A FLAGELLANT'S VISION
In contrast to Cano's monumental altarpiece design, exhibited nearby, this minute drawing with an arched top depicts the Lactating Virgin appearing to a flagellant who may personify the Christian soul. Before executing the figures, Cano meticulously planned the composition by including scale markings with 7-millimeter intervals at the bottom of the page. Although the iconography is difficult to interpret, the flagellant, lying before an altar, is startled by the vision engendered by his prayer and physical punishment. The viewer can contemplate two images: the flagellant who is experiencing the vision and the vision itself.
Alonso Cano (1601-1667), Virgin Appearing to a Man, 1653-57