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Through the generosity of private donors, the Morgan acquired an exceptionally fine impression of the engraving Adam and Eve by the German master Albrecht Dürer (1471–1528).

Active in New York in the 1980s and 1990s as a sculptor and draftsman, Al Taylor (1948–1999) found inspiration for his lyrical and witty compositions in banal objects and everyday situations.

Private Treasures provided the public the rare opportunity to view works from the sixteenth through the twentieth centuries drawn entirely from an esteemed private collection.

The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

This exhibition will include more than ninety drawings created between 1900 and 2013 by artists from Matisse, Mondrian, and Schiele to Pollock, Warhol, Lichtenstein, Twombly, and—more recently—Kippenberger and Dumas.

The exhibition explores Whitman’s process of self-invention, from his early years as a journalist, through the early 1850s when Whitman began to write more privately and poetically, to his final years.

American artist Walton Ford (b. 1960) established his reputation in the 1990s with his monumental watercolor paintings of wild animals inspired by true or legendary stories of dramatic encounters between humankind and nature.

The exhibition examined the critical ten-year period that coincides with Dylan's transformation from folk troubadour to rock innovator during a momentous, turbulent period of American history.

The Morgan Library & Museum presents from its rich permanent collection a select group of related works by artists at the court of Duke Cosimo I dei Medici (1519–1574).