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Presenting over one hundred works that underscore the great scope of the Morgan's collecting interests, the exhibition included old master and modern drawings, literary and musical manuscripts, illuminated texts, and rare printed books and bindings.

British artist Bridget Riley (b. 1931) is one of the most celebrated abstract painters of her generation. This exhibition—the first dedicated exclusively to her drawings in over fifty years—provides an intimate view of Riley's studio practice, in which the making of works on paper plays a central role.

The Morgan celebrates the 1913 publication of Swann's Way with a fascinating selection of the author's notebooks, preliminary drafts, galley-proofs, and other documents from the collection of the Bibliothèque Nationale de France.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.

Three Gutenberg Bibles allows visitors to see important differences in copies of the first substantial printed book in the Western world, an epoch-making technological innovation, yet also a highpoint in the art of graphic design.

Seen Together showcases over forty previously unexhibited works acquired by the Morgan’s Department of Photography since its founding in 2012.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).

The exhibition includes eight extraordinary drawings by Dürer that demonstrate the variety and dynamism of his draftsmanship.

One of the most important contemporary American sculptors, Martin Puryear (b. 1941) has also made drawings throughout his career.

This New Yorker bouquet is drawn from the extraordinary collection of over 1300 drawings for the magazine assembled by Melvin R. Seiden.