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Through nearly fifty manuscripts, first editions, letters, and related materials drawn almost entirely from the Morgan's collections, the exhibition Liszt in Paris: Enduring Encounters celebrates the art and the diverse and fertile artistic world of the virtuoso pianist-composer.

One camera, one viewfinder: photography is often understood as a solitary practice. Throughout the medium’s history, however, artists have challenged the notion of one-person authorship.

Charles Dickens at 200 celebrates the bicentennial of the great writer's birth in 1812 with manuscripts of his novels and stories, letters, books, photographs, original illustrations, and caricatures.

Private Treasures provided the public the rare opportunity to view works from the sixteenth through the twentieth centuries drawn entirely from an esteemed private collection.

While exploring the volumes in her parents’ library, Karen Bassine Cohen discovered a passion for the nineteenth century.

On view were more than eighty sheets by French, British, Italian, Dutch, Flemish, and German draftsmen from the sixteenth through the early twentieth centuries.

Drawing Connections explores the correspondences between contemporary and old master drawings.

The oil sketches displayed here engage with a range of Sublime effects, from the impressive vastness of a mountain range and the thrill of rushing water to the terror of a raging storm.

One of the earliest original manuscripts of Magna Carta dating to 1217 is on view at the Morgan through May 30.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments.