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September 12, 2020 through January 31, 2021

Joel Smith discusses the ways that various artistic media can overlap and intersect. In this case, we examine photography, drawing, and sculpture.

Watch more videos:

Van Eyck to Mondrian: 300 Years of Collecting in Dresden with Stephanie Buck, Director of the Dresden Kupferstich-Kabinett, who explores the history of the Dresden collection and share insights into a number of exceptional drawings on view in the exhibition.

Ann Percy, The Mainwaring Curator of Drawings, Philadelphia Museum of Art, delivers her lecture An Acquiring Mind: John S. Phillips, a Nineteenth-Century Philadelphia Print Collector’s Taste for Drawings on Saturday, March 5, 2016.

Diana Dethloff, Academic Administrator and Lecturer in Seventeenth-Century British Art, Department of History of Art, University College, London, delivers her lecture Peter Lely: Collecting in Seventeenth–Century England on Friday, March 4, 2016.

Hugo Chapman, The Simon Sainsbury Keeper of Prints and Drawings, British Museum, London, presents his keynote address Parallels, Patterns and Reversals: The British Museum as a Template for Collecting Old Master Drawings on Friday, March 4, 2016.

Hans Holbein the Younger’s portrait of Sir Thomas More, painted in 1527, is one of the pinnacles of the artist’s career. Xavier F.

Evelyn Karet, Independent Scholar and former Visiting Scholar, Department of Visual and Performing Arts, Clark University, Boston, presents her lecture Collecting Old Master Drawings in Northern Renaissance Italy before Vasari: Motivations and Patterns of Collecting on Friday, March 4, 2

What is one of the biggest challenges for a building in the wilds of New York City? The fearless New York City pigeon! Just like us, pigeons love the loggia of our J. Pierpont Morgan Library building.