BIB_ID
414465
Accession number
MA 1581.147
Creator
Price, Uvedale, Sir, 1747-1829, sender.
Display Date
Foxley, England, 1817 August 22.
Credit line
Purchased from Benjamin Ifor Evans, 1954.
Description
1 item (7 pages, with address) ; 22.8 x 18.8 cm
Notes
Written from Foxley, Price's estate near Yazor, Herefordshire.
Address panel with postmarks: "Hereford Augst twenty three / 1817 / Sir George Beaumont Bart / Coleorton / Ashby de la Zouch."
This item was formerly identified as MA 1581 (Price) 81.
This letter is from a large collection of letters written to Sir George Howland Beaumont (1753-1827) and Lady Margaret Willes Beaumont (1758-1829) of Coleorton Hall, and to other members of the Beaumont family.
Address panel with postmarks: "Hereford Augst twenty three / 1817 / Sir George Beaumont Bart / Coleorton / Ashby de la Zouch."
This item was formerly identified as MA 1581 (Price) 81.
This letter is from a large collection of letters written to Sir George Howland Beaumont (1753-1827) and Lady Margaret Willes Beaumont (1758-1829) of Coleorton Hall, and to other members of the Beaumont family.
Provenance
Purchased as a gift of the Fellows from Benjamin Ifor Evans, 1954.
Summary
Discussing his illness, mentioning that he had a serious relapse a few days after he last wrote them and saying "I hope the worst is over; & that by degrees I shall be restored to my usual state of bad health, of which I have now learnt the comparative value"; recalling a gentleman known to them both carrying "a huge portfolio of huge drawings, every one of which I knew must be slowly examined"; mentioning that, in a recent letter, Lord Aberdeen had spoken of "the exhibition in the British Gallery not more favorably than you have done"; commenting at length on the paintings of Wright (probably Joseph Wright) and Philippe-Jacques de Loutherbourg ("the one has too much of niggle niggle, the other of dash splash"); mentioning the fact that Loutherbourg painted transparencies for the stage early in his career; adding "I have said common transparencies; for among those we saw at Dr. Monro's, some were already gold, & bore the stamp of Gainsborough's genius"; saying that Benjamin West's powers seem to increase with age; discussing his sketch of Death on the Pale Horse; saying that he thinks West's sketches are often better than the paintings he then makes from them; critiquing a painting of West's that he calls Christ before Pilate (this may be Christ Rejected); saying that he has been interested in Benjamin Haydon since he read Haydon's letter on the death of his mother; commenting on a painting that Haydon is currently working on; saying that he thinks Christ is always the most difficult figure to "conceive & express" and that perhaps Haydon should paint Christ first; apologizing for writing such a long letter, but saying that he has been "led on by your interesting remarks on pictures & painters, to say all that came into my head on the same subjects"; asking to be remembered to Lady Beaumont and saying that his son has just returned from a short excursion to Ireland.
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