The Pickering Manuscript
[Autograph fair copy].
Gift of Mrs. Landon K. Thorne, 1971
This volume of ten poems in Blake's hand is the unique source for seven of his poetic works, including "Auguries of Innocence."
A dog starved at his master's gate
Predicts the ruin of the state.
The manuscript is named for a previous owner, B. M. Pickering, who acquired it in 1866 and published it for the first time that year. The poems probably date from about 1801 to 1804. As a "fair copy," it shows that Blake had copied all of the poems into a neat form with few corrections. Based on its paper stock and internal references, the manuscript has been dated to about 1807.
William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.
Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.
The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.
He who Doubts from what he sees
Will neer Believe do what you Please
If the Sun & Moon should Doubt
Theyd immediately Go out
To be in a Passion you Good may Do
But no Good if a Passion is in you
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn & every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night
We are led to Believe a Lie
When we see not Thro the Eye
Which was Born in a Night to perish in a Night
When the Soul Slept in Beams of Light
God Appears & God is Light
To those poor Souls who dwell in Night
But does a Human Form Display
To those who Dwell in Realms of day
Long John Brown & Little Mary Bell
Little Mary Bell had a Fairy in a Nut
Long John Brown had the Devil in his Gut
Long John Brown lovd Little Mary Bell
And the Fairy drew the Devil into the Nut-shell
Her Fairy skipd out & her Fairy skipd in
He laughd at the Devil saying Love is a Sin
The devil he raged & the Devil he was wroth
And the devil enterd into the Young Mans broth
He was soon in the Gut of the loving Young Swain
For John eat & drank to drive away Loves pain
But all he could do he grew thinner & thinner
Tho he eat & drank as much as ten Men for his dinner
Some said he had a Wolf in his stomach day & night
Some said he had the Devil & they guessd right
The fairy skipd about in his glory Joy & Pride
And he laughd at the Devil till poor John Brown died
Then the Fairy skipd out of the old Nut shell
And woe & alack for Pretty Mary Bell
For the Devil crept in when The Fairy skipd out
And there goes Miss Bell with her fusty old Nut
This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.
This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.