Virgin and Saints Adoring the Christ Child

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Perugino
approximately 1450-1523
Umbria (Italy), ca. 1500.
Tempera on panel.
34 1/2 x 28 3/8 inches (876 x 721 mm)
Purchased by Pierpont Morgan, 1911.
AZ066
Inscription: 
Inscribed on frame, "Specious forma prae filiis hominum; diffusa est gratia in labiis tuis; proptera benedixit te Deus in aeternum" (Psalm 44, 45: 3) [translation: "Thou are fairer than the Children of men; grace is poured into thy lips; therefore God hath blessed thee forever".] The frame is later but it evokes the sentiments intended by the painting. Inscribed in halo of saint at left, "SA[NCTUS]"; on halo of saint at right, "SA[NCTA]...A (?) PRO N"; inscribed in halo of saint at left, "SA[NCTUS]"; on halo of saint at right, "SA[NCTA]...A (?) PRO N".
Provenance: 
Said to have been the property of a nun in Perugia, who sold it to a foreigner; Duke of Orleans, Paris; bought in Paris ca. 1830 by a member of the Sitwell family; by descent to Sir George R. Sitwell, Renishaw Hall, Chesterfield, Yorkshire, England; purchased by R. Langton Douglas, London, on behalf of J. Pierpont Morgan, 1911; by descent to J.P. Morgan, Jr.
Notes: 

Known for his graceful figures, Perugino, the leading Umbrian painter of his day, was Raphael's principal master. Using harmonious jewel-like tones, the artist depicted the Virgin flanked by St. John the Evangelist and an unidentified female saint, likely Mary Magdalene. The inscription on the frame, referring to the Christ child, is from Psalm 45: Fairer in beauty are you than the sons of men; grace is poured out upon they lips; thus God has blessed you forever.

Summary: 

The painting depicts the Virgin adoring the Christ child flanked by two saints. The male saint to the left is probably St. John the Evangelist. The female saint to the right has not been convincingly identified. She is generally thought to be the Magdalene, but also has been identified as St. Sophronia based on a reading of the partial inscription on her halo. It has recently been suggested by William Voelkle that this inscription is not a name, but the phrase "Ora pro nobis".

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