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This exhibition marks the 150th anniversary of Dickens’s famous reading tour of the United States in 1867, and will thus examine his later career as a performer.

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

This exhibition explores the ways in which Renoir used paper to test ideas, plan compositions, and interpret both landscape and the human figure.

In the spring of 2019 Jayne Wrightsman bequeathed to the Morgan an exceptional collection of books bound for the highest echelons of 18th-century French society.

One of the earliest original manuscripts of Magna Carta dating to 1217 is on view at the Morgan through May 30.

The Morgan expansion project is the subject of a special exhibition that begins with a historical survey of the site from the 1850s through today.

The Hours of Catherine of Cleves is the most important and lavish of all Dutch manuscripts as well as one of the most beautiful among the Morgan's collection.

Masterworks from the Morgan presented more than three hundred masterworks drawn from all six of the Morgan's collection areas, including new acquisitions and works that have never been seen or have not been exhibited for many years.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).