Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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June 3 through September 18, 2016Held by a private collection, this magnificent painting will be shown in the United States for the very first time at the Morgan.
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September 19, 2008, through January 4, 2009The exhibition Drawing Babar returns visitors to the two essential moments of Babar's creation: when Jean de Brunhoff and, years later, his son Laurent, set down their initial thoughts on paper.
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January 20 through April 29, 2012This exhibition features over 90 drawings by many of the preeminent artists of Holland's Golden Age.
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July 20 through October 14, 2012With approximately eighty oil sketches on paper, this exhibition will reveal a private side of Albers's work.
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September 11, 2009, through January 3, 2010In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.
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September 26, 2014 through January 19, 2015Comprising seventy works from private and public collections, including the Morgan Library & Museum, this exhibition will consider the artist's wide-ranging achievements as a draftsman and his particular approach to the open-air oil sketch.
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March 10 through June 4, 2023In a letter written near the end of his life, Giovanni Battista Piranesi (1720–1778) explained to his sister that he had lived away from his native Venice because he could find no patrons there willing to support “the sublimity of my ideas.”
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March 27 through December 9, 2018Rivers and Torrents highlights works from the collection of oil sketches given jointly to the Morgan and to the Metropolitan Museum of Art in 2009 and 2016 by Eugene V. Thaw and his wife, Clare.
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February 10 through November 8, 2026
In his landmark 1800 treatise on landscape painting, Elements of Practical Perspective, Pierre Henri de Valenciennes lamented the difficulty of portraying the sun’s light using oil paint. An artist, he explained, cannot look at the blazing body for longer than a moment, lest they be dazzled, and even if they could, “as there is no color in nature that is luminous by itself, the painter is very limited in the means he uses to copy the light of nature. So we laugh at the vain efforts made by an artist when he wants to imitate the color of the sun.”
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December 1, 2006, through March 4, 2007Saul Steinberg: Illuminations featured more than one hundred drawings, collages, and sculptural assemblages by the artist whom many regard as not only a comic genius but among the greatest draftsmen of the modern era.
