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Letter from Uvedale Price, Foxley, to Sir George Beaumont, 1803 April 23 : autograph manuscript signed.

BIB_ID
414134
Accession number
MA 1581.104
Creator
Price, Uvedale, Sir, 1747-1829, sender.
Display Date
Foxley, England, 1803 April 23.
Credit line
Purchased from Benjamin Ifor Evans, 1954.
Description
1 item (7 pages, with address) ; 23.1 x 18.6 cm
Notes
Written from Foxley, Price's estate near Yazor, Herefordshire.
Address panel with postmarks: "Hereford April twenty third / 1803 / Sr. G. Beaumont Bt. / Grosvenor Square / London / R. FitzPatrick."
This item was formerly identified as MA 1581 (Price) 38.
This letter is from a large collection of letters written to Sir George Howland Beaumont (1753-1827) and Lady Margaret Willes Beaumont (1758-1829) of Coleorton Hall, and to other members of the Beaumont family.
Provenance
Purchased as a gift of the Fellows from Benjamin Ifor Evans, 1954.
Summary
Saying that Lady Margaret will have told her husband how he too has reason to "confound the Influenza"; describing the illness as a "Female Divinity" and mentioning that "she laid hold of a parson at Hereford of the name of Morgan, who might well be called Morgante Maggiore, for he is full six feet six, & strong in proportion"; quoting lines from Milton's Samson Agonistes; adding that he is glad that the "Abbe de Lille" (probably the poet Jacques Delille) was not stricken with influenza and thanking Lady Beaumont for sending a copy of his verses; saying that he thinks Delille has been influenced by Cowper and referring to Cowper's poem The Task; discussing Delille's work Les Jardins; reading his poetry as expressing French national character; stopping midway through the letter and writing that his comments on Delille are really addressed to Lady Margaret, and that therefore the letter itself should be formally addressed to her; writing "Nothing will ever correct me of my rage for getting franks for you & Sir George" and discussing franks and postage generally; commenting on the change in Lady Margaret's handwriting and the way it reflects her drawing practice: "you are afraid of writing like a writing master instead of a painter, & of making thin meagre strokes; & you write now, as if Rembrandt had left you a legacy of all his old pens"; discussing two Claude landscapes and commenting on Claude's work generally; returning to addressing Sir George, and asking for more information about the Claude paintings; referring to another Claude in the Beaumonts' possession; asking about "the preservation of these pictures"; saying that he is very busy at Foxley and may not come to London, though it will mean he misses an Academy dinner; referring to an occasion on which the president of the Academy (Benjamin West) tried to "pass off an old picture for a new one" and speculating about why he did this; requesting that, if West explains the incident, Sir George will "put down every slip-slop in the tablets of your memory that I may have it all from you when we meet next"; adding in a postscript that he has received the invitation from the Royal Academy and asking the Beaumonts to "make my excuses, but not a word of my conjecture."