Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f
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The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.
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Handwriting works magic: it transports us back to defining moments in history, creativity, and everyday life and connects us intimately with the people who marked the page.
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“In a hole in the ground there lived a hobbit.” With these words the Oxford professor J.R.R. Tolkien ignited a fervid spark in generations of readers.
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Our curator John Marciari discusses our current exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi which examines Giovanni Battista Piranesi as a versatile draftsman and his vigorous drawings.
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This year marks the 300th birthday of the printmaker, architect, and designer Giovanni Battista Piranesi (1720–1778), and in celebration, exhibitions were organized in Venice, London, Berlin, and elsewhere.
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Claire Gilman, our Acquavella Curator and Department Head, Modern and Contemporary Drawings, introduces a new acquisition by Jay DeFeo, who is known for her unconventional use of materials and intense physical method of artmaking.
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For our Centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan. First up, artist Walton Ford describes some of his favorites drawings in our collection and what about these works inspire him.
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American artist Walton Ford and Jennifer Tonkovich, our Eugene and Clare Thaw Curator of Drawings and Prints, discuss the artist’s current exhibition Walton Ford: Birds and Beasts of the Studio. Ford established his reputation in the 1990s with his monumental watercolor paintings of wild
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It is generally acknowledged that Boucher’s Triumph of Venus, painted in the summer of 1740 for Count Carl Gustaf Tessin, is the artist’s greatest mythological painting.
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