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Fragonard and the French Tradition celebrated the artist's brilliant accomplishments as a draftsman in the context of the prevailing currents of eighteenth-century French art.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

Seeds of Knowledge highlights the collection of 15th to 17th-century European printed herbals of Dr. Peter Goop (Liechtenstein). Herbals were highly illustrated, critical texts to doctors and lay healthcare providers that included both the folkloric and medicinal uses of plants.

Pierre-Jean Mariette (1694–1774) was one of the earliest and most important collectors of old master drawings and he played a pivotal role in shaping our modern conception of the old masters.

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile and inventive artists of the early 1500s.

Featuring more than sixty-five exquisitely illuminated manuscripts, Illuminating Faith offers glimpses into medieval culture, and explores the ways in which artists of the period depicted the celebration of the sacrament and its powerful hold on society.

This exhibition celebrates the gift of forty-eight pastel drawings to the Morgan’s collection from the artist and his dealer Arne Glimcher.

Pakistani American artist Shahzia Sikander is internationally celebrated for bringing Indo-Persian manuscript-painting traditions into dialogue with contemporary art practice.

Highlights from this season's selection include a mid-fifteenth-century English cooking scroll; autograph music manuscripts by Wagner, Verdi, and Britten; the first book printed in the English language; letters from Jane Austen and Albert Einstein; and photographer Edward Steichen's famous portrait of Pierpont Morgan.

Conceived in two parts, this double-gallery exhibition explores the origins of Tarot in Renaissance Italy and its ongoing relevance as a source of inspiration for artists in the twentieth and twenty-first centuries.