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With over seventy drawings, prints, and paintings, including an exceptional contingent from the Louvre, Claude Gillot: Satire in the Age of Reason explores the artist’s inventive and highly original draftsmanship and places his work in the context of the artistic and intellectual activity in Paris at the dawn of a new century.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.

This milestone exhibition—the Morgan's first devoted exclusively to twentieth-century art—served as the centerpiece of the institution's yearlong celebration of its seventy-fifth anniversary.

The Morgan’s collection of autograph manuscripts by Beethoven will be on display as part of Beethoven 250.

By the mid-eighteenth century, the practice of sketching outdoors with oil paint had become popular among landscape artists.

This exhibition explores the recent growth of the Morgan's collection of drawings made before 1900.

The exhibition will include thirty-seven works that represent the two central elements of the Romantic conception of landscape: close observation of the natural world and the importance of the imagination.

Rococo and Revolution: Eighteenth-Century French Drawings features more than eighty exceptional drawings almost exclusively from the Morgan's renowned holdings.

This fall, the Morgan will devote two galleries to an extraordinary exhibition of rarely-seen master drawings from the Staatliche Graphische Sammlung, Munich, one of the foremost collections in Europe.

Drawing on the Morgan's superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages.