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This exhibition explores the recent growth of the Morgan's collection of drawings made before 1900.

The exhibition will include thirty-seven works that represent the two central elements of the Romantic conception of landscape: close observation of the natural world and the importance of the imagination.

This fall, the Morgan will devote two galleries to an extraordinary exhibition of rarely-seen master drawings from the Staatliche Graphische Sammlung, Munich, one of the foremost collections in Europe.

Drawing on the Morgan's superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages.

This Ever New Self: Thoreau and His Journal is the most comprehensive exhibition ever devoted to the life of one of America’s most influential authors and thinkers.

Examining the role of Pierre Matisse in promoting the work of twentieth-century artists in North America, The Morgan Library & Museum presented Pierre Matisse and His Artists. Pierre Matisse, the younger son of the French artist Henri Matisse and his wife Amélie, earned his own place in the art world as one of the most important dealers of modern and contemporary art.

Édouard Vuillard: Sketches and Studies

Conceived in two parts, this double-gallery exhibition explores the origins of Tarot in Renaissance Italy and its ongoing relevance as a source of inspiration for artists in the twentieth and twenty-first centuries.

Reuniting the score and designs from Philip Glass and Robert Wilson's Einstein on the Beach, this exhibition focuses on the opera's premiere performances in 1976.

To Observe and Imagine: British Drawings and Watercolors from the Morgan Library, 1600–1900, was a major survey of the Morgan's important collection of British drawings. The basis of this group dates to Pierpont Morgan's well-known 1909 purchase of virtually all the holdings of Charles Fairfax Murray, the English Pre-Raphaelite artist and collector.