Claude Gillot
      
            1673-1722
      
            Childhood, from Four Ages of a Satyr
ca. 1700
      
            8 1/4 x 5 7/8 inches (212 x 152 mm)
      
            Red chalk, worked wet in some places, with white opaque watercolor, on paper; traced for transfer with the stylus.
      
            1986.20 
      
            Purchased as the gift of Mrs. Francis Kettaneh and Mrs. Carl Stern.
Notes
              Watermark: none.
A mark of Gillot's increasing sophistication as an artist is a series of vertical format scenes depicting the Four Ages of a Satyr. The present sheet is devoted to Childhood, while others chronicled satyrs engaging in behavior typical of Adolescence, Maturity, and Old Age. All four were in the Paignon-Dijonval collection but only the Morgan's drawing is extant, the rest of the series is known through engravings, posthumously executed in reverse, by Francois Joullain. Infrared examination reveals that Gillot produced the drawing on a sheet of paper already used for a letter, though the content of the missive is difficult to distinguish.
Executed in a richly painterly rosaille technique achieved with a mixture of iron oxide/red chalk and lead white, Childhood depicts young satyrs as they learn to walk and play under the guidance of a nymph. She uses a doll to distract an eager child with a whirligig, while a child in a walker--pushed and pulled by his playmates--reaches his arm out for the toy. A child at lower right reclines against his drum while his companion rides a hobby horse.
          A mark of Gillot's increasing sophistication as an artist is a series of vertical format scenes depicting the Four Ages of a Satyr. The present sheet is devoted to Childhood, while others chronicled satyrs engaging in behavior typical of Adolescence, Maturity, and Old Age. All four were in the Paignon-Dijonval collection but only the Morgan's drawing is extant, the rest of the series is known through engravings, posthumously executed in reverse, by Francois Joullain. Infrared examination reveals that Gillot produced the drawing on a sheet of paper already used for a letter, though the content of the missive is difficult to distinguish.
Executed in a richly painterly rosaille technique achieved with a mixture of iron oxide/red chalk and lead white, Childhood depicts young satyrs as they learn to walk and play under the guidance of a nymph. She uses a doll to distract an eager child with a whirligig, while a child in a walker--pushed and pulled by his playmates--reaches his arm out for the toy. A child at lower right reclines against his drum while his companion rides a hobby horse.
Associated names
              Paignon-Dijonval, 1708-1792, former owner.
Beurdeley, Alfred, 1847-1919, former owner.
Kettaneh, Mary Shoucair, donor.
Stern, Anne Bigelow, donor.
          Beurdeley, Alfred, 1847-1919, former owner.
Kettaneh, Mary Shoucair, donor.
Stern, Anne Bigelow, donor.
Bibliography
              Ryskamp, Charles, ed. Twenty-First Report to the Fellows of the Pierpont Morgan Library, 1984-1986. New York : Pierpont Morgan Library, 1989, p. 344.
Denison, Cara D. French Master Drawings in the Pierpont Morgan Library. New York : Pierpont Morgan Library, 1993, no. 33, repr.
Populus, Bernard. L'Oeuvre gravé de Claude Gillot, Paris, 1930, nos. 390-93.
          Denison, Cara D. French Master Drawings in the Pierpont Morgan Library. New York : Pierpont Morgan Library, 1993, no. 33, repr.
Populus, Bernard. L'Oeuvre gravé de Claude Gillot, Paris, 1930, nos. 390-93.
Artist
              
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          Century Drawings
              
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