Returning to a technique she first developed at RISD, Sikander created many multipart works, such as this one, on paper coated with a combination of clay, gesso, acrylic, and patching compound. More stable than tracing paper, this surface allowed her to precisely delineate the forms. Varying the amount of red clay provided a color range that Sikander likened to flesh tones. This textured, absorbent surface coaxed new characters and narratives from Sikander’s imagination. Tumbling, floating, and flying, the interacting figures are engaged in exuberant movement.