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This exhibition explores an extraordinary partnership, as documented in director James Ivory’s annotated film scripts, editing notebooks, and correspondence

Sol LeWitt's Wall Drawing 552D, generously donated to the Morgan by the Estate of Sol LeWitt, will be installed in the Morgan's Gilbert Court this summer.

The Walters Art Museum made the Middle Ages come alive for visitors with The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible. The Picture Bible—one of the greatest illuminated manuscripts produced in France during the thirteenth century—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

This exhibition is the first in the United States in over thirty years to celebrate these talented draftsmen and marks the promised gift to the Morgan of a group of Bibiena drawings from the collection of Jules Fisher, the Tony-winning lighting designer.

The market for children's books was an eighteenth-century innovation. By the last half of the nineteenth century, it was a major publishing enterprise. Efforts to educate greater portions of the populace and a growing middle class had fostered a larger reading public. Advancing technology had changed the appearance and availability of books. New illustrative and binding processes were often tested on books for children, giving them a glamour that dust jackets must provide today.

This exhibition presents Mesopotamian sculptural works from ca. 3300-2250 B.C., bringing together for the first time pieces from the Metropolitan Museum of Art, the Yale University Babylonian Collection, the Kimbell Art Museum, and the University of Pennsylvania Museum of Archaeology and Anthropology.

This show is the first-ever museum exhibition devoted to Matthew Barney's drawings and includes approximately 100 works.

For this spellbinding exhibition—the first exploration of his career at a New York museum—Gowin has combined favorites and rarities from five decades of work with objects drawn from throughout the collections of the Morgan.

Palladio and His Legacy: A Transatlantic Journey features thirty-one original Palladio drawings from the Royal Institute of British Architects.

On view were more than eighty sheets by French, British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the early twentieth centuries.