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Treasures from the Vault offers a changing selection of works drawn from the Morgan's celebrated collections of medieval manuscripts, printed books and bindings, literary manuscripts, private letters and correspondence, and original music.

The leaves of a magnificent album compiled for Husain Khan Shamlu, governor of Herat (r. 1598–1618) and one of the most powerful rulers in Persia in the early seventeenth century, are now on view on the Lower Level.

Drawn from the Morgan's Ruskin collections, among the world's most comprehensive, the exhibition explored his sweeping impact through drawings, sketchbooks, manuscripts, books, pamphlets, and other objects.

Surveying the finest Northern European drawings in the Morgan's collections, this exhibition featured over one hundred works spanning the Gothic through the Flemish Baroque periods.

John Milton's Paradise Lost celebrates the 400th anniversary of the birth of John Milton (1608–1674) with an exhibition drawn from the Morgan's collection of the English poet's work, which includes the only surviving manuscript of Paradise Lost.

Illusions of the Photographer combines a full career retrospective—the first on Michals to be organized by a New York City museum—with an artist’s-choice show, as Michals plumbs the Morgan’s vaults for treasures both revered and long-forgotten.

Young, handsome, and highborn, Claude III de Laubespine lived in luxury after marrying an heiress and obtaining the favor of King Charles IX.

David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings.

The plays of Tennessee Williams (1911–1983) are intimate, confessional, and autobiographical. They are touchstones not only of American theatrical history but American literary history as well.

Rococo and Revolution: Eighteenth-Century French Drawings features more than eighty exceptional drawings almost exclusively from the Morgan's renowned holdings.