Exhibitions

Van Eyck to Mondrian: 300 Years of Collecting in Dresden

Building on the Morgan’s tradition of presenting to the American public distinguished works from outstanding institutions abroad, Van Eyck to Mondrian: 300 Years of Collecting in Dresden focuses on the exceptional drawing collection of the Kupferstich-Kabinett, Dresden.

Walt Whitman: Bard of Democracy

The exhibition explores Whitman’s process of self-invention, from his early years as a journalist, through the early 1850s when Whitman began to write more privately and poetically, to his final years.

Walton Ford: Birds and Beasts of the Studio

American artist Walton Ford and Jennifer Tonkovich, our Eugene and Clare Thaw Curator of Drawings and Prints, discuss the artist’s current exhibition Walton Ford: Birds and Beasts of the Studio. Ford established his reputation in the 1990s with his monumental watercolor paintings of wild animals inspired by true or legendary stories of dramatic encounters between humankind and nature.

Wayne Thiebaud: Draftsman

Best known for his luscious paintings of pies and ice-cream cones, California artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career as an illustrator and cartoonist.

Woody Guthrie: People Are the Song

The author of more than three thousand folk songs, Woody Guthrie (1912–1967) is one of the most influential songwriters and recording artists in American history.

Writing a Chrysanthemum: The Drawings of Rick Barton

Very little is known about Rick Barton (1928–1992), who, between 1958 and 1962, created hundreds of drawings of striking originality. His subjects range from the intimacy of his room to the architecture of Mexican cathedrals, and from the gathering places of Beat-era San Francisco to the sinuous contours of plants.

Video: Pierre-Jean Mariette and Splitting Drawings

To gain a better understanding of how Mariette split his drawings, the Morgan’s Thaw Conservation Center attempted to separate a replica of an old master drawing with studies on both sides.