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Commentary on the Apocalypse and commentary on the Book of Daniel (MS M.429)

337. MS M.429, fol. 167r
338. MS M.429, fol. 167v
339. MS M.429, fol. 168r
340. MS M.429, fol. 168v
341. MS M.429, fol. 169r
342. MS M.429, fol. 169v
343. MS M.429, fol. 170r
344. MS M.429, fol. 170v
345. MS M.429, fol. 171r
346. MS M.429, fol. 171v
347. MS M.429, fol. 172r
348. MS M.429, fol. 172v

The Apocalypse, or Book of Revelation, is not only the last Book of the New Testament, but its most difficult, puzzling, and terrifying. It provided challenges to medieval illustrators and was the source for a number of popular images, such as Christ in Majesty, the Adoration of the Lamb, and the Madonna of the Apocalypse and contributed to the widespread use of the Evangelists' symbols.

The Morgan's Las Huelgas Apocalypse, is the latest dated (1220) and largest surviving manuscript of a Spanish tradition of illuminated commentaries on the Apocalypse by the monk Beatus of Liébana. The series of manuscripts constitutes Spain's most important contribution to medieval manuscript illumination.

The Las Huelgas Apocalypse contains three sections: the prefatory cycle, the Apocalypse, and the Book of Daniel.