Fontes Clovianae: Julije Klović u dokumentima svoga doba, Zagreb, 1998.

Penny 1996
Nicholas Penny, “Raphael,” in The Dictionary of Art, edited by Jane Turner, vol. 25, New York, 1996, 896–910.

Penny 2019
Nicholas Penny, The Zoomorphic Mask, Morgan Drawing Institute Thaw Lecture 2018, New York, 2019.

Perissa Torrini 1983
Annalisa Perissa Torrini, “Considerazioni su Cesare da Sesto nel periodo romano,” Bollettino d’arte 68 (1983): 75–96.

Perrig 1977
Alexander Perrig, Die “Michelangelo”Zeichnungen Benvenuto Cellinis, Michelangelo Studien, vol. 4, Frankfurt and Bern, 1977.

Perrig 1991
Alexander Perrig, Michelangelo’s Drawings: The Science of Attribution, translated by Michael Joyce, New Haven and London, 1991.

Perrig 1994
Alexander Perrig, “Vom Zeichnen und von der künstlerischen Grundausbildung im 13. bis 16. Jahrhundert,” in Die Kunst der Italienischen Renaissance: Architektur, Skulptur, Malerei, Zeichnung, edited by Rolf Toman, Cologne, 1994, 416–44.

Perrig 2014
Alexander Perrig, Das Vermächtnis des Don Giulio Clovio (1498–1578) und die wundersame Vermehrung der Zeichnungen Michelangelo Buonarottis, Würzburg, 2014.

Perugia and elsewhere 2012
Galleria Nazionale dell’Umbria, Perugia, Museo dell’Opera del Duomo, Orvieto, and Pinacoteca Comunale, Città di Castello, Luca Signorelli: “De ingegno et spirto pelegrino,” catalogue by Fabio De Chirico et al., 2012.

Perugia and Spello 2008
Galleria Nazionale dell’Umbria, Perugia, and Collegiata di Santa Maria Maggiore, Spello, Pintoricchio, edited by Francesco Federico Mancini and Vittoria Garibaldi, 2008.

Pesaro 1987
Palazzo Lazzarini, Pesaro, Mesura et arte del danzare: Guglielmo Ebreo da Pesaro e la danza nelle corti italiane del XV secolo, catalogue by Patrizia Castelli et al., 1987.

Peters 1965
Hans Albert Peters, “Bemerkungen zu Oberitalienischen Zeichnungen des XV. und XVI. Jahrhunderts,” Wallraf-RichartzJahrbuch 27 (1965): 129–90.

Peters 1981
Carol Talbert Peters, “Rossello di Jacopo Franchi: Portrait of a Florentine Painter, ca. 1376–1456,” PhD diss., Indiana University, 1981.

Petrioli Tofani 1985
Annamaria Petrioli Tofani, Andrea del Sarto: Disegni, Florence, 1985.

Pevsner 1940
Nikolaus Pevsner, Academies of Art: Past and Present, Cambridge, 1940.

Philadelphia 1950–51
Philadelphia Museum of Art, Masterpieces of Drawing: Diamond Jubilee Exhibition, catalogue by Carl Zigrosser, 1950–51.

Pieroni 2009
Veruska Pieroni, Un tesoro miniato: Il graduale D dell’antica pieve di Santo Stefano a Prato, Ospedaletto (Pisa), 2009.

Pignatti 1957
Terisio Pignatti, “Venetian Drawings from the Scholz Collection,” The Burlington Magazine 99 (1957): 385–86.

Pignatti 1963
Terisio Pignatti, review of Carpaccio: Paintings and Drawings, by Jan Lauts, Master Drawings 1 (1963): 47–54.

Pignatti 1970
Terisio Pignatti, La scuola veneta, Milan, 1970.

Pignatti 1972
Terisio Pignatti, Carpaccio, Milan, 1972.

Pignatti 1976
Terisio Pignatti, Veronese: L’opera completa, Venice, 1976.

Pignatti 1979
Terisio Pignatti, Tiziano: Disegni, Florence, 1979.

Pignatti and Pedrocco 1995
Terisio Pignatti and Filippo Pedrocco, Veronese: Catalogo completo, 2 vols., Florence, 1995.

Pilliod 1991
Elizabeth Pilliod, “Le ‘Noli me tangere’ de Bronzino (1503–1572) et la décoration de la chapelle Cavalcanti de l’église Santo Spirito à Florence,” Revue du Louvre 41 (1991): 50–81.

Pilliod 1994
Elizabeth Pilliod, review of From Studio to Studiolo: Florentine Draftsmanship Under the First Medici Grand Dukes, by Larry J. Feinberg, Master Drawings 32 (1994): 387–92.

Pilliod 2003
Elizabeth Pilliod, “The Influence of Michelangelo: Pontormo, Bronzino and Allori,” in Reactions to the Master: Michelangelo’s Effect on Art and Artists in the Sixteenth Century, edited by Francis Ames-Lewis and Paul Joannides, Aldershot and Burlington, VT, 2003, 31–52.

Pillsbury 1969
Edmund P. Pillsbury, “The Temporary Façade on the Palazzo Ricasoli: Borghini, Vasari, and Bronzino,” Report and Studies in the History of Art 3 (1969): 74–83.

Pillsbury 1973
Edmund P. Pillsbury, “Vincenzo Borghini as a Draftsman,” Yale University Art Gallery Bulletin 34 (1973): 6–11.

Pillsbury 1974
Edmund P. Pillsbury, “Drawings by Jacopo Zucchi,” Master Drawings 12 (1974): 3–33.

Pini and Milanesi 1876
Carlo Pini and Gaetano Milanesi, La scrittura di artisti italiani, Florence, 1876.

Pirondini 1985
Massimo Pirondini, La pittura del cinquecento a Reggio Emilia, Milan, 1985.

Pirondini 2012
Massimo Pirondini, “Lelio Orsi, aggiornamenti ed inediti,” in Orsi a Novellara: Un grande manierista in una piccola corte; atti della giornata di studi, Novellara, Teatro della Rocca, 19–20 novembre 2011, edited by Alessandra Bigi Iotti and Giulio Zavatta, Rimini, 2012, 32–35.

Planiscig 1919
Leo Planiscig, Skulpturen und Plastiken des Mittelalters und der Renaissance. Die Estensische Kunstsammlung, Publikationen aus den kunst­historischen Sammlungen in Wien, vol. 1, Vienna, 1919.

Plazzotta 2006
Carol Plazzotta, “Raphael. Città di Castello; Rome; New York,” The Burlington Magazine 148 (2006): 707–10.

Pliny 1938–63
Pliny the Elder, Naturalis historia / Natural History, translated by Harris Rackham, 10 vols., Cambridge, MA, 1938–63.

Pope-Hennessy 1970
John Wyndham Pope-Hennessy, Raphael, New York, 1970.

Pope-Hennessy and Radcliffe 1970
John Wyndham Pope-Hennessy and Anthony F. Radcliffe, Italian Sculpture, New York, 1970.

Popham 1949
A. E. Popham, review of Il Parmigianino, by A. O. Quintavalle, The Burlington Magazine 91 (1949): 176.

Popham 1953
A. E. Popham, The Drawings of Parmigianino, London, 1953.

Popham 1955
A. E. Popham, “Di un disegno ascrivibile a P. A. Bernabei,” Aurea Parma 39 (1955): 71–76.

Popham 1957
A. E. Popham, Correggio’s Drawings, London, 1957.

Popham 1958
A. E. Popham, “On a Book of Drawings by Ambrogio Figino,” Bibliothèque d’Humanisme et Renaissance: Travaux et documents 20 (1958): 266–76.

Popham 1963
A. E. Popham, “Drawings by Parmigianino for the Rocca of Fontanellato,” Master Drawings 1 (1963): 3–10.

Popham 1964
A. E. Popham, “The Drawings of Girolamo Bedoli,” Master Drawings 2 (1964): 243–67.

Popham 1964a
A. E. Popham, “Two Drawings by Parmigianino,” The National Gallery of Canada Bulletin 4 (1964): 24–32.

Popham 1967
A. E. Popham, Italian Drawings in the Department of Prints and Drawings in the British Museum: Artists Working in Parma in the Sixteenth Century, 2 vols., London, 1967.

Popham 1971
A. E. Popham, Catalogue of the Drawings of Parmigianino, 3 vols., New Haven, 1971.

Popham and Di Giampaolo 1971
A. E. Popham and Mario Di Giampaolo, Disegni di Girolamo Bedoli, Viadana, 1971.

Popham and Pouncey 1950
A. E. Popham and Philip Pouncey, Italian Drawings in the Department of Prints and Drawings in the British Museum: The Fourteenth and Fifteenth Centuries, 2 vols., London, 1950.

Popham and Wilde 1949
A. E. Popham and Johannes Wilde, The Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty the King at Windsor Castle, London, 1949.

Poughkeepsie 1968
Vassar College Art Gallery, Poughkeepsie, The Italian Renaissance: Prints, Drawings, Miniatures, Books: Exhibition in Honor of Professor Leila Cook Barber, 1968.

Pouncey 1946
Philip Pouncey, “Two Simonesque Drawings,” The Burlington Magazine 88 (1946):
168–72.

Pouncey 1964
Philip Pouncey, review of I disegni dei pittori fiorentini, by Bernard Berenson, Master Drawings 2 (1964): 278–93.

Pouncey 1965
Philip Pouncey, Lotto disegnatore, Vicenza, 1965.

Pouncey 1977
Philip Pouncey, “Drawings by Alessandro Allori for the Montauto Chapel in the SS. Annunziata,” in Scritti di storia dell’arte in onore di Ugo Procacci, 2 vols., Milan, 1977, 2:442–47.

Pouncey and Gere 1962
Philip Pouncey and John A. Gere, Raphael and His Circle: Italian Drawings in the Department of Prints and Drawings in the British Museum, 2 vols., London, 1962.

Pressouyre 1965
Léon Pressouyre, “Marcius Cornator, note sur un groupe de représentation médiévales du mois de Mars,” Mélanges d’Archéologie et d’Histoire 77 (1965): 395–473.

Princeton 2014
Princeton University Art Museum, Italian Master Drawings from the Princeton University Art Museum, catalogue by Laura M. Giles et al., 2014.

Prosperi Valenti Rodinò 1989
Simonetta Prosperi Valenti Rodinò, Disegni romani, toscani e napoletani, Gallerie dell’Accademia di Venezia, Catalogo dei disegni antichi, vol. 5, Milan, 1989.

Providence 1968
Museum of Art, Rhode Island School of Design, Providence, Visions and Revisions, 1968.

Providence 1973
Museum of Art, Rhode Island School of Design, Providence, Drawings and Prints of the First Maniera, 1515–1535, catalogue by Janetta R. Benton et al., 1973.

Puerari 1971
Alfredo Puerari, Il Duomo di Cremona, Milan, 1971.

Puppi 1962
Lionello Puppi, Bartolomeo Montagna, Venice, 1962.

Puppi 1968
Lionello Puppi, ed., Paolo Farinati, Giornale (1573–1606), Florence, 1968.

Py 2001
Bernadette Py, Everhard Jabach collectionneur (1618–1695): Les dessins de l’inventaire de 1695, Paris, 2001.

Quintavalle 1948
Armando Ottaviano Quintavalle, Il Parmigianino, Milan, 1948.

Quintavalle 1968
Augusta Ghidiglia Quintavalle, Parmigianino, 1503–1540: Gli affreschi giovanili del Parmigianino, Parma, 1968.

Quintavalle 1970
Arturo Carlo Quintavalle, L’opera completa del Correggio, Milan, 1970.

Ragghianti 1954
Carlo L. Ragghianti, “Inizio di Leonardo,” Critica d’Arte 2 (1954): 102–18.

Ragghianti Collobi 1971
Licia Ragghianti Collobi, “Il Libro de’ disegni ed i ritrati per le Vite del Vasari,” Critica d’Arte 18 (1971): 37–64.

Ragghianti Collobi 1974
Licia Ragghianti Collobi, Il Libro de’ disegni del Vasari, 2 vols., Florence, 1974.

Ravelli 1978
Lanfranco Ravelli, Polidoro Caldara da Caravaggio, Bergamo, 1978.

Rearick 1976
William R. Rearick, Maestri veneti del cinquecento, Biblioteca di disegni, vol. 5, Florence, 1976.

Rearick 1986
William R. Rearick, Jacobus a Ponte Bassanensis. Disegni giovanili e della prima maturità (1538–1548), vol. 1, Bassano del Grappa, 1986.

Rearick 1987
William R. Rearick, “The Drawings of Paris Bordon,” in Paris Bordon e il suo tempo: Atti del Convegno internazionale di studi, edited by Giorgio Fossaluzza and Eugenio Manzato, Treviso, 1987, 47–63.


Rearick 1991
William R. Rearick, “The Earlier Drawings of Battista Zelotti,” in Nuove ricerche in margine alla mostra: Da Leonardo a Rembrandt: Disegni della Biblioteca Reale di Torino, Atti del Convegno Internazionale di Studi, Torino, 24–25 ottobre 1990, edited by Gianni Carlo Sciolla, Turin, 1991, 194–216.

Rearick 2001
William R. Rearick, Il disegno veneziano del cinquecento, Milan, 2001.

Rearick 2002
William R. Rearick, “The Venetian Selfportrait, 1450–1600,” in Le metamorfosi del ritratto, edited by Renzo Zorzi, Florence, 2002, 147–80.

Reggio Emilia 1987–88
Teatro Valli, Reggio Emilia, Lelio Orsi (1511–1587): Dipinti e disegni, catalogue by Massimo Pirondini et al., 1987–88.

Reist 2015
Inge Reist, ed., A Market for Merchant Princes: Collecting Italian Renaissance Paintings in America, University Park, PA, 2015.

Rennes 2015
Musée des Beaux-Arts, Rennes, Disegno 2: Retour sur le catalogue des dessins italiens du Musée des Beaux-Arts de Rennes, catalogue by Eric Pagliano, 2015.

Ricci 1902
Corrado Ricci, Pintoricchio (Bernardino di Betto of Perugia): His Life, Work, and Time, translated by Florence Simmonds, London, 1902.

Richardson 1722
Jonathan Richardson, An Account of the Statues, Bas-Reliefs, Drawings and Pictures in Italy, France, etc., London, 1722.

Richter 1939
Jean Paul Richter, The Literary Works of Leonardo da Vinci, 2 vols., London, 1939.

Richter 1941
Irma Richter, review of The Codex Huygens and Leonardo da Vinci’s Art Theory: The Pierpont Morgan Library Codex M.A. 1139, by Erwin Panofsky, The Art Bulletin 23 (1941): 335–38.

Richter 1970
Jean Paul Richter, The Literary Works of Leonardo da Vinci Compiled and Edited from the Original Manuscripts, third ed., 2 vols., London, 1970.

Ridolfi 1914–24
Carlo Ridolfi, Le meraviglie dell’arte ovvero le Vite degli illustri pittori veneti e dello stato, reprint edited by Detlev Freiherr von Hadeln, Berlin, 1914–24.

Rinaldi 2013
Furio Rinaldi, “A New Cartoon by Timoteo Viti and His Activity as a Draftsman,” Master Drawings 51 (2013): 147–58.

Rinaldi 2013a
Furio Rinaldi, “I disegni di Giampietrino: Note di tecnica e funzione,” Raccolta Vinciana 35 (2013): 203–32.

Ritz-Guilbert 2010
Anne Ritz-Guilbert, Des drôleries gothiques au bestiaire de Pisanello: Le bréviaire de Marie de Savoie, Paris, 2010.

Roberts 1988
Jane Roberts, A Dictionary of Michelangelo’s Watermarks, Milan, 1988.

Robertson 1954
Giles Robertson, Vicenzo Catena, Edinburgh, 1954.

Robertson 1968
Giles Robertson, Giovanni Bellini, Oxford, 1968.

Rodolfo 1927
Giacomo Rodolfo, Disegni di Gaudenzio Ferrari e di Bernardino Lanino gia nella Galleria dei Duchi di Savoia in Torino, Carmagnola, 1927.

Rogers 1778
Charles Rogers, A Collection of Prints in Imitation of Drawings, To Which Are Annexed Lives of Their Authors with Explanatory and Critical Notes, vol. 1, London, 1778.

Rolet 2015
Anne Rolet, Les questions symboliques d’Achille Bocchi: Symbolicae quaestiones, 1555, 2 vols., Tours, 2015.

Romani 1984
Vittoria Romani, Lelio Orsi, Modena, 1984.

Romani 1990
Vittoria Romani, Tibaldi “d’intorno” a Perino, Padua, 1990.

Romani 1997
Vittoria Romani, Primaticcio, Tibaldi e la questione delle cose del cielo, Padua, 1997.

Romano et al. 1986
Giovanni Romano et al., Bernardino Lanino e il cinquecento a Vercelli, Turin, 1986.

Rome 1972–73
Académie de France, Rome, Il paesaggio nel disegno, 1972–73.

Rome 1976–77
Villa della Farnesina alla Lungara, Rome, Immagini da Tiziano: Stampe dal sec. XVI al sec. XIX: Dalle collezioni del Gabinetto Nazionale delle Stampe, edited by Maria Catelli Isola, 1976–77.

Rome 1981–82
Museo Nazionale di Castel Sant’Angelo, Rome, Gli affreschi di Paolo iii a Castel Sant’Angelo: Progetto ed esecuzione 1543–1548, catalogue by Filippa Maria Aliberti Gaudioso, 1981–82.

Rome 1985
Museo Nazionale del Palazzo di Venezia, Rome, Roma 1300–1875: La città degli Anni Santi. Atlante, edited by Marcello Fagiolo and Maria Luisa Madonna, 1985.

Rome 1989
Istituto Nazionale per la Grafica, Rome, Disegni veneti e lombardi dal XVI al XVIII secolo dalle collezioni del Gabinetto dei Disegni e delle Stampe, catalogue by Ugo Ruggeri, 1989.

Rome 1997–98
Palazzo Venezia, Rome, Pietro da Cortona 1597–1669, edited by Anna Lo Bianco and Liliana Barroero, 1997–98.

Rome 2008
Galleria Borghese, Rome, Correggio e l’antico, edited by Anna Coliva, 2008.

Rome 2016
Scuderie del Quirinale, Rome, Correggio and Parmigianino: Art in Parma During the Sixteenth Century, catalogue by David Ekserdjian, 2016.

Rome and Paris 1998
Académie de France, Rome, and Musée du Louvre, Paris, Francesco Salviati (1510–1563) ou la Bella Maniera, edited by Catherine Monbeig Goguel, 1998.

Ronchini 1868
A. Ronchini, “Maestro Giovanni da Castel Bolognese,” Atti e memorie delle RR. Deputazioni di Storia Patria per le provincie modenesi e parmensi 4 (1868): 1–28.

Rosand 1988
David Rosand, “Raphael Drawings Revisited,” Master Drawings 26 (1988): 358–63.

Rosand 2012
David Rosand, Véronèse, Paris, 2012.

Rossi 1985
Francesco Rossi, The Famous Italian Drawings at the Accademia Carrara in Bergamo, Milan, 1985.

Rossi 2010
Francesca Rossi, “Maestro Artemio: Un eccentrico pittore mantegnesco a Verona,” in Andrea Mantegna: Impronta del genio, edited by Rodolfo Signorini, Viviana Rebonato, and Sara Tammaccaro, 2 vols., Mantua, 2010, 1:439–59.

Rotterdam 2016–17
Museum Boijmans Van Beuningen, Rotterdam, Fra Bartolommeo: The Divine Renaissance, catalogue by Albert J. Elen and Chris Fischer, 2016–17.

Rotterdam and elsewhere 1990–92
Museum Boijmans Van Beuningen, Rotterdam; Museum of Fine Arts, Boston; Kimbell Art Museum, Fort Worth; and Pierpont Morgan Library, New York, Fra Bartolommeo, Master Draughtsman of the High Renaissance: A Selection from the Rotterdam Albums and Landscape Drawings from Various Collections, catalogue by Chris Fischer, 1990–92.

Röttgen 1997
Steffi Röttgen, Wandmalerei der Frührenaissance in Italien, Vol. 2: Die Blütezeit, 1470–1510, Munich, 1997.

Royalton-Kisch 2010
Martin Royalton-Kisch, Catalogue of Drawings by Rembrandt and His School in the British Museum, 2010, online research catalogue: www.britishmuseum.org.

Royalton-Kisch and Ekserdjian 2000
Martin Royalton-Kisch and David Ekserdjian, “The Entombment of Christ: A Lost Mantegna Owned by Rembrandt?” Apollo 151 (2000): 52–56.

Ruda 1993
Jeffrey Ruda, Fra Filippo Lippi, Life and Work, with a Complete Catalogue, London and New York, 1993.

Ruggeri 1976
Ugo Ruggeri, Maestri lombardi e lombardoveneti del Rinascimento, Biblioteca di disegni, vol. 1, Florence, 1976.

Ruggeri 1978
Ugo Ruggeri, “Carlo Urbini e il Codice Huygens,” Critica d’arte 43 (1978): 167–76.

Ruhmer 1958
Eberhard Ruhmer, “Bernardino Parentino und der Stecher PP,” Arte Veneta 12 (1958): 38–44.

Ruhmer 1966
Eberhard Ruhmer, Marco Zoppo: 188 illustrazioni in nero e 8 tavole a colori, Venice, 1966.

Russell 1977
Margarita Russell, “The Iconography of Rembrandt’s Rape of Ganymede,” Simiolus 9 (1977): 5–18.

Saarbrücken 1997
Saarland Museum, Saarbrücken, Zeichnungen aus der Toskana: Das Zeitalter Michelangelos, catalogue by Ernst-Gerhard Güse et al., 1997.

Saccomani 1982
Elisabetta Saccomani, “Domenico Campagnola: Disegnatore di ‘paesi’ dagli esordi alla prima maturità,” Arte Veneta 36 (1982): 81–99.

St. Louis and London 2012–13
St. Louis Art Museum and National Gallery, London, Federico Barocci: Renaissance Master of Color and Line, catalogue by Judith Walker Mann et al., 2012–13.

Salomon 2014
Xavier F. Salomon, Veronese, London, 2014.

Salvi 2016
Paola Salvi, “The Midpoint of the Human Body in Leonardo’s Drawings and in the Codex Huygens,” in Illuminating Leonardo, edited by Constance Moffatt and Sara Taglialagamba, Leiden and Boston, 2016, 259–84.

Salvini 1965–66
Roberto Salvini, All the Paintings of Botticelli, translated by John Grillenzoni, vol. 4, New York, 1965–66.

San Francisco 1940
Golden Gate International Exposition, Palace of Fine Arts, San Francisco, Master Drawings: An Exhibition of Drawings from American Museums and Private Collections, catalogue by Annemarie Henle, 1940.

Sanminiatelli 1955
Donato Sanminiatelli, “The Sketches of Domenico Beccafumi,” The Burlington Magazine 97 (1955): 35–40.

Sanminiatelli 1967
Donato Sanminiatelli, Domenico Beccafumi, Milan, 1967.

Santa Barbara and elsewhere 1974
University of California, Santa Barbara; Fine Arts Gallery, San Diego; University of Michigan Museum of Art, Ann Arbor; and Stanford University Museum of Art, Palo Alto, Drawings by Seventeenth Century Italian Masters from the Collection of Janos Scholz, edited by Alfred Moir, 1974.

Santagiustina Poniz 1981
Anna Santagiustina Poniz, “Disegni tardi di Domenico Campagnola, 1552–1564,” Arte Veneta 35 (1981): 62–70.

Sartor 2001
Lucia Sartor, “Un aggiunta e qualche precisazione per la grafica di Benedetto Diana,” Arte Veneta 55 (2001): 113–18.

Saslow 1986
James M. Saslow, Ganymede in the Renaissance: Homosexuality in Art and Society, New Haven, 1986.

Saxl 1938–39
Fritz Saxl, “Pagan Sacrifice in the Italian Renaissance,” Journal of the Warburg and Courtauld Institutes 2 (1938–39): 346–67.

Scaglia 1995
Gustina Scaglia, “Leonardo da Vinci’s Drawing in the Pierpont Morgan Library: Its Travels from Milan to La Rochelle (1519– 1572),” Arte Lombarda 113/115 (1995):
27–36.

Scalvanti 1908
Oscar Scalvanti, Il disegno raffaellesco dei Conti Baldeschi di Perugia per la Libreria Piccolomini del Duomo Senese, Perugia, 1908.

Scarpellini 1964
Pietro Scarpellini, Luca Signorelli, Collana d’arte del club del libro, vol. 10, Milan, 1964.

Scarpellini and Silvestrelli 2004
Pietro Scarpellini and Maria Rita Silvestrelli, Pintoricchio, Milan, 2004.

Scharf 1935
Alfred Scharf, Filippino Lippi, Vienna, 1935.

Scharf 1953
Alfred Scharf, “The Exhibition of Old Master Drawings at the Royal Academy,” The Burlington Magazine 95 (1953): 351–57.

Scheller 1963
Robert W. Scheller, A Survey of Medieval Model Books, Haarlem, 1963.

Scheller 1995
Robert W. Scheller, Exemplum: Model-Book Drawings and the Practice of Artistic Transmission in the Middle Ages (200 BC–C. 1470), Amsterdam, 1995.

Schjeldahl 2015
Peter Schjeldahl, “Change Artist: The Works of Pietro di Cosimo [review of Piero di Cosimo: The Poetry of Painting in Renaissance Florence],” New Yorker (9 February 2015): 70–71.

Schmarsow 1880
August Schmarsow, Raffael und Pinturicchio in Siena, Stuttgart, 1880.

Schmidlin 1906
Josef Schmidlin, Geschichte der deutschen Nationalkirche in Rom, S. Maria dell’Anima, Freiburg, 1906.

Schmidt 1996
Eike Schmidt, “Die Überlieferung von Michelangelos verlorenem Samson-Modell,” Mitteilungen des Kunsthistorischen Institutes in Florenz 40 (1996): 78–147.

Schmitt 1997
Annegrit Schmitt, Der Meister des Tiermusterbuchs von Weimar, Munich, 1997.

Scholz 1958
Janos Scholz, “Notes on Drawings: On Brescian Renaissance Drawings,” in Essays in Honor of Hans Tietze, 1880– 1954, edited by Ernst Gombrich, Julius S. Held, and Otto Kurz, New York, 1958, 411–18.

Scholz 1960
Janos Scholz, “Connoisseurship and the Training of the Eye,” College Art Journal 19 (1960): 226–30.

Scholz 1976
Janos Scholz, Italian Master Drawings, 1350–1800, from the Janos Scholz Collection, New York, 1976.

Schubring 1923
Paul Schubring, “Die Predella zu Raffaels Altar für S. Antonio in Perugia,” Der Cicerone 15 (1923): 3–6.

Schulze Altcappenberg 1995
Hein-Th. Schulze Altcappenberg, Die italienischen Zeichnungen des 14. und 15. Jahrhunderts im Berliner Kupferstichkabinett, kritischer Katalog, Berlin, 1995.

Schwarz 1971
Heinrich Schwarz, “Portrait Drawings of Palma Giovane and His Family: A Postscript,” in Studi di Storia dell’Arte in Onore di Antonio Morassi, edited by Gabriella Brussich and Isi del Fabbro, Venice, 1971, 210–15.

Sciolla 1992
Gianni Carlo Sciolla, ed., Il disegno: I grandi collezionisti, Milan, 1992.

Scorza 1981
Rick Scorza, “Vincenzo Borghini and Invenzione: The Florentine Apparato of 1565,” Journal of the Warburg and Courtauld Institutes 44 (1981): 57–75.

Scorza 1985
Rick Scorza, “A New Drawing for the Florentine ‘Apparato’ of 1565: Borghini, Butteri and the ‘Tuscan Poets,’” The Burlington Magazine 127 (1985): 887–90.

Scorza 1995
Rick Scorza, “Borghini, Butteri and Allori: A Further Drawing for the 1565 ‘Apparato,’” The Burlington Magazine 137 (1995): 172–75.

Scorza 2003
Rick Scorza, “Vasari, Borghini and Michelangelo,” in Reactions to the Master: Michelangelo’s Effect on Art and Artists in the Sixteenth Century, edited by Francis Ames-Lewis and Paul Joannides, Aldershot and Burlington, VT, 2003, 180–210.

Scorza 2013
Rick Scorza, “‘Bellissimi cavagli’: A Newly Discovered Bronzino Drawing in the Morgan Library & Museum,” Master Drawings 51 (2013): 3–14.

Scorza 2017
Rick Scorza, review of The Drawings of Giorgio Vasari (1511–1574), by Florian Härb, Master Drawings 55 (2017): 369–92.

Scrase 2011
David Scrase, Italian Drawings at The Fitzwilliam Museum, Cambridge; Together with Spanish Drawings, Cambridge, 2011.

Settis and Toracca 1998
Salvatore Settis and Donatella Toracca, eds., La Libreria Piccolomini nel Duomo di Siena / The Piccolomini Library in Siena Cathedral, Mirabilia Italiae, vol. 7, Modena, 1998.

Seymour 1968
Charles Seymour, Jr., “‘Fatto di sua mano’: Another Look at the Fonte Gaia Drawing Fragments in London and New York,” in Festschrift Ulrich Middeldorf, edited by Antje Kosegarten and Peter Tigler, Berlin, 1968.

Sgarbi 1994
Vittorio Sgarbi, Carpaccio, London, 1994.

Shearman 1961
John Shearman, review of The Villa d’Este at Tivoli, by David R. Coffin, The Burlington Magazine 103 (1961): 519.

Shearman 1965
John Shearman, Andrea del Sarto, 2 vols., Oxford, 1965.

Shearman 1972
John Shearman, Raphael’s Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel, London, 1972.

Shearman 2003
John Shearman, Raphael in Early Modern Sources, 1483–1602, 2 vols., New Haven, 2003.

Shepherd 1993
Gyde Vanier Shepherd, “A Monument to Pope Pius ii: Pintorichio and Raphael in the Piccolomini Library in Siena, 1494–1508,” PhD diss., Harvard University, 1993, Ann Arbor, 1995.

Shoemaker 1975
Innis Howe Shoemaker, “Filippino Lippi as a Draughtsman,” PhD diss., Columbia University, 1975.

Sicca 2008
Cinzia Maria Sicca, ed., John Talman: An Early-Eighteenth-Century Connoisseur, New Haven, 2008.

Siena 1990
Chiesa di Sant’Agostino, Palazzo Bindi Sergardi, Siena, Domenico Beccafumi e il suo tempo, catalogue by Giovanni Agosti, 1990.

Sievers 2000
Ann H. Sievers with Linda Muehlig and Nancy Rich, Master Drawings from the Smith College Museum of Art, New York, 2000.

Simonetto 1988
Lucia Simonetto, “Lo Pseudo Boccaccino fra Milano e Venezia: Certezze e dubbi di una cronologia,” Arte Lombarda 84/85 (1988): 73–84.

Simonetto 2001
Lucia Simonetto, “Giovanni Agostino da Lodi,” in Dizionario biografico degli italiani 56 (2001): 272–77.

Slomann 1926
Vilhelm Slomann, “Rock-Crystals by Giovanni Bernardi,” The Burlington Magazine 48 (1926): 9–23.

Smith 1974
Robert Smith, “Natural Versus Scientific Vision: The Foreshortened Figure in the Renaissance,” Gazette des Beaux-Arts 84 (1974): 239–47.

Southard Carter 1979
Edna Southard Carter, The Frescoes in Siena’s Palazzo Pubblico, 1289–1539: Studies in Imagery and Relations to Other Communal Palaces in Tuscany, New York, 1979.

Stampfle 1968
Felice Stampfle, “A Ceiling Design by Vasari,” Master Drawings 6 (1968): 266–71.

Stampfle 1974
Felice Stampfle, Drawings: Major Acquisitions of the Pierpont Morgan Library, 1924–74, New York, 1974.

Stampfle 1975
Felice Stampfle, “A Campi Drawing in the Morgan Library,” The Burlington Magazine 117 (1975): 245–46.

Stampfle 1991
Felice Stampfle, with the assistance of Ruth S. Kraemer and Jane Shoaf Turner, Netherlandish Drawings of the Fifteenth and Sixteenth Centuries and Flemish Drawings of the Seventeenth and Eighteenth Centuries in the Pierpont Morgan Library, New York and Princeton, 1991.

Stanzani 1990
Anna Stanzani, ed., Il restauro intelligenza e progetto: Dalla ricostruzione ad oggi il decennio 1978–1988, Bologna, 1990.

Staten Island 1958–59
Staten Island Museum, Italian Drawings and Sculpture from the Renaissance to the Present, 1958–59.

Staten Island 1961
Staten Island Museum, Italian Drawings from the Janos Scholz Collection, 1961.

Stechow 1967
Wolfgang Stechow, “On Büsinck, Ligozzi and an Ambiguous Allegory,” in Essays in the History of Art Presented to Rudolf Wittkower, edited by Douglas Fraser, Howard Hibbard, and Milton J. Lewine, London, 1967, 193–96.

Steinitz 1948
Kate Trauman Steinitz, Manuscripts of Leonardo da Vinci: Their History, with a Description of the Manuscript Editions in Facsimile, Los Angeles, 1948.

Stockholm 1970
Nationalmuseum, Stockholm, Pierpont Morgan Library gästar Nationalmuseum, 1970.

Strinati and Walter 1995
Claudio Strinati and Ingeborg Walter, La dignità del casato: Il salotto dipinto di Palazzo Farnese, Rome, 1995.

Strouse 1999
Jean Strouse, Morgan: American Financier, New York, 1999.

Suida Manning and Suida 1958
Bertina Suida Manning and William E. Suida, Luca Cambiaso: La vita e le opere, Milan, 1958.

Sutton 1979
Denys Sutton, “Robert Langton Douglas VI: An Annus Mirabilis,” Apollo 109 (1979): 294–315.

Sutton 1982
Denys Sutton, “Aspects of British Collecting: Part II,” Apollo (1982): 358–420.

Tanzi 1994
Marco Tanzi, “Tre disegni del cinquecento bresciano,” Prospettiva 73–74 (1994): 159–65.

Tanzi 2004
Marco Tanzi, I Campi, Milan, 2004.

Tartuferi 1983
Angelo Tartuferi, “Spinello Aretino in San Michele Visdomini a Firenze (e alcune osservazioni su Lorenzo di Niccolò),” Paragone 395 (1983): 3–18.

Tavenner Rajam 1977
Margaret Tavenner Rajam, “The Fresco Cycle by Spinello Aretino in the Sala di Balia, Siena: Imagery of Pope and Emperor,” PhD diss., University of Michigan, 1977.

Testa 1996
Giusi Testa, La Cappella Nova o di San Brizio nel Duomo di Orvieto, Milan, 1996.

Thiébaut 1991
Dominique Thiébaut, Botticelli, Paris, 1991.

Thiem 1977
Christel Thiem, Italienische Zeichnungen 1500–1800: Bestandskatalog der Graphischen Sammlung der Staatsgalerie Stuttgart, Stuttgart, 1977.

Thiem 2009
Christel Thiem, “Baccio Bandinellis Kompositionsentwürfe für den Chor der Kanoniker im Florentiner Dom 1547/48,” Städel-Jahrbuch 20 (2009): 165–80.

Thode 1902–13
Henry Thode, Michelangelo und das Ende der Renaissance, 6 vols., Berlin, 1902–13.

Thomas 2001
Ben Thomas, “‘The Lantern of Painting’: Michelangelo, Daniele da Volterra and the Paragone,” Apollo 154 (2001): 46–53.

Thompson 2007
Wendy Thompson, “Antonfrancesco Doni’s Medaglie,” Print Quarterly 24 (2007): 223–38.

Tietze 1947
Hans Tietze, European Master Drawings in the U.S., New York, 1947.

Tietze and Tietze-Conrat 1944 Hans Tietze and Erika Tietze-Conrat,
Drawings of the Venetian Painters in the 15th and 16th Centuries, New York, 1944.

Tintori and Meiss 1962
Leonetto Tintori and Millard Meiss, The Painting of “The Life of St. Francis” in Assisi: With Notes on the Arena Chapel, New York, 1962.

Toledo 1940
Toledo Museum of Art, Four Centuries of Venetian Painting, catalogue by Hans Tietze, 1940.

Tolnay 1943
Charles de Tolnay, History and Technique of Old Master Drawings: A Handbook, New York, 1943.

Tolnay 1943–60
Charles de Tolnay, Michelangelo, 5 vols., Princeton, 1943–60.

Tolnay 1975–80
Charles de Tolnay, Corpus dei disegni di Michelangelo, 4 vols., Novara, 1975–80.

Tomei 2001
Alessandro Tomei, ed., La Cattedrale di Cremona: Affreschi e sculture, Milan, 2001.

Tonkovich 2016
Jennifer Tonkovich, Inside the Morgan: Pierpont Morgan’s Study, New York, 2016.

Tordella 1996
Piera Giovanna Tordella, “Il collezionismo dei disegni a Torino e in Piemonte da Emanuele Filiberto all’età napoleonica,” in “. . . Quei leggierissimi tocchi di penna o matita . . . ”: Le collezioni di disegni in Piemonte, edited by Gianni Carlo Sciolla, Milan, 1996, 15–55.

Toronto 1926
Art Gallery of Toronto, Catalogue of the Inaugural Exhibition, 1926.

Toronto 1960
Art Gallery of Toronto, Titian, Tintoretto, Paolo Veronese with a Group of Sixteenth-Century Venetian Drawings, catalogue by Nancy Robertson et al., 1960.

Torriti 1970
Piero Torriti, Tesori di Strada Nuova: La via Aurea dei genovesi, Genoa, 1970.

Torriti 1998
Pietro Torriti, ed., Beccafumi, Milan, 1998.

Tosini 1994
Patrizia Tosini, “Rivedendo Giovanni de’ Vecchi. Nuovi dipinti documenti e precisazioni,” Storia dell’Arte 82 (1994): 303–47.

Tosini 2008
Patrizia Tosini, Girolamo Muziano 1532– 1592: Dalla maniera alla natura, Rome, 2008.

Trent 2006
Castello del Buonconsiglio, Trent, Romanino: Un pittore in rivolta nel Rinascimento italiano, edited by Lia Camerlengo and Ezio Chini, 2006.

Treves 2001
Letizia Treves, “Daniele da Volterra and Michelangelo: A Collaborative Relationship,” Apollo 154 (2001): 36–45.

Turin 1982
Accademia Albertina di Belle Arti, Turin, Gaudenzio Ferrari e la sua scuola: I cartoni cinquecenteschi dell’Accademia Albertina, catalogue by Giovanni Romano, 1982.

Turin 1990
Palazzo Reale, Turin, Da Leonardo a Rembrandt: Disegni della Biblioteca Reale di Torino, catalogue by Gianni Carlo Sciolla,1990.

Turner 1980
Nicholas Turner, with Rhoda Eitel-Porter, Italian Baroque Drawings, 2 vols., London, 1980.

Turner 1984
Nicholas Turner, “Parma: Correggio Drawings,” The Burlington Magazine 126 (1984): 657–58.

Udine 2012
Civici Musei e Gallerie di Storia ed Arte, Udine, I colori della seduzione: Giambattista Tiepolo & Paolo Veronese, edited by Linda Borean and William L. Barcham, 2012.

Ugonio 1588
Pompeo Ugonio, Historia delle stationi di Roma, Rome, 1588.

Ulmann 1893
Hermann Ulmann, Sandro Botticelli, Munich, 1893.

Urbino 1983
Palazzo Ducale and the Chiesa di San Domenico, Urbino, Urbino e le Marche prima e dopo Raffaello, edited by Maria Grazia Ciardi Dupre and Paolo dal Poggetto, 1983.

Vaccaro 2002
Mary Vaccaro, Parmigianino: The Paintings, Turin, 2002.

van Cleave 1995
Claire van Cleave, “Luca Signorelli as a Draughtsman,” PhD diss., University of Oxford, 1995.

van Gelder 1968
J. G. van Gelder, “De ‘Codex Huygens’ in de Confrerie Pictura,” Oud Holland 83 (1968): 140.

van Marle 1923–38
Raimond van Marle, The Development of the Italian Schools of Painting, 19 vols., The Hague, 1923–38.

van Marle 1931
Raimond van Marle, L’iconographie de l’art profane, The Hague, 1931.

van Schendel 1938
Arthur van Schendel, Le dessin en Lombardie, jusqu’à la fin du XVe siècle, Brussels, 1938.

van Tuyll 2000
Carel van Tuyll van Serooskerken, The Italian Drawings of the Fifteenth and Sixteenth Centuries in the Teyler Museum, Ghent and Doornspijk, 2000.

Vasari 1878–85
Giorgio Vasari, Le vite de’ più ecccelenti pittori, scultori, ed architettori, edited by Gaetano Milanesi, 9 vols., Florence, 1878–85.

Vasari 1996
Giorgio Vasari, Lives of the Painters, Sculptors and Architects, translated by Gaston du C. de Vere, 2 vols., London, 1996.

Vasari Society 1922
Vasari Society for the Reproduction of Drawings of the Old Masters, series 2, vol. 3, London, 1922.

Venice 1953
Palazzo Ducale, Venice, Mostra di Lorenzo Lotto, catalogue by Pietro Zampetti, 1953.

Venice 1957
Fondazione Giorgio Cini, Venice, Venetian Drawings from the Collection Janos Scholz, catalogue by Michelangelo Muraro, 1957.

Venice 1963
Palazzo Ducale, Venice, Vittorio Carpaccio, catalogue by Pietro Zampetti, 1963.

Venice 1971
Fondazione Giorgio Cini, Venice, Disegni veronesi del cinquecento, catalogue by Terence Mullaly, 1971.

Venice 1976
Fondazione Giorgio Cini, Venice, Disegni di Tiziano e della sua cerchia, catalogue by Konrad Oberhuber, 1976.

Venice 1988
Fondazione Giorgio Cini, Venice, Paolo Veronese: Disegni e dipinti, catalogue by Alessandro Bettagno, 1988.

Venice 1992
Palazzo Grassi, Venice, Leonardo & Venezia, edited by Giovanna Nepi Scirè and Pietro C. Marani, 1992.

Venice 1999
Palazzo Grassi, Venice, Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer and Titian, edited by Bernard Aikema and Beverly Louise Brown, 1999.

Venice 1999a
Gallerie dell’Accademia, Venice, Da Leonardo a Canaletto: Disegni delle Gallerie dell’Accademia, edited by Giovanna Nepi Scirè and Annalisa Perissa Torrini, 1999.

Venice 2014–15
Museo Correr, Venice, La poesia della luce: Disegni veneziani dalla National Gallery of Art di Washington / The Poetry of Light: Venetian Drawings from the National Gallery of Art, Washington, catalogue by Andrew Robison, 2014–15.

Venice and Rome 1984
Gallerie dell’Accademia, Venice, and Istituto Nazionale per la Grafica, Rome, Disegni umbri, catalogue by Sylvia
Ferino-Pagden, 1984.

Venturi 1901–40
Adolfo Venturi, Storia dell’arte italiana, 11 vols., Milan, 1901–40.

Vercelli 1985
Civico Museo Francesco Borgogna, Vercelli, Bernardino Lanino, edited by Paola Astrua and Giovanni Romano, 1985.

Verona 1974
Palazzo della Gran Guardia, Verona, Cinquant’anni di pittura veronese: 1580– 1630, catalogue by Licisco Magagnato, 1974.

Verona 1996
Museo di Castelvecchio, Verona, Pisanello, catalogue by Paola Marini, 1996.

Verona 2005–6
Museo di Castelvecchio, Verona, Paolo Farinati, 1524–1606: Dipinti, incisioni e disegni per l’architettura, catalogue by Giorgio Marini et al., 2005–6.

Verona 2006
Palazzo della Gran Guardia, Verona, Mantegna e le arti a Verona, 1450–1500, edited by Sergio Marinelli and Paola Marini, 2006.

Verona 2014
Palazzo della Gran Guardia, Verona, Paolo Veronese: L’illusione della realtà, edited by Bernard Aikema and Paola Marini, 2014.

Verstegen 2003
Ian Verstegen, “Three Cartoon Fragments for Barocci’s ‘Madonna di San Simone,’” Master Drawings 41 (2003): 378–83.

Viatte 1988
Françoise Viatte, Dessins toscans XVIe– XVIIIe siècles, Tome 1, 1560–1640, Inventaire général des dessins italiens, vol. 3, Paris, 1988.

Vienna 1989–90
Kunsthistorisches Museum, Vienna, Fürstenhöfe der Renaissance: Giulio Romano und die klassische Tradition, edited by Sylvia Ferino-Pagden and Konrad Oberhuber, 1989–90.

Vienna 1997
Kunsthistorisches Museum, Vienna, Vittoria Colonna: Dichterin und Muse Michelangelos, catalogue by Sylvia Ferino-Padgen, 1997.

Vienna 2017
Albertina, Vienna, Raphael, 1483–1520, catalogue by Achim Gnann, 2017.

Vienna and Budapest 1988–89
Grafische Sammlung Albertina, Vienna, and Szépművészeti Múzeum, Budapest, Meisterzeichnungen aus New York: Vieremigrierte Altösterreicher als Sammler, catalogue by Konrad Oberhuber, 1988–89.

Villata 2016
Edoardo Villata, Minimalismo della “terribilità”: I disegni del Pordenone in Ambrosiana, Milan, 2016.

Vitzthum 1963
Walter Vitzthum, “Drawings from the Scholz Collection in Germany,” Master Drawings 1 (1963): 57–59.

Vitzthum 1966
Walter Vitzthum, review of Drawings from New York Collections, edited by Jacob Bean and Felice Stampfle, The Burlington Magazine 108 (1966): 109–10.

Vitzthum 1970
Walter Vitzthum, I disegni dei maestri: La scuola veneta, Milan, 1970.

Volpi 1996
Caterina Volpi, Pirro Ligorio e i giardini a Roma nella seconda metà del cinquecento, Rome, 1996.

Voltini 1998
Franco Voltini, Le chiese di S. Agata e di S. Margherita in Cremona, second ed., Cremona, 1998.

Voss 1920
Hermann Voss, Die Malerei der Spätrenaissance in Rom und Florenz, 2 vols., Berlin, 1920.

Waagen 1838
Gustav Friedrich Waagen, Works of Art and Artists in England, 3 vols., London, 1838.

Waagen 1854
Gustav Friedrich Waagen, Treasures of Art in Great Britain, 3 vols., London, 1854.

Waldman 2004
Louis Waldman, Baccio Bandinelli and Art at the Medici Court: A Corpus of Early Modern Sources, Philadelphia, 2004.

Walker 1941
Robert Miller Walker, “Domenico Campagnola: Venetian Landscape Draughtsman of the Sixteenth Century,” PhD diss., Harvard University, 1941.

Wallace 2003
William E. Wallace, “Michelangelo and Marcello Venusti: A Case of Multiple Authorship,” in Reactions to the Master: Michelangelo’s Effect on Art and Artists in the Sixteenth Century, edited by Francis Ames-Lewis and Paul Joannides, Aldershot and Burlington, VT, 2003, 137–56.

Ward 1982
Roger B. Ward, “Baccio Bandinelli as a Draughtsman,” PhD diss., University of London, Courtauld Institute of Art, 1982.

Warren 1999
Jeremy Warren, “Francesco Francia and the Art of Sculpture in Renaissance Bologna,” The Burlington Magazine 141 (1999):
216–25.

Warren 2014
Jeremy Warren, Medieval and Renaissance Sculpture in the Ashmolean Museum, 3 vols., Oxford, 2014.

Washington 1983
National Gallery of Art, Washington, Raphael and America, catalogue by David Alan Brown, 1983.

Washington 1988
National Gallery of Art, Washington, Michelangelo Draftsman, catalogue by Michael Hirst, 1988.

Washington 1988a
National Gallery of Art, Washington, The Art of Paolo Veronese, 1528–1588, catalogue by William R. Rearick, 1988.

Washington 1995–96
National Gallery of Art, Washington, The Touch of the Artist: Master Drawings from the Woodner Collections, catalogue by Margaret Morgan Grasselli, 1995–96.

Washington 2015
National Gallery of Art, Washington, Piero di Cosimo: The Poetry of Painting in Renaissance Florence, catalogue by Dennis Geronimus et al., 2015.

Washington and elsewhere 1972–73
National Gallery of Art, Washington, Philadelphia Museum of Art, and Pierpont Morgan Library, New York, Old Master Drawings from Christ Church, Oxford, catalogue by James Byam Shaw, 1972–73.

Washington and elsewhere 1974–75
National Gallery of Art, Washington, Kimbell Art Museum, Fort Worth, and St.Louis Art Museum, Venetian Drawings from American Collections, catalogue by Terisio Pignatti, 1974–75.

Washington and elsewhere 1984–85
National Gallery of Art, Washington; Snite Museum of Art, University of Notre Dame; Los Angeles County Museum of Art; Cleveland Museum of Art; and Kimbell Art Museum, Fort Worth, Renaissance Drawings from the Ambrosiana, catalogue by Robert Randolf Coleman, 1984–85.

Washington and London 2015
National Gallery of Art, Washington, and British Museum, London, Drawing in Silver and Gold: Leonardo to Jasper Johns, catalogue by Stacey Sell et al., 2015.

Washington and New York 1973–74
National Gallery of Art, Washington, and Pierpont Morgan Library, New York, Sixteenth Century Italian Drawings from the Collection of Janos Scholz, edited by Konrad Oberhuber and Dean Walker, 1973–74.

Washington and Parma 1984
National Gallery of Art, Washington, and Galleria Nazionale, Parma, Correggio and His Legacy: Sixteenth-Century Emilian Drawings, catalogue by Diane DeGrazia, 1984.

Watson 1979
Paul F. Watson, The Garden of Love in Tuscan Art of the Early Renaissance, London, 1979.

Watson and Kirkham 1975
Paul F. Watson and Victoria Kirkham, “Amore e Virtù: Two Salvers Depicting Boccaccio’s ‘Comedia delle Ninfe Fiorentine’ in the Metropolitan Museum,” Metropolitan Museum Journal 10 (1975): 35–50.

Wazbinski 1963
Zygmunt Wazbinski, “À propos de quelques dessins de Parentino pour le couvent de Santa Giustina,” Arte Veneta 17 (1963): 21–26.

Wazbinski 1966
Zygmunt Wazbinski, “Pour le premier portrait de Bernardo Parentino,” Saggi e memorie di storia dell’arte 5 (1966): 7,
9–21, 157–73.

Weimar 1999
Goethe-Nationalmuseum, Weimar, Der Sammler und die Seinigen: Handzeichnungen aus Goethes Besitz, edited by Gerhard Schuster, 1999.

Weimar and elsewhere 1999–2000
Kunstsammlungen zu Weimar, Liechtensteinische Staatliche Kunstsammlung, Vaduz, and Haus der Kunst, Munich, Geheimster Wohnsitz: Goethes italienisches Museum: Zeichnungen aus dem Bestand der Graphischen Sammlung der Kunstsammlungen zu Weimar ergänzt durch seltene Antikenwerke der Herzogin Anna Amalia Bibliothek Weimar, catalogue by Hermann Mildenberger et al., 1999–2000.

Weitenkampf 1917
Frank Weitenkampf, “Drawings and Prints: Their Mutual Relations,”Art in America 5 (1917): 78–88.

Weitenkampf 1919
Frank Weitenkampf, “Drawings from the J. Pierpont Morgan Collection: Lent for Exhibition by Mr. John Pierpont Morgan,” Bulletin of the New York Public Library 23 (1919): 3–5.

Wenley 1991
Robert Wenley, “Robert Paston and ‘The Yarmouth Collection,’” Norfolk Archaeology 41 (1991): 113–44.

Weppelmann 2003
Stefan Weppelmann, “Spinello Aretino’s Canonization of Thomas Becket and Trecento Drawing Practice,” Master Drawings 41 (2003): 3–13.

Weppelmann 2003a
Stefan Weppelmann, Spinello Aretino und die toskanische Malerei des 14. Jahrhunderts, Florence, 2003.

Weppelmann 2004
Stefan Weppelmann, “Giorgio Vasari, ‘Pittore Aretino’ e la tradizione della pittura aretina,” in Percorsi Vasariani: Tra le arti e le lettere: La provincia di Arezzo, edited by Maddalena Spagnolo and Paolo Torriti, Montepulciano, 2004, 131–52.

Weppelmann 2011
Stefan Weppelmann, Spinello Aretino e la pittura del trecento in Toscana, Florence, 2011.

Wethey 1969–75
Harold E. Wethey, The Paintings of Titian, 3 vols., London, 1969–75.

Wethey 1987
Harold E. Wethey, Titian and His Drawings: With Reference to Giorgione and Some Close Contemporaries, Princeton, 1987.

Whistler 2016
Catherine Whistler, Venice & Drawing, 1500–1800: Theory, Practice and Collecting, New Haven and London, 2016.

Whitaker 1997
Lucy Whitaker, “Tintoretto’s Drawings After Sculpture and His Workshop Practice,” in The Sculpted Object, 1400–1700, edited
by Stuart Currie and Peta Motture, Aldershot and Brookfield, 1997, 177–200.

Whitaker 2012
Lucy Whitaker, “The Repetition of Motifs in the Work of Maso Finiguerra, Antonio Pollaiuolo, and Their Collaborators,” in From Pattern to Nature in Italian Renaissance Drawing: Pisanello to Leonardo, edited by Michael W. Kwakkelstein and Lorenza Melli, Florence, 2012, 152–73.

White 1994
Maria-Cristina White, “The Drawings of Vittore Carpaccio,” 2 vols., MLitt thesis, University of Oxford, 1994.

Wilde 1959
Johannes Wilde, “Cartonetti by Michelangelo,” The Burlington Magazine 101 (1959): 370–79.

Wind 2002
Geraldine Dunphy Wind, Correggio: Hero of the Dome, Milan, 2002.

Windows 2017
Peter Windows, “An Important, Unpublished Drawing by Bernardo Parentino,” Master Drawings 55 (2017): 291–310.

Winner 1968
Matthias Winner, “Zum Apoll von Belvedere,” Jahrbuch der Berliner Museen 10 (1968): 181–99.

Winner 1992
Matthias Winner, “Michelangelo’s ‘Il Sogno’ as an Example of an Artist’s Visual Reflection in His Drawings,” in Studies in the History of Art, Vol. 33: Michelangelo Drawings, edited by Craig Hugh Smyth, Washington, 1992, 227–42.

Wolk-Simon 1992
Linda Wolk-Simon, “The ‘Pala Doria’ and Andrea Doria’s Mortuary Chapel: A Newly Discovered Project by Perino del Vaga,” Artibus et Historiae 13 (1992): 163–75.

Wolk-Simon 2006
Linda Wolk-Simon, “Raphael at the Metropolitan: The Colonna Altarpiece,” The Metropolitan Museum of Art Bulletin 63 (2006): 4–75.

Wolk-Simon 2011
Linda Wolk-Simon, “The Lost Decoration of the Chapel of the Magdalene by Giulio Romano and Giovanni Francesco Penni in SS. Trinità dei Monti in Rome: Some New Drawings,” Master Drawings 49 (2011): 147–58.

Wolk-Simon and Bambach 1999
Linda Wolk-Simon and Carmen Bambach, “Toward a Framework and Chronology for Giulio Romano’s Early Pen Drawings,” Master Drawings 37 (1999): 165–80.

Wood 2005
Christopher S. Wood, “Indoor-Outdoor: The Studio Around 1500,” in Inventions of the Studio: Renaissance to Romanticism, edited by Michael Cole and Mary Pardo, Chapel Hill, 2005, 36–72.

Worcester 1948
Worcester Art Museum, Fiftieth Anniversary Exhibition of the Art of Europe During the 16th–17th Centuries, 1948.

Yashiro 1925
Yukio Yashiro, Sandro Botticelli, 3 vols., London and Boston, 1925.

Yashiro 1977
Yukio Yashiro, Sandro Botticelli and the Florentine Renaissance, Tokyo, 1977.

Young 1988
Mahonri Sharp Young, “Raphael at the Morgan,” Apollo 127 (1988): 58–61.

Zamboni 1958
Silla Zamboni, review of Correggio’s Drawings, by A. E. Popham, Arte antica e moderna 2 (1958): 191–96.

Zamboni 1968
Silla Zamboni, Ludovico Mazzolino, Milan, 1968.

Zambrano and Nelson 2004
Patrizia Zambrano and Jonathan Katz Nelson, Filippino Lippi, Milan, 2004.

Zampetti 1966
Pietro Zampetti, Vittorio Carpaccio, Venice, 1966.

Zanardi 2008
Bruno Zanardi, “Tecniche e modi di esecuzione degli affreschi di Correggio nella cupola di San Giovanni Evangelista a Parma,” in Correggio, Parmigianino, Anselmi nella chiesa di San Giovanni Evangelista a Parma, edited by Vittorio Sgarbi and Marcello Castrichini, Milan, 2008, 59–79.

Zanotti 1756
Giampietro Zanotti, Le pitture di Pellegrino Tibaldi e di Niccolò Abbati esistenti nell’Istituto di Bologna, Venice, 1756.

Zdanski 1992
Clarice M. Zdanski, “The Art and Humanistic Background of Giulio Campagnola (1482?–1515?),” 2 vols., PhD diss., University of Chicago, 1992.

Zezza 2003
Andrea Zezza, Marco Pino: L’opera completa, Naples, 2003.

Zöllner 1985
Frank Zöllner, “Agrippa, Leonardo and the Codex Huygens,” Journal of the Warburg and Courtauld Institutes 48 (1985):
229–34.

Zöllner 1989
Frank Zöllner, “Die Bedeutung von Codex Huygens and Codex Urbinas für die Proportionsund Bewegungsstudien Leonardos da Vinci,” Zeitschrift für Kunstgeschichte 52 (1989) 334–52.

Zöllner, Thoenes, and Pöpper 2007 Frank Zöllner, Christof Thoenes, and Thomas Pöpper, Michelangelo, 1475– 1564: Complete Works, Cologne, 2007.

Zuccari 2004
Alessandro Zuccari, “‘Rhetorica christiana’ e pittura: Il cardinal Rusticucci e gli interventi di Cesare Nebbia, Tommaso Laureti e Baldassarre Croce nel presbiterio di S. Susanna,” Storia dell’arte 7 (2004): 37–80.

Zucker 1969
Mark J. Zucker, “A New Drawing by Parri Spinelli and an Old One by Spinello,” Master Drawings 7 (1969): 400–404.

Zucker 1973
Mark J. Zucker, “Parri Spinelli: Aretine Painter of the Fifteenth Century,” PhD diss., Columbia University, 1973.

Zucker 1981
Mark J. Zucker, “Parri Spinelli Drawings Reconsidered,” Master Drawings 19 (1981): 426–41, 471–84.

Zucker 1995
Mark J. Zucker, “Drawings by Parri Spinelli, the Gothic El Greco,” Drawing 17 (1995): 7–12.

Zurich 1967
Kunsthaus Zürich, Handzeichnungen alter Meister aus Schweizer Privatbesitz, catalogue by Günter Busch et al., 1967.