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This exhibition explores the ways in which Renoir used paper to test ideas, plan compositions, and interpret both landscape and the human figure.

A widely connected pioneer of Pop and mail art, Ray Johnson (1927–1995) was described as “New York’s most famous unknown artist.”

The satirical scenes of the celebrated English artist William Hogarth (1697–1764) are iconic representations of eighteenth-century urban life at a time of great socio-economic disparity.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

The Morgan Library & Museum presents the first retrospective of drawings by Philip Guston (1913–1980) in twenty years.

Drawing Connections explores the correspondences between contemporary and old master drawings.

With over seventy items on view, the exhibition raises questions about this pervasive practice: what is a diary?

The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.

This exhibition explores an extraordinary partnership, as documented in director James Ivory’s annotated film scripts, editing notebooks, and correspondence

Nearly fifteen years ago, while the construction of its Renzo Piano-designed expansion was under way, the Morgan embarked on a new program of acquisitions of modern and contemporary drawings.