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Rococo and Revolution: Eighteenth-Century French Drawings features more than eighty exceptional drawings almost exclusively from the Morgan's renowned holdings.

The temporary installation of three sculptures by Mark di Suvero in the Gilbert Court was prompted by the friendship and mutual admiration between di Suvero and Renzo Piano, the architect who designed the court.

Private Treasures provided the public the rare opportunity to view works from the sixteenth through the twentieth centuries drawn entirely from an esteemed private collection.

This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and its related drawings, all from the Menil Collection in Houston.

The exhibition explores Lincoln as a writer and public speaker whose eloquence shaped the nation and the world, in his time and in ours.

Rome exists not only as an intensely physical place, but also as a romantic idea onto which artists, poets, and writers project their own imaginations and longings. City of the Soul examines the evolving image of Rome in art and literature with a display of books, manuscripts, prints, photographs, and drawings.

The brilliant and celebrated writer, dramatist, aesthete, wit, and self-proclaimed "lord of language" was the focus of Oscar Wilde: A Life in Six Acts, originally organized by the British Library. Wilde's (1854–1900) rise to success as a literary and social figure was meteoric. His decline to notoriety and disgrace was equally dramatic. Twelve years after publishing his first work of fiction, in 1888, he was dead at the age of forty-six, buried in a pauper's grave on the outskirts of Paris.

Sing a New Song traces the impact of the Psalms on men and women in medieval Europe from the sixth to the sixteenth century.

Combining diverse artworks from across the Morgan’s collections and some exceptional loans, Come Together: 3,000 Years of Stories and Storytelling explores how stories shape our world.

The Thaw Collection is an exhibition of works that have been acquired by Eugene V. and Clare E. Thaw since 1994. In the decades since the early 1950s, when they obtained their first drawing, a figure study by Giambattista Tiepolo, they have assembled one of the finest collections of drawings and watercolors in private hands. On the occasion of the first exhibition of their drawings at The Morgan Library & Museum in 1975, the Thaws announced their intention to eventually present the collection to the institution.