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The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.

The exhibition Far and Away: Drawings from the Clement C. Moore Collection, on view upstairs, celebrates the promised gift of works to the Morgan from one of the preeminent private collections of Dutch drawings in America.

One camera, one viewfinder: photography is often understood as a solitary practice. Throughout the medium’s history, however, artists have challenged the notion of one-person authorship.

At the end of the 1520s, at the time of the siege that brought to an end the last Florentine Republic (1529–1530), the painter Jacopo da Pontormo, (1494–1557) created one of his most moving and groundbreaking paintings, the altarpiece of the Visitation.

The exhibition explores Lincoln as a writer and public speaker whose eloquence shaped the nation and the world, in his time and in ours.

This exhibition brings to life the extraordinary work undertaken by a small team of American women volunteers who left comfortable lives in the United States to devote themselves to relief work in France during and after World War I.

Imperial Splendor offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.

The nineteenth century in Europe saw the rise of plein air painting, in which artists used oil paint while working outdoors.

The satirical scenes of the celebrated English artist William Hogarth (1697–1764) are iconic representations of eighteenth-century urban life at a time of great socio-economic disparity.

Warhol by the Book is the first exhibition in New York devoted solely to Warhol’s career as a book artist.