Secrets From The Vault

Due to temporary closures in New York City resulting from COVID-19, the Morgan’s employees have been working from home. This diary series captures their musings and ponderings while managing the challenges and triumphs of operating at home.

Letter-writers are not always consistent about dating their correspondence, especially quick casual notes. In order to determine when something was written, we often have to consult postmarks or notes made by the recipient. But, much to the chagrin of researchers and librarians everywhere, sometimes the only clues lie in the actual contents of the letter.

Imagine having a father who was friends with Charles Dickens, William Makepeace Thackeray, Alfred Lord Tennyson, and other famous authors of the 19th century. Henry Bradbury, the son of William Bradbury (of the Victorian publisher Bradbury and Evans), used his father's connections to compile a scrapbook of letters, sketches, drawings, prints, photographs, and printed ephemera. Much of the material is related to Punch, the Victorian periodical printed and later purchased by Bradbury and Evans.

Tracing a book’s ownership history—its provenance—is for me one of the most enjoyable, if sometimes frustrating, aspects of book history. This post will highlight the provenance of European books owned by women during the sixteenth century and focus on how ownership might be denoted on the binding of the book, particularly through the inclusion of a personal name.