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William Caxton and the Birth of English Printing celebrates this foundational moment in the history of English literature and language.

The Morgan will present an exhibition of highly original, graphically intriguing, and rarely seen handmade holiday cards created by major twentieth-century artists.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

Guercino: Virtuoso Draftsman continues a series of exhibitions focused on highlights from the Morgan’s collection.

This exhibition marks the 150th anniversary of Dickens’s famous reading tour of the United States in 1867, and will thus examine his later career as a performer.

One Hundred Years of James Joyce’s “Ulysses” explores Joyce’s trajectory from lyric poet to modernist genius.

As a part of the exhibition A Celebration: Acquisitions in Honor of the Morgan’s Centennial, on view through August 17, this selection highlights a group of drawings gifted to the museum by the artist Giuseppe Penone.

This exhibition isbased on The Enterprise of Opera - Verdi, Boito, Ricordi created by Bertelsmann/Ricordi and curated by Gabriele Dotto.

Drawing upon the rich holdings of the Morgan’s collection of medieval and Renaissance illuminated manuscripts, Now and Forever explores how people told time in the Middle Ages and what they thought about it.