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The spectacular Crusader Bible is one of the greatest illuminated manuscripts in the world, renowned as much for its unrivalled and boldly colored illustrations as it is for its fascinating history.

This exhibition examines the ways in which the artists, writers, and composers represented in the Morgan's collection used animals to think and create.

This exhibition explores the ways in which Renoir used paper to test ideas, plan compositions, and interpret both landscape and the human figure.

This exhibition explores the history of the medium as a lucid, literate—but not always literal—tool of persuasion.

The satirical scenes of the celebrated English artist William Hogarth (1697–1764) are iconic representations of eighteenth-century urban life at a time of great socio-economic disparity.

The Morgan’s collections continually grow and evolve. This presentation features a selection of drawings newly acquired by the Department of Drawings and Prints, which focuses on work created before 1900.

The idea of cutting up a medieval manuscript is almost unthinkable today. Historically, however, this practice was relatively common, and it reached a fever pitch in the late nineteenth and early twentieth centuries.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments.

As part of the Bicentenary celebrations of the Royal Philharmonic Society, the Morgan will display two historic copyist scores of Beethoven's Ninth Symphony, marking the first time they have been brought together since their creation in 1824.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of building collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, correspondence and literary manuscripts, as well as printed music and autograph manuscripts by composers.