Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Letter from T. G. Hake, Heston, to W. E. Henley, 1887 June 24 : autograph manuscript signed.

BIB_ID
431020
Accession number
MA 1617.178
Creator
Hake, Thomas Gordon, 1809-1895.
Display Date
London, England, 1887 June 24.
Credit line
Purchased as the gift of Edwin J. Beinecke, 1955.
Description
1 item (7 pages) ; 18.2 x 11.4 cm
Notes
This letter is one of six letters from T.G. Hake to W.E. Henley written from June 20, 1887 to March 21, 1888 (MA 1617.177-183).
The lines quoted at the end of the letter are from Henley's poem "Discharged."
Provenance
Purchased as the gift of Edwin J. Beinecke, 1955.
Summary
Concerning Henley's "Hospital Sketches;" saying "I must say a few words more - just as I should have done if you had spoken to me what you wrote. The circumstances are that I have been talking a review of your 'alto relievo' 'Sketches' to everyone. I saw when to my surprise Alfred said it would please you if I wrote you my opinion. Fancy my being able to give you a streak of water-colour joy! I always say that the reader should contribute half towards the writers endeavour, by meeting it half way. I did more than that, you found me on the spot. The scenes you describe are familiar to me from my eighteenth year when I followed the Professor round the wards uniting two of the characters in my person. The lout and of course the exquisite. But you give features to masses, souls to breast-pins and shoulders, make foreheads and whiskers of one brotherhood. However, I need not further enlighten you on your own ideas - other than to assure you that the picture ending 'in wet-white lint brilliantly hideous with red.' sets up a dangerous rivalry with nature who has her jealous fits. She could not have made a blush nose more accurately...I am often surprised at not feeling the want of rhyme; in very many of the stanzas there is a swing that blows rhyme to the winds, but not in all, though I see how it could be done by imitating the rhythm of the most successful passages : notably, by my private ear, 'Etching' and 'Discharged." This is remarkable to me, because except in heroic blank verse I am obstinately sympathetic with rhyme...I hope you will not think I am taking the 'liberty and equality' : my remarks only aspire to the 'fraternity', hoping the missing link is not without its uses. Molière's best critic was his cook, or I should not presume - as the old woman said when asked if she liked the bishops sermon / I should like very much to read the work over with you. / It is quite a lift to me to think you cared for my opinion : I seemed to reach the fifth story and to go out on the roof! Wonderful to relate, I still feel all my old interest in 'the pomp and circumstance' of glorious thoughts - and when I ask myself whom I wish to see crowned with all the success his heart can desire, it is always you, and one or two others, Stevenson at your side;" adding, in a postscript, "I am sure you will achieve a great Death-Song, and I look forward to it. It is a grand subject but not many are 'en rapport' with its poetic aspects. I can't say all I could! - There are so many things, and I have taken them all in. It would need all of you, and me as a pick of the 'sparse' mob, to pause in utter sadness at the words, 'The smell of the mud in my nostrils / Is brave - like the breath of / the sea.' There is a pathos in it which is agonizing - when one thinks of it. Alas! for God's image.