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British artist Bridget Riley (b. 1931) is one of the most celebrated abstract painters of her generation. This exhibition—the first dedicated exclusively to her drawings in over fifty years—provides an intimate view of Riley's studio practice, in which the making of works on paper plays a central role.

A widely connected pioneer of Pop and mail art, Ray Johnson (1927–1995) was described as “New York’s most famous unknown artist.”

This fall, the Morgan will display a selection of exceptional documents from the Gilder Lehrman Institute of American History, one of the country's foremost archives of Americana.

The Morgan Book Project, offered free of charge, is an annual extended learning program for NYC students in grades 3–12 in which they produce their own handmade accordion books.

To eighteenth- and nineteenth-century European artists, the ephemeral qualities of weather and light were as integral to their landscape paintings as the terrain itself.

From the tales of famous travelers like Marco Polo and Alexander the Great to the ancient encyclopedias of Pliny and Isidore, medieval conceptions of the world were often based more on authoritative tradition than direct observation.

Marking the two-hundredth anniversary of his death, this exhibition considers the Morgan’s Keats collection through the lens of the library’s first director, Belle da Costa Greene.

Drawn from the Morgan's collection, the exhibition examines the origins of modern scenic design and chronicles the evolution of stage sets during the highly innovative period of ca. 1900 to 1970.

The exhibition combines original drawings for the strip and the novel with source photographs, books that influenced the form and content of McGuire's invention, and collages and sketchbooks that afford glimpses into his creative process.

Close Encounters showcases a group of sixty-seven portraits of notable subjects by Irving Penn (b. 1917), acquired by The Morgan Library & Museum in 2007.