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The Morgan Library & Museum is an important research center for scholars. We make our collections as accessible as possible within the limits set by their rarity and fragility.

In Longstaffe-Gowan's design, patterned accessible walkways of hand-laid bluestone recall the Renaissance floor patterns inside the library building and knit together three primary planting areas that bring the garden to life.

This new musical work for voice and birdroar instruments by composer Brent Michael Davids honors Nora Thompson Dean (1907–1984), a Lenape teacher and herbalist who dedicated her life to preserving Lenape culture.

"Here I am in this time and space, able to see {these paintings] with such intimacy and that is so, so exciting to me as a painter."

This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000). Though Brooks is generally well-known for her poetry, few recognize her expansive social and political impact.

What is one of the biggest challenges for a building in the wilds of New York City? The fearless New York City pigeon! Just like us, pigeons love the loggia of our J. Pierpont Morgan Library building.

When he was just eleven years old Pedro Corrêa do Lago wrote to ask François Truffaut for his signature and received, by return mail, a book inscribed by the French director. Over the ensuing decades Corrêa do Lago built one of the world’s most compelling collections of its kind.

Renowned for his beloved and acclaimed children’s books, Maurice Sendak (1928–2012) was also an avid music and opera lover. In the late 1970s, he embarked on a successful second career as a designer of sets and costumes for the stage.

In 1902, the American financier and collector J. Pierpont Morgan (1837–1913) commissioned architect Charles Follen McKim (1847–1909) of the firm McKim, Mead & White to design a freestanding library next to his home on East 36th Street in New York.