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The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

The Nationalmuseum, Sweden’s largest and most distinguished art institution, is partnering with the Morgan to bring more than seventy-five masterpieces from its collections to New York for a rare visit.

This exhibition will include more than ninety drawings created between 1900 and 2013 by artists from Matisse, Mondrian, and Schiele to Pollock, Warhol, Lichtenstein, Twombly, and—more recently—Kippenberger and Dumas.

The exhibition explores Whitman’s process of self-invention, from his early years as a journalist, through the early 1850s when Whitman began to write more privately and poetically, to his final years.

American artist Walton Ford (b. 1960) established his reputation in the 1990s with his monumental watercolor paintings of wild animals inspired by true or legendary stories of dramatic encounters between humankind and nature.

Private Treasures provided the public the rare opportunity to view works from the sixteenth through the twentieth centuries drawn entirely from an esteemed private collection.

Throughout his long life and career, the artist Ashley Bryan created and illustrated children’s books that celebrated Black life and Black creativity.

The exhibition examined the critical ten-year period that coincides with Dylan's transformation from folk troubadour to rock innovator during a momentous, turbulent period of American history.

A Love Affair with Line: Drawings by Al Hirschfeld was a retrospective exhibition celebrating the draftsman's extraordinary career. Hirschfeld began depicting theater subjects in the mid-1920s and has chronicled generations of Broadway performers, playwrights, producers, and critics. He also has drawn inspiration from dance, film, and television, as well as from the landmarks of New York. Many of his distinctive drawings were first published in The New York Times during his more than sixty-year association with the paper.