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The exhibition features approximately sixty rare and exceptional objects from diverse disciplines that serve as points of departure for exploring some of the fundamental meanings of genius.

Conceived in two parts, this double-gallery exhibition explores the origins of Tarot in Renaissance Italy and its ongoing relevance as a source of inspiration for artists in the twentieth and twenty-first centuries.

A Collective Invention: Photographs at Play signals the debut of photography as a curatorial focus at the Morgan.

This exhibition tells how a largely self-taught artist and writer used a series of private letters to develop some of the most vividly depicted animal characters in all of children's literature.

Drawn from the Morgan's Ruskin collections, among the world's most comprehensive, the exhibition explored his sweeping impact through drawings, sketchbooks, manuscripts, books, pamphlets, and other objects.

This exhibition of eighteen manuscripts illuminated in the area of Flanders in the southern Netherlands (today part of Belgium) celebrates the variety of styles from the last great flowering of Flemish illumination during the fifteenth and early sixteenth centuries.

David to Cézanne: Nineteenth-Century French Drawings was the Morgan's first large-scale exhibition of French nineteenth-century drawings from its holdings.

The nineteenth century in Europe saw the rise of plein air painting, in which artists used oil paint while working outdoors.

William Caxton and the Birth of English Printing celebrates this foundational moment in the history of English literature and language.

Rome exists not only as an intensely physical place, but also as a romantic idea onto which artists, poets, and writers project their own imaginations and longings. City of the Soul examines the evolving image of Rome in art and literature with a display of books, manuscripts, prints, photographs, and drawings.