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For this spellbinding exhibition—the first exploration of his career at a New York museum—Gowin has combined favorites and rarities from five decades of work with objects drawn from throughout the collections of the Morgan.

Blaise Cendrars, born Frédéric Louis Sauser, was a catalyst in some of the explosive artistic innovations of the early twentieth century.

With manuscripts and letters of the great Scottish poet Robert Burns (1759–1796), rare printed editions, and audio selections, this highly focused exhibition explores the origins of a song that began as an old Scots poem and air and evolved into a globally shared expression of friendship and longing.

The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible used medieval works from the Morgan and The Walters Art Museum, Baltimore, to explore ways in which Christian, Muslim, and Jewish cultures used storytelling to define themselves and their values. The Picture Bible—one of the greatest illuminated manuscripts produced in thirteenth-century France—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

The Bible is a cornerstone of religion, art, and literature in the western world. Few books can demonstrate the power of the printed word as vividly as scripture—a bedrock of faith, an object of veneration, a formative influence on language and culture.

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

By the mid-eighteenth century, the Grand Tour, a study trip through Europe with a period of residence in Italy, had become a fixture in the education of European aristocrats and the training of artists.

American artist Spencer Finch (b. 1962) will unveil a new, site-specific, large-scale installation at the Morgan inspired by its great collection of medieval Books of Hours.

Views of Rome and Naples is the fifth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare. Mr. Thaw is also an honorary trustee of the Metropolitan Museum of Art.

The show focuses on artists who worked on the frescoes, paintings, tapestries, and other decorative work that embellished the magnificent Palazzo Vecchio in Florence, best known as the home of the Medici dukes.