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This exhibition will recognize the sheer scale of Sargent’s achievement as a portrait draftsman.

With rarely seen architectural drawings, period photographs, and significant rare books and manuscripts from Morgan’s collection, this exhibition traces the design, construction, and early life of J. Pierpont Morgan’s Library.

With over seventy drawings, prints, and paintings, including an exceptional contingent from the Louvre, Claude Gillot: Satire in the Age of Reason explores the artist’s inventive and highly original draftsmanship and places his work in the context of the artistic and intellectual activity in Paris at the dawn of a new century.

By the mid-eighteenth century, the Grand Tour, a study trip through Europe with a period of residence in Italy, had become a fixture in the education of European aristocrats and the training of artists.

In a letter written near the end of his life, Giovanni Battista Piranesi (1720–1778) explained to his sister that he had lived away from his native Venice because he could find no patrons there willing to support “the sublimity of my ideas.”

American artist Spencer Finch (b. 1962) will unveil a new, site-specific, large-scale installation at the Morgan inspired by its great collection of medieval Books of Hours.

William Caxton and the Birth of English Printing celebrates this foundational moment in the history of English literature and language.

Explore the highlights of the Morgan’s campus and collection. Discover stories about secret stairways and hidden bookshelves. The tour is approximately 40 minutes long and takes you through the entire campus, including a visit to the exterior of the 1906 library building, visible from 36th Street. Listen

Active in New York in the 1980s and 1990s as a sculptor and draftsman, Al Taylor (1948–1999) found inspiration for his lyrical and witty compositions in banal objects and everyday situations.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.