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Creator of unforgettable animal characters like Peter Rabbit, Jeremy Fisher, and Mrs. Tiggy-Winkle, the beloved children’s book author and illustrator Beatrix Potter (1866–1943) rooted her fiction in the natural world.

The satirical scenes of the celebrated English artist William Hogarth (1697–1764) are iconic representations of eighteenth-century urban life at a time of great socio-economic disparity.

A leading French artist of the twentieth century, Jean Dubuffet (1901-1985) eschewed traditional notions of beauty in art in favor of what he perceived as more authentic forms of expression, inspired by graffiti, children’s drawings, and the creations of psychiatric patients.

Guercino: Virtuoso Draftsman continues a series of exhibitions focused on highlights from the Morgan’s collection.

A museum and independent research library, the Morgan Library & Museum began as the personal library of financier, collector, and cultural benefactor John Pierpont Morgan (1837–1913). As early as 1890, Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints.

American artist Walton Ford (b. 1960) established his reputation in the 1990s with his monumental watercolor paintings of wild animals inspired by true or legendary stories of dramatic encounters between humankind and nature.

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

The Morgan celebrates the recently-completed Saint John's Bible, created using traditional illumination techniques.

The Book of Kings: Art, War, and the Morgan Library's Medieval Picture Bible used medieval works from the Morgan and The Walters Art Museum, Baltimore, to explore ways in which Christian, Muslim, and Jewish cultures used storytelling to define themselves and their values. The Picture Bible—one of the greatest illuminated manuscripts produced in thirteenth-century France—was disbound for conservation and study, offering visitors a once-in-a-lifetime opportunity to view twenty-six of the book's pages in a single exhibition.

Van Gogh's words and sketches reveal his thoughts about art and life and communicate his groundbreaking work in Arles to his fellow painter.