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The Morgan expansion project is the subject of a special exhibition that begins with a historical survey of the site from the 1850s through today.

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

One of the Morgan's core strengths is its collection of historically and artistically significant bookbindings.

With the exception of small displays in cafés and bookshops in the 1950s and ‘60s, this exhibition of sixty drawings, two accordion-fold sketchbooks, and five printed works, is the first time Barton’s art is being seen by the public.

An extraordinary collection of forty-three early-twentieth-century German and Austrian drawings by some of the leaders of the German expressionist movement and the Vienna Secession was on view in From Berlin to Broadway.

In this exhibition, the Book of Revelation, in all of its complexity, was seen through the eyes of some of the greatest medieval illuminators.

This fall, the Morgan will devote two galleries to an extraordinary exhibition of rarely-seen master drawings from the Staatliche Graphische Sammlung, Munich, one of the foremost collections in Europe.

Henry James and American Painting is the first exhibition to explore the author’s deep and lasting interest in the visual arts and their profound impact on the literature he produced.

The Hours of Catherine of Cleves is the most important and lavish of all Dutch manuscripts as well as one of the most beautiful among the Morgan's collection.

Morgan Library & Museum presents over one hundred drawings and photographs from the collection assembled by American fashion designer Herbert Kasper—known simply as Kasper.