Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg

March 13 through May 31, 2026

In an unprecedented collaboration, the Mozarteum Foundation of Salzburg and the Morgan Library & Museum have partnered to tell the story of the life and career of Wolfgang Amadeus Mozart. Objects from the Salzburg collections will cross the Atlantic for the first time, including Mozart’s own clavichord and violin, as well as famous portraits, letters, and personal objects of Mozart and his family. Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg also draws from the Morgan’s extensive collections of music manuscripts, letters, and first editions that feature the forms in which Mozart was preeminent: symphony, piano concerto, and opera. Evoking the cities, homes, and people that shaped the composer, the exhibition highlights Mozart’s many travels, continual quest for employment and renown, family tensions, and constant creative output amid frequent illness and other challenges. It also illustrates Mozart’s existence under aristocratic patronage, a context both foreign and familiar to modern viewers.

The exhibition focuses on the two family chapters of Mozart’s life: his youth with his father, Leopold, and sister Nannerl in Salzburg, and his adult life with his wife, Constanze, in Vienna. After Mozart’s death in 1791, Nannerl and Constanze returned to Salzburg, where they, with the composer’s two sons, preserved and built his legacy. Their collection became the foundation of the modern-day Mozarteum.

In the nineteenth century, partly through Beethoven’s influence, Mozart was reinvented as a foundation of the emerging idea of “classical music.” This exhibition explores how Mozart forged deep connections with listeners during his life and examines his enduring influence after his death, stemming from his posthumous reinvention.

Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg is organized by the Morgan Library & Museum in collaboration with the Mozart Museums of the International Mozarteum Foundation, Salzburg. It is curated by Robinson McClellan, the Morgan’s Mary Flagler Cary Curator of Music Manuscripts and Printed Music, in collaboration with co-curators Deborah Gatewood, Armin Brinzing, and Linus Klumpner of the Mozarteum, and Christopher J. Salmon.

The exhibition is made possible by The Packard Humanities Institute; an anonymous donor, in memory of Melvin R. Seiden; and Brook Berlind; with generous support from the Lucy Ricciardi Family Exhibition Fund; Christopher J. and Julie K. Salmon; Anne and Chris Flowers; the Achelis & Bodman Foundation; and Ayesha Bulchandani.

Giambettino Cignaroli, Mozart in Verona, Private Collection. Christie's Images / Bridgeman Images

Publication

Selected Images

Attributed to Giambettino Cignaroli (1706– 1770) 
Mozart in Verona [1770] 
Oil on canvas 
On loan to the Mozarteum from a private collection. 
International Mozarteum Foundation, Salzburg

Wolfgang Amadeus Mozart (1756–1791) 
Mozart’s earliest compositions [1761] 
Musical Manuscript in the hand of Leopold Mozart 
Andante in C (K. 1a), between February and April 1761 
Allegro in C (K. 1b), between February and April 1761 
Allegro in F (K. 1c), 11 December 1761 
Minuet in F (K. 1d), 16 December 1761 
The Morgan Library & Museum, Mary Flagler Cary Music Collection

Wolfgang Amadeus Mozart (1756–1791) 
Horn Concerto No. 4 in E-flat Major (K. 495) 
Autograph manuscript, Vienna, June 26, 1786 
The Mary Flagler Cary Collection, The Morgan Library & Museum, Cary 35

Andreas Ferdinand Mayr (1693–1764) 
Violin, Salzburg, 1746(?) 
Spruce and maple 
International Mozarteum Foundation Salzburg, Mozart Museums

Michel-Barthélémy Ollivier (1712–1784) 
English Tea in the Salon des Quatre-Glaces at the Maison du Temple, 1770 
Oil on canvas 
Christopher J. Salmon Collection, New York 
Formerly in the collection of Louis Philippe (1773–1850), Duc d’Orléans and future King of the French (r. 1830–48)

Pietro Antonio Lorenzoni (ca. 1721–1782) 
Portrait of Leopold Mozart, Salzburg, ca. 1766 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Attributed to Maria Rosa Hagenauer, née Barducci (1744–1786) 
Portrait of Anna Maria Mozart, Salzburg, ca. 1766 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Pietro Antonio Lorenzoni (1721–1782) 
Portrait of Maria Anna “Nannerl” Mozart, Salzburg, 1763 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Pietro Antonio Lorenzoni (1721–1782) 
Mozart in Courtly Attire, Salzburg, 1763 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Jean-Baptiste Delafosse (1721–1806), after Louis Carrogis de Carmontelle (1717–1806) 
The Mozart Family, Paris, 1764 
Copperplate engraving 
Christopher J. Salmon Collection, New York

Pendant with medallion encasing the hair of Wolfgang Amadeus Mozart (1756–1791) and Ludwig van Beethoven (1770–1827), Vienna, mid-nineteenth century 
Enamel, glass, and gold with hair 
International Mozarteum Foundation Salzburg, Mozart Museums

Wolfgang Amadeus Mozart (1756–1791) 
Postscript to Leopold Mozart’s letter to Anna Maria and Maria Anna “Nannerl” Mozart, Wörgl, December 14, 1769 
The Morgan Library & Museum. MLT M9397.M9395.

Unidentified artist 
Portrait of Maria Anna Thekla Mozart, last quarter of the eighteenth century 
Pencil on paper 
International Mozarteum Foundation Salzburg, Mozart Museums

Wolfgang Amadeus Mozart (1756–1791) 
Autograph letter to Maria Thekla Mozart (“Bäsle”), Mannheim, November 13, 1777 
The Morgan Library & Museum, Heineman Music Collection.

Wolfgang Amadeus Mozart (1756–1791) 
Piano Sonata No. 8 in A Minor (K. 310) 
Autograph manuscript, Paris, 1778 
The Morgan Library & Museum, Robert Owen Lehman Collection, on deposit

Eduard Mandel (1810–1882), after Doris Stock (1760–1832) 
Portrait of Wolfgang Amadeus Mozart, Berlin, 1858 
Engraving 
Christopher J. Salmon Collection, New York

Wolfgang Amadeus Mozart (1756–1791) 
“Haffner” (Hafner) Symphony No. 35 in D Major (K. 385) 
Autograph manuscript, 1782 
The Morgan Library & Museum, Mary Flagler Cary Music Collection.

Clavichord, South Germany(?), last quarter of the eighteenth century 
Spruce, plum, maple, beechwood 
International Mozarteum Foundation Salzburg, Mozart Museums

Admission ticket to a concert by Wolfgang Amadeus Mozart, Vienna, after 1782 
International Mozarteum Foundation Salzburg, Mozart Museums

Wolfgang Amadeus Mozart (1756–1791) 
Horn Concerto No. 4 in E-flat Major (K. 495), movement 2, fol. 13r. 
Autograph manuscript, Vienna, June 26, 1786 
The Morgan Library & Museum, Mary Flagler Cary Music Collection.

Wolfgang Amadeus Mozart (1756–1791) 
“Non so più cosa son, cosa faccio” (I do not know what I am, what I do) 
Aria from Le nozze di Figaro (The Marriage of Figaro, K. 492/6) 
Arranged for piano, violin, and voice by Mozart 
Autograph manuscript, Vienna, late 1785/early 1786 
The Morgan Library & Museum, Heineman Music Collection MS 157.

Wolfgang Amadeus Mozart (1756–1791) 
Ein musikalischer Spaß ([Some] musical fun) in F Major (K. 522) 
Offenbach: J. André, 1802 [first edition] 
The Morgan Library & Museum, James Fuld Music Collection.

Johann Joseph Lange (1751–1831) 
Unfinished portrait of Wolfgang Amadeus Mozart, ca. 1789 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Wolfgang Amadeus Mozart (1756–1791) 
Serenade on G major (Eine Kleine Nachtmusik), K. 525 Literally “A Little Night Music” 
First edition 
Offenbach: J. André, 1827 
The Morgan Library & Museum, James Fuld Music Collection

Walking stick with sphinx, late eighteenth century 
Ivory and wood 
International Mozarteum Foundation Salzburg, Mozart Museums

Josef Gail (1755–1830) 
Set design for act 2, scene 4, in the original production of Die Zauberflöte (The Magic Flute, K. 620), Vienna, 1791 
Graphite and ink on paper 
Christopher J. Salmon Collection, New York 
Formerly in the Mayr-Fajt Collection of XVII and XIX Century Stage Designs

Wolfgang Amadeus Mozart (1756–1791) 
Sketch for the “March of the Priests” from Die Zauberflöte (The Magic Flute, K. 620/9) 
Autograph manuscript, Vienna, 1791 
The Morgan Library & Museum, Mary Flagler Cary Music Collection.

Wolfgang Amadeus Mozart (1756–1791) and Franz Xaver Süssmayr (1766–1803) 
Requiem in D Minor (K. 626) 
Leipzig: Breitkopf & Härtel [first edition] 
The Morgan Library & Museum, James Fuld Music Collection

Franz Xaver Wolfgang Mozart (1791–1844) 
Rondo in F Major for Piano 
Probably autograph manuscript, Vienna, 1802 
Internationale Stiftung Mozarteum, Bibliotheca Mozartiana

Hans Hansen (1769–1828) 
Portrait of Carl Thomas and Franz Xaver 
Wolfgang Mozart, Vienna, ca. 1798(?) 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Maria Anna von Berchtold zu Sonnenburg, née Mozart (“Nannerl”; 1751–1829) 
Autograph letter to Johann Andreas Stumpff, Salzburg, September 21, 1824 
Postscripts by Constanze Nissen (formerly Mozart) and her second husband Georg Nikolaus Nissen 
The Morgan Library & Museum, Mary Flagler Cary Music Collection

Frédéric Chopin (1810–1849) 
Variations on Mozart’s “Là ci darem la mano” (There we will give each other our hands) 
Autograph manuscript, Warsaw, 1827 
The Morgan Library & Museum, Robert Owen Lehman Collection, on deposit

Unidentified artist 
Portrait of Emperor Joseph II, 1777 
Oil on canvas 
International Mozarteum Foundation Salzburg, Mozart Museums

Karl Traugott Riedel (1769–1832), after Gandolph Ernst Stainhauser von Treuberg (1766–1805) 
Portrait of Antonio Salieri 
Copper engraving 
Leipzig: Hoffmeister und Kühnel, 1802 
International Mozarteum Foundation Salzburg, Mozart Museums