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The Morgan Library & Museum presents the first retrospective of drawings by Philip Guston (1913–1980) in twenty years.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments.

The Metropolitan Museum of Art had on display seven superb examples of medieval art from the Morgan Library. These objects were on view in the Tapestry Hall while the Morgan proceeded with its expansion project. The long-term loans include some of the favorite works of the noted financier and collector Pierpont Morgan (1837–1913), a past president of The Metropolitan Museum of Art.

This exhibition presents Mesopotamian sculptural works from ca. 3300-2250 B.C., bringing together for the first time pieces from the Metropolitan Museum of Art, the Yale University Babylonian Collection, the Kimbell Art Museum, and the University of Pennsylvania Museum of Archaeology and Anthropology.

This exhibition presents some of the Morgan’s greatest portrait drawings from a collection of works on paper that is internationally recognized for its depth and quality.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

Celebrating the art of the cartoonist, On the Money: Cartoons for The New Yorker features approximately eighty original drawings by some of The New Yorker's most talented and beloved artists who have tackled the theme of money and the many ways in which it defines us.

Treasures from the Vault, an ongoing exhibition series, features works drawn from these diverse collections in the sumptuous setting of J. Pierpont Morgan’s Library.

The show focuses on artists who worked on the frescoes, paintings, tapestries, and other decorative work that embellished the magnificent Palazzo Vecchio in Florence, best known as the home of the Medici dukes.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.