Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Fourth Stage of Cruelty (Reward of Cruelty)

William Hogarth
1697-1764

Fourth Stage of Cruelty (Reward of Cruelty)

1750
14 1/8 x 11 7/8 inches (359 x 304 mm)
Red chalk on paper; incised with stylus and squared for transfer in graphite; verso rubbed with red chalk.
III, 32e

Purchased by Pierpont Morgan (1837-1913) in 1909.

Notes
One of four drawings for the engraved series "Four Stages of Cruelty".
Fresh from the gallows, Nero's corpse is brought to a medical theater, where it is disemboweled and dissected by three surgeons while a senior faculty member supervises. As one surgeon pierces Nero's eye socket, another delves into his rib cage to pull out his intestines, which an attendant stuffs into a bucket. In the foreground, a dog licks Nero's heart in an act of poetic justice. Bones boil in a cauldron at right, indicating that the ultimate fate of Nero's body is to await reassembly into an anatomical model - a truly fitting end to his career as an abusive miscreant.
Closely corresponding to the preparatory drawing in almost all respects, the final print in the series also adds contemporary references. The skeletons on view are identified as James Field, the boxer-turned-thief named in the engraving of the second stage, and James Macleane, the gentleman highwayman. Field was hanged for robbery eleven days before the prints were published, and Macleane had been executed in October 1750. The topic of seizing hanged bodies for anatomical study generated public controversy in the late 1740s, but within a year of the publication of Hogarth's series, the 1752 Murder Act declared the dissection of hanged bodies permissible. -- Exhibition Label, from "Hogarth: Cruelty and Humor"
See also the records for the rest of the drawings in this series of four scenes (III,32b; III, 32c; III, 32d; III, 32e).
Inscriptions/Markings
Watermark: HONI SOIT QUI MAL Y PENSE in double circle, shield inside circle, crown above and bell below.
Watermark: Countermark: Letters "GR" and half qreath,surmounted by crown, inside a circle.
Associated names
Hogarth, Jane, 1711?-1789, former owner.
Lort, Michael, 1725-1790, former owner.
Joly, J. R. (Jasper Robert), former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Morgan, J. P. (John Pierpont), 1867-1943, former owner.
Bibliography
Collection J. Pierpont Morgan : Drawings by the Old Masters Formed by C. Fairfax Murray. London : Privately printed, 1905-1912, III, 32e.
Wiles, Stephanie. To Observe and Imagine : British Drawings, 1600-1900. New York : Pierpont Morgan Library, 1998, no. 22.
Classification
Century Drawings
School
Department