Eustache Le Sueur
      
            1616-1655
      
            Lucius Albinius giving his cart to the Vestals
1647
      
            10 1/2 x 7 7/16 inches (266 x 189 mm)
      
            Pen and brown ink and wash, over black chalk, on laid paper; squared in graphite.
      
            III, 85a 
      
            Purchased by Pierpont Morgan (1837-1913) in 1909.
Notes
              Watermark: mounted down.
In 1647, Claude de Guénégaud, advisor and Treasurer to the young Louis XIV, commissioned the 31 year-old Le Sueur, known as the French Raphael, to create two paintings for his Parisian hôtel particulier, choosing rare but edifying episodes of Roman history narrated by Livy.
This preparatory study depicts Lucius Albinius, a Roman plebeian who, while Rome was besieged by the Gauls in 390 BC, encountered the Vestal Virgins trying to save the Sacred fire from the Barbarians. Taking his children and his tearful wife off his cart and ceding it to the Vestals, he virtuously sacrificed his family for the good of the State. The political message, in Louis XIV's Treasurer's house, was obvious.
Although the painting has been lost, the clear and structured composition and the vocabulary of Greco-Roman antiquity demonstrate the profound influence of Poussin, whose Seven Sacraments were in Paris at that time. Le Sueur, as a leading member of the Parisian artistic elite, became one of the twelve Ancients who founded the Royal Academy of Painting and Sculpture in 1648, a year after completing this drawing.
          In 1647, Claude de Guénégaud, advisor and Treasurer to the young Louis XIV, commissioned the 31 year-old Le Sueur, known as the French Raphael, to create two paintings for his Parisian hôtel particulier, choosing rare but edifying episodes of Roman history narrated by Livy.
This preparatory study depicts Lucius Albinius, a Roman plebeian who, while Rome was besieged by the Gauls in 390 BC, encountered the Vestal Virgins trying to save the Sacred fire from the Barbarians. Taking his children and his tearful wife off his cart and ceding it to the Vestals, he virtuously sacrificed his family for the good of the State. The political message, in Louis XIV's Treasurer's house, was obvious.
Although the painting has been lost, the clear and structured composition and the vocabulary of Greco-Roman antiquity demonstrate the profound influence of Poussin, whose Seven Sacraments were in Paris at that time. Le Sueur, as a leading member of the Parisian artistic elite, became one of the twelve Ancients who founded the Royal Academy of Painting and Sculpture in 1648, a year after completing this drawing.
Associated names
              Lempereur, Jean-Denis, 1701-1779, former owner.
Lagoy, Jean-Baptiste de Meryan, marquis de, 1764-1829, former owner.
Badouin, former owner.
Bourduge, A., former owner.
Dimsdale, Thomas, 1758-1823, former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
          Lagoy, Jean-Baptiste de Meryan, marquis de, 1764-1829, former owner.
Badouin, former owner.
Bourduge, A., former owner.
Dimsdale, Thomas, 1758-1823, former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Bibliography
              Denison, Cara D. French Drawings, 1550-1825. New York : Pierpont Morgan Library, 1984, no. 27.
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