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Letter from T. Anstey Guthrie, London, to George Du Maurier, 1884 June 29 : autograph manuscript signed.

BIB_ID
105308
Accession number
MA 23200
Creator
Guthrie, Thomas Anstey, 1856-1934.
Display Date
London, England, 1884 June 29.
Credit line
Purchased on the Acquisitions Fund, 1970.
Description
1 item (4 pages) ; 15.3 x 10.2 cm
Notes
Previously accessioned as MA 2943 and acquired with a small collection of letters to George Du Maurier.
Written from "6 Phillimore Gardens / Kensington."
The Black Poodle was published by Longman in 1884 under Guthrie's pseudonym of F. Anstey.
Provenance
Purchased on the Acquisitions Fund, 1970.
Summary
Concerning Guthrie's designs for the woodcuts to be used as the initials in his collection of short stories titled "The Black Poodle"; asking for his advice saying "I shall be very grateful indeed to you if you will give me your advice as to the following. As I daresay you know I proposed in a rash moment to design the initials for the 'Black Poodle' & have drawn about half-a-dozen upon the wood - The engraver is Pearson of Bolt Court & I told him that I could not expect him to follow every stroke so long as the general effect was preserved, because I knew that I indicated shade in a rather complicated manner. Yesterday I went up to see the proofs & brought away the two that are cut at present - which I enclose. The designs as drawn were as I need not say not remarkable for any artistic merit but it seems to me that - as was inevitable - any individuality there was about them has been lost in the process of translation & that, as they are now, they will not be any addition to the book - if they do not damage it seriously - I confess I feel alarmed at thinking of them between the same covers as your frontispiece - The only hope I have is that with good ink & thick paper there might be an improvement - What I want you to tell me - & I am sure you will understand that I should not ask you if I did not want your opinion given without any reason whatever - is this - Would you advise me to let them appear at all & do you consider that the best paper & ink would make the general effect appreciably less hard & poor? I am not complaining of course of the engraving - it has been as faithful as possible under the circumstances - but I think the drawings had scarcely enough in them to stand the test of cutting unless that cutting could have been rigidly faithful - which was too much to expect - I would much rather give up the idea of initials altogether than let the book be disfigured by them & I could get Longman & give them up if I had your opinion to back me (though I would not mention it without your permission of course) & upon paying the engraver's expenses. I have not said anything to him yet & shall not unless I hear from you - as I expect that you agree with me - but I do not like to run any risk & I am sure you will advise me for the best;" adding, in a postscript, "Please mention in your letter whether I may quote you & L. as against the initials or whether you would rather not."