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Jacopo Tintoretto (1518–1594) was among the most distinctive artists of the Italian Renaissance, but his drawings have never received the attention they deserve and remain unfamiliar even to many scholars.

On view are approximately forty items related to Puccini's career, including rarely seen original sketches for his acclaimed operas Madama Butterfly and La Bohème.

In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.

David Hockney (b. 1937) is one of the most internationally respected and renowned artists alive today.

The exhibition features approximately sixty rare and exceptional objects from diverse disciplines that serve as points of departure for exploring some of the fundamental meanings of genius.

An extraordinary new exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large-scale, black-and-white works as a group for the first time and examines Lichtenstein's less known exploration of the medium of drawing.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments.

This exhibition celebrates the Morgan's Man Booker Prize Collection—the largest American collection devoted to the prize, acquired in 2010.

The Walters Art Museum made the Middle Ages come alive for visitors with The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Picture Bible—one of the greatest illuminated manuscripts produced in France during the thirteenth century—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.