Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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In the spring of 2019, Jayne Wrightsman bequeathed to the Morgan an exceptional collection of books bound for the highest echelons of 18th-century French society.
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Auguste Renoir was a consummate Impressionist painter, but drawing also played a significant if less widely recognized role in his work. This symposium will bring together experts on the artist and his works on paper, including exhibition co-curators, scholars, and conservators.
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During the 1960s, a number of artists became keenly interested in the nascent field of computing. Mainframe computers on college campuses and collaboration with industry provided unprecedented access to this new technology.
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Maurice Ravel’s Bolero started out as a ballet score commissioned by dancer Ida Rubenstein. Her troupe danced the composition's first performance at the Paris Opera in 1928. It was an instant hit.
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In celebration of Pride, the Morgan presents two lectures on queer artists Rick Barton and Ray Johnson:
Talk 1
The Black Cat and the San Francisco Demi-monde, 1930s–60s
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Isabelle Dervaux discusses one of the most celebrated contemporary German artists, Georg Baselitz. He gained international recognition in the 1960s for revitalizing figurative painting.
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In an unprecedented collaboration, the Mozarteum Foundation of Salzburg and the Morgan Library & Museum have partnered to tell the story of the life and career of Wolfgang Amadeus Mozart.
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Van Eyck to Mondrian: 300 Years of Collecting in Dresden with Stephanie Buck, Director of the Dresden Kupferstich-Kabinett, who explores the history of the Dresden collection and share insights into a number of exceptional drawings on view in the exhibition.
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Claire Gilman, our Acquavella Curator and Department Head, Modern and Contemporary Drawings, introduces a new acquisition by Jay DeFeo, who is known for her unconventional use of materials and intense physical method of artmaking.
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Hans Holbein the Younger’s portrait of Sir Thomas More, painted in 1527, is one of the pinnacles of the artist’s career. Xavier F.
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