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Treasures of Islamic Manuscript Painting from the Morgan marks the first time the Morgan has gathered these spectacular volumes together in a single exhibition.

The career of English caricaturist James Gillray (1756–1815) spanned from the late eighteenth century to the first decade of the nineteenth century.

The Morgan presents this exhibition on the occasion of an important loan from the Walters Art Museum in Baltimore: Rosso Fiorentino's Holy Family with the Young Saint John the Baptist.

Nearly twenty years ago, the Morgan decided to expand its collection of drawings and prints into the modern era.

One of the most popular and enigmatic American writers of the nineteenth century, Emily Dickinson (1830–1886) wrote almost 1,800 poems.

Presenting over one hundred works that underscore the great scope of the Morgan's collecting interests, the exhibition included old master and modern drawings, literary and musical manuscripts, illuminated texts, and rare printed books and bindings.

British artist Bridget Riley (b. 1931) is one of the most celebrated abstract painters of her generation. This exhibition—the first dedicated exclusively to her drawings in over fifty years—provides an intimate view of Riley's studio practice, in which the making of works on paper plays a central role.

The Morgan celebrates the 1913 publication of Swann's Way with a fascinating selection of the author's notebooks, preliminary drafts, galley-proofs, and other documents from the collection of the Bibliothèque Nationale de France.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.

Three Gutenberg Bibles allows visitors to see important differences in copies of the first substantial printed book in the Western world, an epoch-making technological innovation, yet also a highpoint in the art of graphic design.